THE FIRST FESTIVAL HIT?
NOV 26, 2008 – SOMETIMES, YOU DO JUDGE A BOOK by its cover, or a film by its first few minutes. I was quite horrified by first-time director Irfan Kamal’s blatant attack on my heartstrings, when he allowed an infant at a railway station to crawl in the direction of an oncoming train, and then signalled to the mother to bound across, at the last second, and save her baby. If this manipulation weren’t bad enough, the all-too-appropriate title was splashed across a frame of the relieved mother cradling her child: Thanks Maa. There are a lot of things to like in this first feature, like the incredible set of performances from children apparently picked up from the streets of Mumbai, or some genuinely touching moments capable of un-jading the most hardened heart, or even the unexpectedly hilarious cameo by Sanjay Mishra’s bare buttocks.
But Kamal cannot decide if he’s going for a flinty survival story set amidst the Dickensian squalour of Mumbai or a flighty Enid Bytonesque fantasy in which kids, if they put their minds to it, can do anything. Thanks Maa, therefore, comes off as a half-hearted cross between Oliver Twist and a Five Find Outers adventure, about a bunch of artful dodgers attempting to return an abandoned child to its birth mother. Suspension of disbelief is all very fine as an abstract theory, but how can you gloss over sequence after sequence where these children, however steeled into premature adulthood by the unforgiving aura of the city they live in, pull off feats that adults couldn’t manage? But the audience didn’t seem to care. Going by the incessant smatterings of applause, this is perhaps the first of this festival’s breakout hits.
AND GOING BY THE INCESSANT WALKOUTS, the painstakingly digitally-restored print of Max Ophüls’ notorious Lola Montes was the first of the festival’s major flops. You’d think the gorgeously saturated Technicolor alone would have been reason to sit through this admittedly difficult film, with its heady blend of musicality and staginess and a staunch refusal to do anything so insulting as offer a clear narrative to hold on to, and these qualities, apparently, didn’t sit very well with the audience. This was my first viewing of this much-heard-about, much-reviled, much-discussed film event of the 1950s, and I came away intrigued enough to settle down for a more leisurely viewing sometime in the future. After all, expecting art to yield all its secrets after one viewing is as silly as hoping to unearth every single one of a woman’s mysteries after one evening, no?
AND FAR AWAY FROM THE SCREENS, trouble seemed to be brewing, as I unearthed what was possibly the first journalistic scoop of my career. Looking for a soft drink, I ended up at a stall with no name, and I asked the man at the counter why he couldn’t put up some sort of sign that would attract, well, people looking for a soft drink. And this was his cue to launch into a litany of complaints – about how he’d paid Rs. 20,000 to put up the stall and how he was losing money as non-delegates weren’t being allowed into the INOX premises. According to him, those who’ve put up stalls outside, on the street-side, are making twice what he makes a day, simply by virtue of being accessible to the general populace of Goa as well. Had I been a true-blue reporter, my nose would have twitched at the possibility of a major story, but as I’m (thankfully) just a film critic, I sauntered off to the screening of Thanks Maa.
Copyright ©2008 The New Indian Express. This article may not be reproduced in its entirety without permission. A link to this URL, instead, would be appreciated.
Deepauk M
November 25, 2008
“After all, expecting art to yield all its secrets after one viewing is as silly as hoping to unearth every single one of a woman’s mysteries after one evening, no?” – You’re an incorrigible romantic aren’t you? Takes one to know one. You may win an honorary GRCA membership yet. 🙂
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Anand
November 25, 2008
Thats what a festival does to you. You lose track of date and time. 🙂
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Vijay
November 26, 2008
Thanks MAa sounds similiar to Slumdog Millionaire . Would love to hear your thoughts on Slumdog Millionaire .
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brangan
November 26, 2008
Vijay: I highly doubt it will even get to these shores, unless ARR’s name pulls it over. But yeah, on DVD maybe…
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Anand
November 26, 2008
BR: SM Releasing sometime in Jan.
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Anil Hingorani
November 28, 2008
Amazing…..a film like Lola Montes touted as a flop. When I read about the restored version in the New York Times a few months ago, I was salivating.
I almost made the trip from Mumbai to Goa just to see this film – when I read in the Mumbai Mirror that they will screen this film. I wasn’t able to…but I wish I had. When do you get to see such masterpieces on a big screen anymore?
I was lucky to have caught [Cocteau’s] “The Beauty And The Beast” and “Last Year At Marienbad” at large screen in NJ and NY respectively earlier this year – and it was a pleasure to see them on a big screen.
Cheers
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