EARLY EDITION
NOV 24, 2009 – AS THE DEBATE RAGES ABOUT WHETHER or not the winsome display of Kareena Kapoor’s bare back was absolutely germane to the narration of Kurbaan, I slink into a press-only screening of Gabhricha Paus (The Damned Rain), Satish Manwar’s Marathi film where the only backs are broken ones. Can a bleak story revolving around farmer-suicides be leavened with light doses of humour? The answer is a resounding yes – and the film, despite its fair share of finger-wagging touches like the government shill posing shamelessly for a photograph as he hands over a cheque to a farmer’s widow, manages to skirt the perils of the all-too-obvious message-movie. And the cast is excellent – especially Sonali Kulkarni, who’s never impressed me in her Hindi outings, but who dresses down admirably to imbue new shades into the hapless-housewife role we’ve seen a thousand times before.
HAOBAM PABAN KUMAR’S THE FIRST LEAP is among the quirkier offerings of the pre-festival. (I write this on the morning of the opening day, when the opening film, Wheat, is scheduled for the evening.) The director, who confesses to never having seen a Manipuri film in his life, sets about gathering the cast and crew of Matamgi Manipur, the first Manipuri feature film, made in 1972. The shambling short film has the feel of a class reunion, with friends having gone fat and wizened and bald (and, in some cases, toothless). The actors appear unable to see themselves on screen again, after 37 years, what with those long-ago fashions and those long-ago cinematic techniques. But there’s an understandable pride in having been a part of history – a history that would have been restricted to local legend were it not for Kumar’s efforts.
ALMOST THREE DECADES AGO, the director Bharathiraja, in his Tamil blockbuster Kizhakkey Pogum Rayil, centered his climax on the custom of a young woman forced to walk through her village without a stitch of clothing. Divya Dutta faces the exact same predicament in the Rajasthani film, Haat: The Weekly Bazaar, directed by Seema Kapoor, which recalls the custom “Natha Pratha,” wherein a woman who wants to leave her husband has to recompense him in some form. Kapoor’s aims are extremely ambitious – not only does she want to tell a modern-day story about an ancient (and regressive) custom, she also seeks to instill universality by having Dutta become a lightning rod for the humiliations of Woman down the ages. It’s ultimately a bit much, and the rah-rah climax is particularly ungainly, but the film does offer the opportunity to see a bunch of talented actors (Dutta, Yashpal Sharma, and especially Mukesh Tiwari, who actually gets to sing and dance) that, all too often, our mainstream cinema does not know what to do with.
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kamil
November 24, 2009
New segment Rangan? Are you replacing Between Reviews?? And do your stories also appear on online editions of the express?
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brangan
November 24, 2009
kamil: No. Daily reports from the Goa fest — like last year.
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Banno
November 24, 2009
Wish I was there. Sigh.
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Aravindan
November 24, 2009
I had always thought that Sonali is an actress of substance, liked her way back in ‘May Madham’ too!
Have a great time there BR! Chennai film festival would repeat most of the films screened there. I would like to decide about attending the Chennai festival, after reading all your write ups 😛
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Rahul
November 25, 2009
I am in Goa for 2-3 days. Any way I can get to see some of the movies in the fest? apparently they only let delegates/pass holders in! 😦 I absolutely *hated* it when I found out.
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raj
November 25, 2009
Sonali Kulkarni has been a better actress through her career than the corresponding bolly #1s – from karisma to kajol to kareena. One ought to have watched her marathi movies to know this.
Unfortunately, in india, average bolly stars are considered great.
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brangan
November 25, 2009
Aravindan: Couldn’t stand her in May Maadham. Didn’t like her in Dil Chahta Hai either. I think the first film I liked her in was Agnivarsha — small role but she did it very well.
Rahul: It’s easy enough to get a delegate pass. Just ask anyone at the INOX counter here.
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