WAIT PROBLEMS
Family troubles result in a couple’s postponement of marriage in an unrelentingly nice drama. Plus, chaos as Madhur Bhandarkar meets Munnabhai.
NOV 9, 2008 – IS IT JUST ME, OR ARE THERE OTHERS equally flummoxed by the essential paradox in Sooraj Barjatya’s films of late (even the ones he merely conceives, like Ek Vivaah Aisa Bhi, which was directed by Kaushik Ghatak), which is that these films practically explode with people – parents, uncles, aunts, brothers, sisters, friends of every religious stripe – who seem peculiarly indisposed to the very human instincts that result in population explosion in the first place? When Barjatya made his first film, Maine Pyar Kiya, he appeared to understand that young love, however pure-minded, wasn’t entirely immune to prurience. He had Bhagyashree nearly disrobe in the presence of boyfriend Salman Khan on the latter’s moneyed terrace, as a birthday present. Of course, Salman did the right thing – for a Rajshri production, at any rate – by covering her up a justifiable instant after feasting on her form, but it was there, that inkling of interest. He was young, she was young, and the song that surrounded this incident celebrated their stirring youth. You could imagine them having themselves a heck of a honeymoon, once the necessary social sanctions were obtained.
That mischief, that daring to venture into the forbidden has vanished from Barjatya’s cinema ever since. The closest the young lovers in Ek Vivaah – Prem (Sonu Sood, looking more than ever like the young Amitabh Bachchan) and Chandni (Isha Koppikar) – come to any significant form of physical contact is when he stands beside her and locks his palm in hers. Ek Vivaah is a remake of the seventies’ weepie Tapasya, and Prem and Chandni appear to take their cues from Rakhee and Parikshit Sahni in that film, who played somewhat middle-aged lovers who had to (and selflessly opted to) wait to get married till a slew of family obligations were fulfilled. This is not a plea for the inclusion of a scene where Prem and Chandni end up in a sweaty embrace atop rumpled sheets – but considering that he’s made to wait 12 years after they are engaged, wouldn’t Prem experience the slightest of misgivings about putting his life (and his youth) on hold till Chandni dispensed with her duties towards her younger brother and sister? But no. Prem and Chandni gaze at each other with such preternatural restraint that it seems they aren’t after marriage so much as martyrdom.
This incessant niceness is the thing you wish were different in Ek Vivaah. You wish for some texture and colour in the characters, something other that defines them than just the overwhelming need to put the needs of others before one’s own. Then again, that’s the Barjatya way, for better or worse, and if I had to sit through sanctified Indianness, I’d rather plod through this version than the cosmetic variants in the form of Baghban or Baabul. What works in Ek Vivaah is the simplicity of (and the sincerity in) the treatment – the lavishness, if any, is reserved for the emotions, not the costumes or the décor. And the Rajshri films appear to be among the very few these days that actually use songs to underline what’s onscreen (even if the numbers themselves, by Ravindra Jain, aren’t a patch on his great work from the seventies). Ek Vivaah may be old-fashioned in many ways, but that’s not the same as being irrelevant. I especially respected the fact that at no point does Prem’s mother bring up concerns about Chandni’s increasing age (particularly in the context of bearing children), and even worthier is the underlying message (if you will) that, despite what Ekta Kapoor thinks, a marriage isn’t just about a gleaming mangalsutra nestling in a bosom. Without a single external manifestation of commitment, Prem and Chandni are more married than most couples you encounter today, whether onscreen or off.
ALL I COULD THINK OF WHILE WATCHING EMI was, “There goes Madhur Bhandarkar’s shot at an exposé on the money lending business.” As the clever titles sequence foreshadows – the names are spelt out in little boxes, the kind familiar to us from credit card application forms – the film is about living beyond your means in a world where interest-happy creditors are only too happy to enable you to live beyond your means. That’s a great idea in theory, to set a story against a topic that’s hotter than ever today, and while first-time director Saurabh Kabra knows how to dress up a scene with colourful detail and riotous dialogue (mostly for Sanjay Dutt, having fun in yet another incarnation as a goodhearted goon), there’s nothing beyond these frills. EMI progresses in installments of nuggety minutiae – these early portions are all Bhandarkar – and then, suddenly, morphs into a Munnabhai wannabe, with Dutt doling out good-living advice to a number of defaulting debtors (Arjun Rampal, Aashish Chowdhary, Neha Uberoi, Kulbhushan Kharbanda). EMI is one of those films that feels compelled to end with a message flashed on screen: Take loans responsibly. Well, of course we will, at least those of us who, for fiscal advice, depend solely on Bollywood movies with Malaika Arora item numbers.
Copyright ©2008 The New Sunday Express. This article may not be reproduced in its entirety without
Sougata Mitra
November 8, 2008
Had been hoping to catch EMI in theatres based on the promos…..now I think will give it a skip…..btw….have you watched Qunatum of Solace?..not upto Casino Royale standards…but still a decent watch…albeit a bit silly what with all the revenge motifs.. 🙂
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Aditya Pant
November 9, 2008
“That mischief, that daring to venture into the forbidden has vanished from Barjatya’s cinema ever since. ” What do you say about the midnight saunter in the beach in MPKDH (with Hrithik going topless and Kareena skimpily clad)?
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KayKay
November 9, 2008
Yes Mr.B, in yet another un-related post comment, would love to hear your thoughts on the new Bond flick. Will reserve comments until I can get my own ruminations up on my blog.
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brangan
November 9, 2008
Sougata Mitra / KayKay: Haven’t yet caught Quantum. But am planning to write about it in next week’s column.
Aditya: Yeah, I forgot about that. But did you get any charge from the two? It was more like a generic item song than anything else.
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hrishi
November 9, 2008
er…are the movies good, bad or half decent? i dont know..it maybe just me, but i’m finding it extremely hard to decipher the verdict and get lost in the english. reminds me of my friend who was writes brilliantly, and wrote a review of a cricket match without mentioning the scores or who won, even once 😦
feedback!
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Sujith
November 9, 2008
“the essential paradox in Sooraj Barjatya’s films” ROFL
Wait Problems..Arghhh!!!..Almost thought the opener read Madhur Bhandarkar meets Sooraj Barjatya
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Shankar
November 10, 2008
hrishi, I believe BR has a separate page on this blog where he assigns stars as a verdict on the films he reviews!! 🙂 I suspect that is also one of the least visited pages on this website!! 🙂
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brangan
November 10, 2008
Shankar: I too suspect just that 🙂 Here’s the page, by the way.
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Arijit
November 10, 2008
I was thinking I would find your writings on the latest Bond venture…however, the article on “Ek Vivaah…” was a delightful read…waiting for your take on “the lean and mean” Bond though…:)
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brangan
November 10, 2008
Arijit: That’s the painful thing writing a weekly column. I’ve already submitted my take on Bond, but can’t put it up till the weekend. But in case you’re interested, this is how it begins 🙂
“I EMERGED FROM QUANTUM OF SOLACE, the latest James Bond outing, frustrated yet fascinated – or to put it differently, shaken yet oddly stirred. (You’ll have to forgive my shameless appropriation of a beyond-tired Bondism, but given that the rebooted double-oh-seven franchise so contemptuously dispenses with the little rituals we associate with the world’s most dapper secret agent, can you blame me for wallowing in a bit of nostalgia?) “
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KayKay
November 10, 2008
Mr. B…I guessed as much that fascination and frustration would be mingled in your opinions on
QOS:-) My own take can be read below:
http://tomesflicks.blogspot.com/2008/11/flicks-quantum-of-solace.html
I eagerly await the full review…
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raj
November 10, 2008
“You’ll have to forgive my shameless appropriation of a beyond-tired Bondism, but given that the rebooted double-oh-seven franchise so contemptuously dispenses with the little rituals we associate with the world’s most dapper secret agent, can you blame me for wallowing in a bit of nostalgia?) ”
Indulging myself: the first part of this sentence seems superfluous to me. Laboured, if I may.
It sounds compacter and hard-hitting without the “forgive me” part.
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Shankar
November 10, 2008
raj, aarambichuttiya…thirunelvelikke halwa kadhaiyai? 🙂
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Arijit
November 11, 2008
Ummm…the teaser sounds exciting enough…waiting for the full version…it was mixed for me as well…
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Shankar
November 11, 2008
I just watched “Bachna Ae Haseeno” and actually liked it. I went and re-read your take on the movie and it was pretty spot on with what I felt about it.
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karthik
November 14, 2008
Rangan…..Wondering if your’e gonna indulge with Vaaranam Aayiram for all of us ????
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