A tribute to a golden era of music was a treat for lovers of nostalgia, even if lovers of music were left wanting more.
Towards the end of her tribute to the songs of Lata Mangeshkar, titled Ajeeb Dastaan Hai Yeh, Sadhna Sargam brought in a note of self-effacement. “It’s really tough to sing her songs,” she said. “I’m just trying.” The question, though, was whether points should be given, on the concert stage of a prestigious festival, for merely trying. One of the songs Sadhna rendered was Kuch dil ne kaha, the delicate Hemant Kumar creation from Anupama. Like she did with every other song, Sadhna gave this number her all – but can this fragile composition really sustain a full-throated rendition? Where was the hesitation, the holding back, the tentative tiptoe into a hitherto unfelt realm of emotion – and without these, was this really Lata’s Kuch dil ne kaha or Sadhna’s? While it’s true that the effects in a recording studio cannot be duplicated in a live show, shouldn’t there at least be a stab at an approximation?
The audience, however, responded lustily to the cavalcade of cannily chosen hits, though not as much as anchor Harish Bhimani hoped. After a medley comprising the foot-tapping Gore gore and Shola jo bhadke, he joked, “Had this not been The Hindu audience, there would have been a few Bhagwan Dadas dancing near the stage.” (Long-time Chennaiites were left smirking into their handkerchiefs at the blasphemous image of people cutting loose in the prim aisles of the Music Academy.) Before the medley, Bhimani situated Gore gore (whose Tamil equivalent, Ayya saami, was belted out by ML Vasanthakumari) in its moment in history. Lata Mangeshkar was renowned for not accepting songs that hinted at ribaldry, and this number was about what Bhimani termed “Adam teasing.” The music director C Ramchandra told Lata that she would be right to refuse to sing the song if she so desired, but then her fans would say that Lata always sings the same type of songs. That spurred the singer and a hit was born.
If the purpose of the concert was simply to remind us of an era of marvellous music, Sadhna Sargam and Harish Bhimani performed their parts with clinical efficiency. (They were accompanied by the singer Chetan Rana, who sometimes struggled to maintain pitch.) The performance began with Aaj phir jeene ki tamanna hai from Guide, and touched upon several hits – Aaja re pardesi, Kora kaagaz tha, Aap ke nazron ne samjha, Naam gum jaayega, Dil deewana, Chandan sa badan, Bindiya chamkegi, Kuch na kaho and Jai Jai Shivshankar. Some of the selections – Ek tu jo mila, Pardesiyon se na akhiyan milana, Tere liye from Veer-Zaara– were mystifying in their inclusion over so many more worthwhile compositions. But it was gratifying to listen to Ja ri ja ri O kari badariya, from Azaad, an ambrosial composition that doesn’t feature much in compilations of Lata’s hits. And when Sadhna launched into Suno chhoti si gudiya ki lambi kahani from Seema, I wondered why she didn’t opt for Manmohana instead. There was no representation from Lata’s prodigious classical-tinted output, and the absence was especially felt at the august stage of the Music Academy.
An edited version of this piece can be found here.
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vijay
November 14, 2011
How does Sadhana fare in live concerts? Even in recorded songs I sometimes find her voice a tad strained/changed in the higher octaves. Maybe Madhushree(who sang the modern day Madanmohanesque “Mujpe toofan” from ARR’S Tezheeb) could have been substituted for a few songs
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Gradwolf
November 14, 2011
Somehow Sadhna Sargam didn’t move me enough to make the trip to Music Academy.
I thoroughly enjoyed the RD Burman show at the event last year. I think it is on in other cities this time. It had a terrific team of Karthik, Anand of Aagosh fame(or is his name Gopal?), Shweta Menon, Kalyani Nair and this Rafi-esque sounding fellow whose name escapes me(he sang the *surprise surprise* Ponmagal Vandhal remix in Azhagiya Tamil Magan).
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brangan
November 15, 2011
vijay: Not too well IMO. She has an unvarying way of belting out songs — no inflections. And when she gets to the higher notes, the strain really shows. Made me think of what would happen had she chosen “Tere mere beech mein” or “Aji rooth kar ab” 🙂 I don’t mind her in studio-recorded songs actually. She’s sung a lot of Raja songs well (like Paattu cholli), and she’s also sung “Aao na,” which is one of my favourite romantic numbers of the last decade. Astonishingly beautiful song.
Gradwolf: Yeah, the RD show is on in other cities this time. Yesterday’s blues concert with Jeff Lang was really good.
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Niranjan
November 15, 2011
Are these like one-off concerts, or is there another series of concerts that is all ready to germinate?
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brangan
November 15, 2011
Niranjan: This is an annual event by The Hindu, takes place every November — not to be confused with the Music Season in December.
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vijay
November 15, 2011
Yeah, Aao na -my favourite as well. I listen to this back-to-back with Bhage re(Sunidhi) from Chameli. I wonder what happened to that guy, some Sandesh Shandilya or whatever his name is, who composed the latter.
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rameshram
November 15, 2011
“AAHA hindu paper, filter coffee, Baradhwaj rangan ode bullet point review and sadhana sargam voice ketta, Heart attacke varadhu pongo heh heh heh” (poornam vishwanathan).
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vijay
November 15, 2011
Songs like Kuch dil ne kaha are better left unrendered by most current day singers who strive for mere technical perfection and lose out on the mood. The emphasis in live shows seem to be more on showmanship these days rather than musicianship(not talking about Hindu fest, but in general)
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Niranjan
November 15, 2011
If Calculus is cut off Red Rackham’s treasure then, blistering barnacles,….!
Perhaps they went a little too much to the west…..
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Radhika
November 16, 2011
I can quite imagine Kuchch Dil Ne Kaha being murdered – but have you heard Lata’s own live shows – quite often they were pretty awful – she would add some extra flourishes and while technically okay, there was something a bit off compared to the original. I wonder how much of the Lata brand is due to how her voice was captured by the arrangers. The other day I almost jumped when I heard Man Mohana and then I realized it was a live show version.
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brangan
November 16, 2011
Radhika: Oh, I’m fairly sure even Lata won’t sound the way she did in the studio when she sang Kuch dil ne kaha. I guess that’s why you shouldn’t choose these songs for live shows, and pick the ones with more energy.
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