AUSTENSIBLY YOURS…
The leads aren’t all that they should’ve been, but the unhurried atmosphere around them makes for a moderately engaging diversion.
AUG 8, 2010 – AISHA, THE BOLLYWOOD ADAPTATION of Jane Austen’s Emma, is a minor entertainment whose major accomplishment may be that it pinpoints where exactly the problem with Sonam A Kapoor lies. She’s been a charming presence in her handful of films so far, but something was missing and you couldn’t quite put your finger on what it was. Seeing Aisha, you know. It’s well-rounded womanliness. With her girlish giggle and the lightest of lisps, Sonam floats around like a perennially giddy schoolchild – and Rajshree Ojha, the director, makes good use of this quality by quite literally reducing Emma/Aisha to a child. When we first set eyes on Aisha, she’s behaving like a spoilt child, racing through Delhi roads (the vehicle, naturally, is a Beetle, hardly the most grown-up of cars) in what might be a metaphor for her life – with little grown-up regard for pedestrians and road signs, she blunders on, just like she will barrel blindly through the love lives of those around her under the guise of matchmaking.
This lack of maturity is underlined most pointedly in a late scene where Arjun (Abhay Deol) refers to her as “Aisha baby” – but even before, we are witness to alarmingly infantile behaviour. At a wedding, Aisha clicks mental snapshots of people, and she doodles on them in ways that reflect her perceptions of these people. (Her wealthy father, unsurprisingly, gets a Santa hat – this man, after all, has showered her with presents every day of her privileged life.) After a tiff with her BFF (played by Ira Dubey with a welcome dash of tartness), Aisha makes up while sitting in what appears to be a cross between a tree house and a dollhouse. (The shot begins with their dangling legs, and it’s impossible not to think that they’re just two little girls.) When Aisha runs into Aarti (the seriously sexy Lisa Haydon, who’s as woman as woman can be, in ways that Aisha can never be), she experiences instant dislike and she childishly misremembers the latter’s name.
Even the way Aisha sips from a spoon has a calculated daintiness, just this side of precious, and it ‘s only fitting that she reveals she’s in love by mumbling through a mouthful of gaajar halwa, as if alleviating the bitter onset of a grown-up emotion. Sonam gives herself completely to this child-woman – she’s perfect. So perfect, in fact, that in the latter portions, when Aisha grows up and becomes a real woman, the performance begins to falter. (A meant-to-be heartfelt speech on a stage is an embarrassing low point.) And as her sorta-conscience, Abhay Deol is equally semi-problematic – impeccable with the wry humour, but completely unconvincing when asked to glow with love. In my review of Dev.D, I thought, “Even his lethargy as an actor suits the part (though it will be interesting to see what he’s capable of once he finally lands a non-slacker character).” Well, here’s a non-slacker character and Deol still plays him like a slacker, too lethargic to whip up a smile even while tangoing with the aforementioned Aarti. (It’s as if his mind were on the next indie production he’s going to slip more naturally into.)
Thankfully, though, Arjun and Aisha are asked to fall in love only towards the end – Aisha, otherwise, is too busy engineering the romantic lives of others, under Arjun’s disapproving eye – and the rest of their relationship is nicely detailed with a minimum of fuss. Among the pleasures of Aisha are the laidback rhythms of Ojha’s staging, which opts for mood over momentum, a far cry from the aggressive emptiness of something like I Hate Luv Storys. (This pacing also recalls the unhurried rhythms of Austen’s setting.) For large stretches, almost nothing seems to be happening, and instead of persuasive plot, we are treated to atmospheric vignettes – a couple wordlessly sharing a post-coital cigarette, another couple’s easy banter after a sweaty jog, or the marvellously relaxed shots that make up the Shaam bhi koi song sequence. (Amit Trivedi contributes an appropriately relaxed background score, mercifully free of lightning and thunder. A point where a twosome begins an unlikely flirtation is underscored entirely by whistles and guitar picks.)
And then there’s the anthropological aspect. “Why are you always dressed like this? Designer suit, designer shoes…,” sneers Aisha, appraising the spiffy, Wharton-educated Arjun. She’s one to talk. This is the kind of film where the heroine’s eye makeup matches the colour of the tablecloths at the event she’s coordinated (lavender, in case you’re wondering). But the raft of upper-end brand-name-dropping – Dior, Dolce & Gabbana , L’Oréal – isn’t inappropriate. This insular, polo-playing set (including Cyrus Sahukar and Arunoday Singh) from Delhi is privileged beyond belief, and Anuradha Singh (née Patel, as Aisha’s aunt) can’t seem to be able to sit down for a cup of tea without draping herself in pearls. The first time we see the screen filled end to end with the battered faces of ordinary middle-class folk is when the scene shifts to Mumbai, and I wonder if that’s some kind of in-joke, a desi riff on Woody Allen’s NY versus LA. Whatever it is, the capital is clearly where the cash is.
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Shankar
August 7, 2010
Abhay Deol must be the ultimate sacked out character. You described him perfectly…he is a lethargic actor and seems to revel in such roles. For instance, I can never imagine him mouthing lines like his uncle (or cousins for that matter)…”Mein Tera Khoon Pee Jaunga” etc!!
He’s certainly found a niche for himself…
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V R
August 7, 2010
But why would you think Arjun’s character was not a slacker. He didn’t express his feelings for Aisha unless he found out that she was leaving. Ever wonder why? Also… He is an investment banker from Wharton (no less), and yet he is based out of in Delhi (not even Mumbai). He’s got to be a bit lazy, right?
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Qalandar
August 7, 2010
What a gem of a review — Haven’t seen the film yet, but I don’t need to to tell that this is pitch perfect.
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Hermoine Granger
August 7, 2010
Is that all for this week ? Tch…tch….no wise opinions on downloading the kumari into your memory and processing without shutting down ? 😛 Btw, I also vote that you need to be doing interviews once a month atleast 😛
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Ramya
August 7, 2010
I love the title!
This child-woman thing is such common phenomenon in Indian cinema, especially in romantic comedies or light hearted movies. It’s like the directors don’t know how to handle a woman who’s ‘all woman’, and not just someone who is cutesy. This brings to mind Genelia of the haha- Hasini fame.
Also, I don’t get it with Sonam. She looks fantastic in trailers and in posters and photoshoots. But the gorgeousness simply doesn’t translate onto the big screen. She appears too skinny, her face is almost rat-like.
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Krishna
August 8, 2010
No comments for more than 12 hours?? I am rather surprised. didn’t read the article though as i’ve not seen the movie. And BR, please allow italics, bold etc. in your comments box.
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Krishna
August 8, 2010
He he. i tried the italics tag and it worked! Do forgive the computer illiterate. 🙂
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Krishna
August 8, 2010
Apparently not. Moderations eh. My bad.
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bran1gan
August 8, 2010
Shankar: Been meaning to see Road Movie, even if I haven’t heard many good things about it. Seen it?
V R: Don’t think that was a slacker aspect. He does care for her and he does have fun with the group and do “young” things. But he played it all as if reeling under a heavy burden. He showed much more “love” in his scenes with Neetu Chandra in OLLO.
Hermoine Granger: Not revieiwng the album. I thought it was fun and catchy in parts — Kilimajaro, Kaadhal anukkal and Irumbile oru irudhayam. Three out of seven ain’t bad 🙂 I’m not a fan of Pudhiya manidha as such but am stunned at how robust SPB sounds even today. Fantastic!
Ramya: Maybe she’s like Katrina Kaif, who I find fantastic in ads and photo shoots but completely lacking on screen. Though she’s far better performer.
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rameshram
August 8, 2010
5Re Road, Movie,
Watch it on a HDTV of at least 52 inches, surround sound, have something else to do when the film runs, or you’ll get bored. play a drinking game (every time you go “what thaaaaafuck” one shot, every time you say it aloud : two shots.
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Gradwolf
August 8, 2010
This is another fairly good film destroyed, I think, by the hysterical disregard to it from what I see on Internet and Twitter!
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Shrabonti
August 8, 2010
I agree with Gradwolf, the film’s getting incredibly bad press from the Internets. I saw it (with very low expectations, I’ll admit, I wasn’t very impressed by the trailer) and enjoyed it thoroughly. I thought it was quite an intelligently made film that takes a beloved book (crazy about it myself) and adapts it smartly, leaving out some stuff (the annoying, hypochondriac father, the mystery engagement) and adding a few (the BFF, BFF’s romance with the Mr Elton character).
It sort of made me want to take a few Georgette Heyer books and start adapting them for Bollywood. 🙂
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karrvakarela
August 8, 2010
With all its focus on fashion and glamour, the movie is just a slick little exercise in product placement. It has the IQ of navel lint.
“It’s as if his mind were on the next indie production he’s going to slip more naturally into.”
So true. And so was mine.
So true. I saw the movie last night and,
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HA
August 9, 2010
Aisha soooo wanted to be the teen cult classic version of Emma aka ‘Clueless’ but got nowhere near. Alicia was far more convincingly and fashionably clueless than Sonam.
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SpinningElectron
August 9, 2010
I think and hope that Sonal Kapoor is going to look hot as she ages. Like Penelope Cruz. Or our own Kajol.
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Amrita
August 9, 2010
I completely agree about the childishness of Aisha, which was pretty true to the original book, except here it really stood out like a sore thumb because Aisha is not a sheltered 20 yr old in Regency England. So she ends up as a sulky self-absorbed snob who got a happily ever after she didn’t earn in the slightest.
I’m not all that enamored of Emma but, like Shrabonti, this one was shades of Heyer thanks entirely to Abhay’s performance. Maybe it’s a girl thing (or just, “Squee! I have such a lady boner for him!”) but that character was just pitch perfect. One of the themes Austen (and later Heyer) really explored was the idea of what it means to be a gentleman and although the knockout at the bar took things a tad filmi, that was one theme this movie nailed imo.
Arjun is a grown up. Polite, restrained, witty, kind, brave, exceedingly well-mannered, and dances like a man. And he even dresses well and knows how to ride a horse. Sign me up for the mothership!
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Shankar
August 9, 2010
Baddy, it’s suprising you asked. Actually…I’m halfway through it and do intend to watch it to the finish. It’s still early to make up my thoughts though it does seem like another perfect fit for AD….maybe he just seeks out such roles only! The setting and cinematography are very good…almost too good sometimes (for what is needed for this movie)…at the halfway mark, it does seem to be dragging endlessly, not sure of how it’s going to turn out. Unless the end brings it all together, this will be more a film of some stray good moments. Let’s see…
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Shankar
August 9, 2010
And it terms of Endhiran’s music, I was struck by how much this album sounds like an assembly of sounds (and soundscapes) rather than compositions. I must concede, given the theme, ARR was surely a little handicapped by it. To me, that also explains why I’m struggling to hum any of the songs (from memory) since there isn’t much of a flow or pattern to them (which can be looked upon as positively as well).
Having said that, I do think ARR has delivered within the parameters that Shankar has set…I’m also positive that it will sound electric on the screen, with the picturisation. (Side note: Back while watching Anniyan in a loud Sathyam theatre, I was literally stunned by audio-visual effect of the Romeo song which I didn’t regard much when the audio released). My 3 year old keeps chanting “Robo da”…so the music is hitting all the bases, that’s for sure!! ARR does have the knack…you see 🙂
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Maru
August 9, 2010
Amrita: also felled by Abhay Fever 🙂 . Loved the review on your site.
Brangan: thanks for that perfect summation of what Sonam brings to the table and why she fails Aisha. I couldn’t put my finger on it, but now that I’ve read your review I think you’ve hit bullseye! You are however a whole lot more charitable to her (the whiny petulant brat got old in a hurry!) and a lot harsher on Abhay than I am. Got to agree with Amrita – The writer/director/actor combo nailed the desi Knightley. But then again, you’re not exactly the target audience for a desi Knightley ;). Abhay totally sold the romance in that last scene —- you just have to be an Austen loving, Abhay fan to see it 😛
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bran1gan
August 9, 2010
Gradwolf / Shrabonti: Yeah, it’s as if everyone went in expecting to dislike it and ended up reiterating that opinion. Also, I don’t see why there are so many Clueless comparisons. Other than the fashion-plate aspect, I think this is closer to the book than to that film.
Amrita: Please accept my awe-mingled congratulations on your coinage of the neologism “lady boner.” I, um, stand up in salute!
Maru: See, that last scene din’t work for me at all. He was climbing the ladder and mouthing all those words, and I was thinking, “Where’s the romance?” And for the record, I do love Austen, though I admit the Brontes are more my type. Wuthering Heights! Now there’s a love story!
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Raj Balakrishnan
August 9, 2010
Sorry this is unrelated, saw the new Samuel Jackson-Michael Sheen movie ‘Unthinkable’. It’s a lesson on how to deal with jehadi terrorists – hope the Indian security establishment watch this one.
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Gaurav
August 9, 2010
Regarding Road movie:
You surely won’t hear good things about the movie. It is a kind of movie that you need to immerse yourself into. And only after than would you see the results. I loved it more than I have any other movie this year(Udaan was almost there).
BTW, if you think dreams in Inception looked too engineered, watch Raod movie. You might like it 🙂
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Gaurav
August 9, 2010
And Road movie has a kind of role that suites Abhay deol perfectly, unlike the one in Aisha 🙂
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susie
August 9, 2010
I was upset that Aisha descended (taking Emma with it) into a Chick flick. Then wondered if that’s what Rajshree Ojha was aiming at. Then I though why shouldn’t she – wasn’t quite convinced in the end. What do you think?
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Senthil
August 9, 2010
What did you think of the album Komaram Puli ? Consistently good , eh..
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Maru
August 9, 2010
…. and in that last scene, i was going awwww! – but then you clearly don’t have abhayitis 😉 . Love the Bronte sisters too and would be happy to see Abhay as a desi Mr Rochester or better yet a desi Heathcliff. Now that would be a true test of the slacker specialist theory 🙂
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Raj Balakrishnan
August 9, 2010
Baradwaj, an unrelated question. Saw a list of world’s 40 best film directors compiled by the Guardian, the UK newspaper. Not one Indian in that list – not even the art house directors like Adoor Gopalakrishnan – though sundry Iranians, Japanese and Chinese are there. Forget the commercial movies, but do you think that even the art house movies made in India do not match up to international standards ( or are not as good as the iranian ones). Checked couple of other lists too – in one Satyajit Ray finds a place, no one else.
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Amrita
August 9, 2010
@ Maru – Heh heh heh. Thank you 🙂
@ BR – I wish I could take credit but I’m afraid sundry lady blogs got there first.
As for that last scene, I thought Sonam was the one who let it down. Emma is supposedly humbled at that point when Knightley comes and confesses his love unexpectedly. (If it makes you feel better, the original line is something like “If I loved you less, I’d talk more” which I’m very sad didn’t survive the 200 year multi-continent jump, especially since it would have interesting to see an Indian lover express that sentiment 😀 ) Aisha, however, gave him bitchface and was all “whaddya want loser?” in shades of their first scene together and that immediately lost me. Not only does she not deserve him, but she has to front like that too? GIVE ME HIM!
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Hermoine Granger
August 10, 2010
OK,so no review or between reviews on Endhiran…how abt a bitty R on a sleepy Wednesday afternoon ? I’ll take anything ! 😛
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bran1gan
August 10, 2010
susie: I don’t know that I’d call this a chick flick (like, say, Beaches or Steel Magnolias). Rom-com would be more like it.
Senthil: Not heard yet.
Raj Balakrishnan: These “best of” lists are often completely arbitrary,a nd no reflection on the worthiness of those included or excluded.
Amrita/Maru: Here’s an interview with Abhay. He comes across as very intelligent and articulate, not to mention a whole lot less lethargic than in in Aisha 😛
Hermoine Granger: Kinda tied up with a bunch of things now. No time for Bitty posts 🙂
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KPV Balaji
August 10, 2010
@BR:
Is this the first trailer for K2K, looks decent enough 🙂
http://www.behindwoods.com/new-videos/videos-q1-09/movie-trailer/kadhal-to-kalyanam.html
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munimma
August 10, 2010
Haven’t seen this movie yet. I have always liked Abhay, not in a oh-he-is-so-handsome-way, but more because he has picked and played some interesting characters. And, IMHO, he shines in comparison to the rest of the brawns (and the otherwise) in his family tree. Although, in most of his movies, he does come across as heathcliff-ish. I can depend on his movies not being a bore. As to Ms. Kapoor, I agree that she looks gorgeous outside of her movies. So why does she get all that hype, eh? star daughter and all that? Are you saying she is better than Kaif, or vice versa?
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Raj Balakrishnan
August 11, 2010
The trailer of Kaadhal 2 Kalyanam looks interesting. But it says ‘Written & Directed by Milind’ – Baradwaj sue the guy!
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sachita
August 11, 2010
“Though she’s far better performer” – i hope the she here refers to Sonam. I say that just based on Delhi 6 alone, otherwise it would be a shock.
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bran1gan
August 11, 2010
munimma/sachita: I meant Sonam is far better.
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Arthi
August 13, 2010
Loved the title…..
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Steve Dave
September 10, 2010
nice….
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