CAST INEFFECTIVE
A messy dramedy makes you wonder what it could have been with the right actors. Plus, a love story so not worth falling for.
JUNE 22, 2008 – IF WE HAD A TRADITION OF SURFER-DUDE MOVIES, Aftab Shivdasani might have been a star by now. He’s tall, he’s blandly handsome, he knows how to flash a winning smile, and it’s easy to imagine him as the go-to actor if you wanted someone to do nothing more than fill the frame photogenically while riding monster waves into the sunset. All this is just another way of saying no one has yet figured out what to do with him on land, where he’s at best an affable presence, at worst a blank slate, passable enough in frantic comedies like Hungama and Masti, but an absolute misfit in dramas. (Of his goldfish-mouthed attempts at thesping in Footpath, I wrote then, “The baby-faced Aftab Shivdasani, in particular, is majorly miscast; he’s supposed to be the lead through whose conflicts of conscience we’re meant to view the story, but he’s so out of his depth, it’s like watching Kumar Gaurav attempt Amitabh Bachchan’s role in Deewar.)
Teetering uncomfortably between comedy and drama, E Niwas’ De Taali doesn’t do Shivdasani any favours – but then, in all fairness, who, really, could pull off a moment like the one in a restroom where the actor (playing Abhi) is asked to high-five the occupant in the adjacent urinal before zipping up, just because they’re best buddies? (Apparently, friendship means never having to say you’re sanitary.) The recipient of this misplaced jubilation is Riteish Deshmukh (as Paglu), who, at least, has never posed a problem about where he fits in – and he’s actually gotten quite good at playing low-rent characters in lowbrow comedies. But then, De Taali isn’t his typical turf either, for it’s a wee bit more ambitious – a dash of the absurd and the farcical and the slightly surreal thrown into a story about love and friendship, and if you’re like me, you’ll spend your time wondering which performers, if any, could have made this mix work.
De Taali is a sprawling, shambling, and rather strange mess that gets going, most unexpectedly, with a few sharply shaped observations on how friendships evolve over time. Abhi and Paglu, along with Amu (the always alight Ayesha Takia), are the kind of never-apart friends that have grown up in a tree house, and when Abhi invites his newfound girlfriend Kartika (Rimi Sen) to this sacred space and asks her to carve her name alongside those of the Tree Amigos, Paglu is utterly resentful. He doesn’t want a newcomer in the group, and that’s why he’s possibly trying to fix up Abhi and Amu, with little regard to the fact that Abhi – his friend, whose interests he should be looking out for – doesn’t look at Amu as anything more than “one of the guys.” And when Amu follows Paglu’s advice and falls for Abhi and discovers the existence of Kartika, she has a touching line of dialogue, that thus far he was just Abhi, whereas now he’s the boy who’s broken her heart.
But every time the film seems to getting somewhere, the terribly placed Vishal-Shekhar numbers (Maari teetri is a zingy blast) bring things to a halt – and the worst offender would be the first song in the film, which follows the beautifully realised opening credits. For a while, we seem to be looking at random bursts of graffiti, with confessions like, “We saw Sholay today… for the 25th time” (and the name of the blockbuster is chalked out in panoramic block letters, the way it was in the original posters) – and then we see that these inscriptions are on the walls of the tree house. It’s a diary in bark, and we’re poring over years and years of scribblings about Paglu and Abhi and Amu. But Niwas decides this isn’t enough to establish their friendship, and so we cut – so abruptly, it almost hurts – to this moronic number that goes De taali, taali de / Life is just a holiday, as Paglu and Abhi and Amu shake their booty along with a dozen imported extras. The mood has changed, in a moment, from something heartwarmingly intimate to something horribly impersonal.
The songs trip up the second half too – where Paglu and Amu do their best to make Abhi realise Kartika isn’t The One – but there are other problems as well, with Niwas struggling to juggle all the balls he’s thrown in the air. He’s especially cavalier about the way he treats Kartika, who isn’t even all that bad as she’s made out to be. When accused of being a gold digger, she points out – not incorrectly – that Amu too chose Abhi, the moneybags of the group, when she could just as easily have fallen for Paglu. Kartika is a woman who’s unapologetic about the means she’s undertaken to get ahead in life, and perhaps as punishment, she’s stuck with the film’s worst screenwriting decisions, involving farcical characters and ridiculously inappropriate situations. But if this farce is just what you’re after, De Taali has a few inspired instances of lunacy. Saurabh Shukla is a scream as a sweetly demented landlord who thinks his tenant is some sort of emperor, but the best gag is the one about Ram Gopal Varma’s Aag. This, without doubt, is the cheekiest ever nod a director has made in the direction of his mentor and one-time master.
ANIL DEVGAN’S HAAL-E-DIL IS THE WHOLLY UNNEEDED ANSWER to the question: What happens when Jab We Met collides with the portion of Cinema Paradiso about a soldier who stood outside a princess’s window to prove his love? If that sounds like a rather unholy mash-up, you haven’t seen this unlikeliest of love triangles – because you can hardly believe that Shekhar (newcomer Nakuul Mehta, not bad in the chatterbox-Kareena part) would fall for Sanjana (Amita Pathak). She’s the kind of pill whose idea of romance is to ask her boyfriend Rohit (Adhyayan Suman) to hand over a one-chapter summary of the Bhagavad Gita every day. And when not looking at Holy Scriptures, she has an eye on Hallmark cards, which is surely how she comes to the conclusion that the Seven Wonders of the World aren’t in Giza or Agra, but in virtues such as Honesty, Sensitivity, Sacrifice, and so on. The only person who’s going to be thrilled with this film is Mimoh Chakraborty, who finally possesses proof that it’s not just his dad who’s capable of picking out career-killing launch pads. Watching poor Adhyayan receive a flower from his girl on Valentine’s Day, only to muse, “Wow, a rose from a beautiful rose,” you have no doubt father Shekhar Suman is frantically dialling the Chakraborty household for tips on how to survive the inevitable attempts at patricide.
Copyright ©2008 The New Sunday Express. This article may not be reproduced in its entirety without
Amrita
June 23, 2008
She’s the kind of pill whose idea of romance is to ask her boyfriend Rohit (Adhyayan Suman) to hand over a one-chapter summary of the Bhagavad Gita every day.
?????!!!!
Lawls. All I know is the lot of them scare me.
Also, Aftab Shivdasani is not and never has been good looking. He’s part of that stupid fair = handsome group think. Plus, he can’t act. Unless a restricted bowel movement is the new Method. Blech.
Excuse me, I’m bitter today.
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Gaurav Agrawal
June 23, 2008
Hi BR,
Waiting for your Persepolis review…
In the age of Disney and Pixar Satrapi comes up with animation level of ‘ek chidiya anek chidiya’ and makes a wonderful movie. Absolutely brilliant movie which avoids all preachiness and follows the life of a young girl in ‘extremist’ Iran and ‘Modernist’ Europe, each suffering from their set of prejudices.
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oops
June 23, 2008
Hey Gaurav ! Someone have seen Persepolis here !! I thought it was good but i felt frustrated at the end because Persepolis is just a little moment in her life and we want to see more. But it’s good to see that french animation industry is in form. Even if Pixar still rules and Disney is crap (sorry but i’m a big fan of all their old stuff until Pocahontas and Anastasia. After that… Disney anime kind of lost their soul. There’s no music anymore.
A gift :
http://fr.youtube.com/watch?v=dRqlUN3HyX8
Colors of the wind from Pocahontas. I think they receive some price, an oscar maybe, for this soundtrack. It’s just beautiful !!)
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Gaurav Agrawal
June 23, 2008
hey oops,
Persepolis is based on graphic novel by the same name…It is an auto biography of Satrapi
I found that movie complete because of the knowledge of what happened to the girl in the movie after the end tittle 🙂
Thanks for the link buddy… I gotta see Pocahontas now
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Sagarika
June 24, 2008
brangan: “Apparently, friendship means never having to say you’re sanitary” — Hey, that so badly reeks of Mr.Know-It-All-Tells-It-All (innuendo unintended)…E Niwas shop-lifting universalities from the Cuaron warehouse, perhaps? 🙂 And Hallmark cards? Sounds more like the guy plagiarizing from Stephen Covey’s 7 Habits book. Wow, what a patchwork quilt of a movie, this one must be. But given that I don’t intend looking to Bollywood, ever, to find out the answer to the Jab-We-Met-collides-with-Cinema-Paradiso-then-what conundrum (perhaps Minghella, but now that he’s no more, maybe his ghost) I’m happy to get out of the way and let this freight-train-minus-brakes merrily chug along to wherever it’s headed…probably in the direction of the “most air-headed [and color blind] of audiences in in the country,” as raj noted, what with Traffic Signal’s big “red” for “stop, don’t even think about checking this one out” (from what I heard, that is) being construed as “green” for “go, right now, [AND] don’t even think.” Some of us are star struck, all right (you know, the kind of asteroid-sized star that suddenly drops out of the sky on to collective heads?). It’s why they must make these movies…
Switching topics, oops that was such a lovely gift, thank you. Although I much prefer my music in a language I can actually comprehend. In my book, not understanding the lyrics to a song is not that different than watching Once Upon a Time in the West on mute (merely borrowing brangan’s analogy to make my point, having never seen the movie myself). For instance, it wasn’t until I listened to Twinkle Twinkle Little Star that I actually realized I enjoyed Mozart, his stand-alone symphonies having meant nothing to me prior. I desperately need the language crutch to begin to limp (before I eventually leap) toward the music. So for the similarly challenged others out there, here’s Colors of the Wind in English. But my all-time favorite Pochahontas number though is Memories. An oh-so-soulful song (don’t recall who the singer was)…and the video is something else — a truly awesome alternation of black & white and color. One of the best animation music videos I’ve seen. And btw, anyone seen Golden Compass? I watched it over the weekend and loved it…can’t wait for the sequel to find out what the alethiometer has in store for our fearless little warrior, Lyra!
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brangan
June 24, 2008
Amrita: That was one bad mood you were in. Hope the world is looking better now 🙂
Gaurav Agrawal: You mean the film has been released in “theatres” in India? Persepolis?
oops: I have just one hyphenated word for you: Wall-E 🙂
Sagarika: No… that was just a riff on “love means never havig to say you’re sorry”
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Ramya
June 24, 2008
Yeah, Persepolis has released in ‘theatres’ in India, or atleast in Bangalore. I was so surprised when I saw it in the ‘Now Playing’ list of the PVR website, and immediately rushed off to catch it. And surprisingly, the hall was almost full, on a weekday!
As for the movie, I liked it very much. Its a movie with an overall ‘darkish’ theme, but it is dealt with dollops of wit, sarcasmm and the ability to laugh at oneself through the toughest times.
Would love to read your review on it!
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Satish
June 24, 2008
when is the Dasaavatharam review coming? have been checking in every day, hoping to find it.. pl. oblige.
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brangan
June 24, 2008
Ramya: Man, I hope it gets here, especially with Dasavatharam hogging some 20% of cinema screens in the city 🙂
Satish: I guess you haven’t been following the earlier threads 🙂
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Gaurav Agrawal
June 24, 2008
PVR bglr is playing 1 show of Persepolise…I went first day nd the theatre was almost 60% full.
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Sagarika
June 24, 2008
brangan: Of course I got that riff. What I was referring to though was the direct connection between De Taali’s “hygienic” high-five and what you wrote of Tenoch in the Cuaron movie rev, “…the fact that Tenoch “used to lift the toilet cover with his foot at Julio’s.” Clearly, sometimes, friendship means never having to bring up the subject of personal hygiene.” Did I misspeak?
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karthik
June 25, 2008
Rangan…..These two duds instead of Dasavatharam review !! the way ur talent is being channeled is a major travesty !!!!
P.s. At least a column !
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brangan
June 25, 2008
karthik: Oh dear…
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OOPS
June 25, 2008
OOPS SORRY. Sagarika, i couldn’t here the song in my office so i thought that this version was in english.
Brangan, the Wall-e trailer. Impressiv.
http://fr.youtube.com/watch?v=_Q1nOFPHR2s&feature=related
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Sagarika
June 25, 2008
Mademoiselle Oops: That was the sweetest thing I saw — the oh-so-innocent Wall-E puttering about a heck of a lot of debris, pulling out a bra and, presuming it to be goggles, placing it over his eyes…PRICELESS! Merci..
Oh btw, looks like Wall-E is not the only one about to be united with his doppelgänger from outer space. Check out this MSNBC article that I just read, announcing “it’s just a matter of time before they lasso Earth’s twin, which almost surely is hiding somewhere in our star-studded galaxy.” IMO, real life has never before issued such picture-perfect parallels to reel life, what say? I mean, WOW!!
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Sagarika
June 25, 2008
Oops. Forgot to paste the link. Here’s the MSNBC article.
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Sagarika
June 27, 2008
brangan: To continue the “let’s share music videos” thread oops started, I watched this breath-takingly beautiful ARR video (shot by Santos Sivan) for the first time today, Taj Mahal, Ek Mohabbat.
Two things about it struck me: 1) The opening interlude seemed almost identical to the Pocahontas one (Memories, link above) — and I’m normally pretty bad at recognizing these kinds of similarities in musical notes unless it’s a blatant Anu Malik-type lift, for instance his Raja Ko Rani Se from AHAT = Godfather theme song, his Dil Mere Chura Liya = Last Christmas, etc….but then I love those songs so much I’m happy to suffer thru the pangs of perceived plagiarism — can you confirm? Not to call ARR’s bluff or anything, but I just wanted to give me a pat on the back if it indeed turns out that I’m picking up some serious skills here. 🙂
2) The lead pair in this video simply didn’t work for me, just like what you say about the De Taali casting, that “you spent your time wondering which performers could have made this [ambitious] mix work.” I mean, having ARR himself in it was wonderful, those two kids were great, but then it badly needed for the lead pair to be, say, the duo from JA to make this work for me. If De Taali was a half-decent story that could have been pretty good with the right cast, I would call this one a great video that could have been out of this world with the right lead pair.
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rakesh
June 27, 2008
Haal-e-Dil was also the launchpad for Kumar Mangat’s daughter… Not just Shekar Suman’s son
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Anonymous
June 27, 2008
Kumar Mangataa? yevan avan?
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brangan
June 27, 2008
Anonymous: The producer of Omkara and such.
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