In Raja Rani, director Atlee reimagines the Nenjathai Killaathey–Mouna Raagam scenario for the Facebook generation. What if you got married without quite getting over your ex? We sense trouble right at the beginning, when, during their wedding, John (Arya) and Regina (Nayantara, upstaged by simply enormous fake lashes) hesitate before pronouncing their “I do”s. Worse, she utters another name – Surya (Jai). We cut to a flashback (hers), and then we cut to another flashback (his, detailing his past with Keerthana, who’s played by Nazriya Nazim). Atlee is nothing if not ambitious – but thankfully his ambitions aren’t restricted to animating a stick of karasev, which grows arms and legs as it falls to the floor. (No prizes for guessing that Atlee apprenticed with Shankar.) He constantly stages mirror events. A line from Regina’s father (Sathyaraj) about life going on is repeated by Keerthana. A relationship is fortified by the impromptu exchange of rings in the first flashback, and by an impromptu thaali in the second. We even see attempts to revive both heroines with paddle electrodes.
But these touches are undone by an overall air of kiddishness. This is how Atlee lets us know that things aren’t quite right between John and Regina. He watches gaana songs on TV, at really loud volumes, while she presses a pillow to her ear and sobs quietly. Who can feel anything for these two, this man-child and this martyr? Why not give us the story of two people who tell each other about their past lives and then struggle to come to terms with their present situation? He comes home drunk every night and makes a racket, waking up the neighbours. Why doesn’t she simply say, “Listen, I know you’re as unhappy as I am with this marriage. But let’s be adults about it.” Instead, we seem to be watching a couple of pretend-adults. Even if you agree to a marriage for the sake of the people around you, surely you’re going to talk to your spouse. You’re not going to snatch away a bottle of water when your spouse reaches for it during dinner. And somehow they share the same bed?
In Mouna Raagam, we buy the scene where the heroine waits for her boyfriend silently at the register office, but in this age of cell phones, how can we feel for Regina, who’s pushed into the same plight? These are preposterous situations, and try as they might, Arya and Nayantara just can’t make these characters worth caring for. Luckily, this film has two other leads. After that terrific girl-next-door performance in Neram, Nazriya Nazim proves that she can play the traditional Tamil-film loosu ponnu as well. And Jai slips the movie into his pocket and coolly walks away. He’s a riot as a sentimental man who just can’t stop crying. (One of Atlee’s conceits here is to get the men to weep as much as the women. Even Santhanam is reduced, at one point, to a sobbing wreck.) The scenes where Jai bullied by a string of women are very funny, and the minute he disappears, so does the lightness, and at nearly three hours, the film feels like a lead balloon. Only, heart-shaped.
Copyright ©2013 Baradwaj Rangan. This article may not be reproduced in its entirety without permission. A link to this URL, instead, would be appreciated.
KP
September 29, 2013
Dude facebook gen and maturity? Oxymoron review.
-KP
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Hari
September 29, 2013
Fantastic review. Horrible movie
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Amar
September 29, 2013
Hi sir very good u mentioned nenjathai killathey & mouna raagam but I would like to add rhythm too. The core msg is presented very nicely but editing could have been much better 🙂
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Aparna
September 29, 2013
Not sure if I will watch this (am tempted to go for ‘Onaayum’, after reading that mindblowing review of yours) but the last couple of lines here are *too good* – heart shaped lead balloon – loved it! 🙂
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Prashanth (@WothaDei)
September 30, 2013
That second paragraph nails everything that’s wrong about the fluffy post-marital drama. It was really maddening. How hard is it to talk it over? If you tell person who loved the film to ponder over those points for a minute, they’d go, “.. hey, but it’s a comedy ya.” Well, if that’s the case, then what’s with every random character offering a big life lesson?
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Rahini David
September 30, 2013
Wasn’t somebody discussing about the Mouna Raagam conceit recently and you were saying something about it being too genteel for this generation?
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Sivasamy
September 30, 2013
It’s evident template to capture scene with extravagance has been passed by his mentor however Atlee failed to blend and connect it with substance.I never thought someone will fall in love by sympathizing their past !!!!
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brangan
September 30, 2013
Prashanth (@WothaDei): I understand the logic behind wanting to lighten a heavy subject with lightness. I mean, even “Mouna Raagam” had that silly Sardarji comedy track. But here, the focus is so much on comedy that the drama makes no sense.
So all it takes is a listen to a flashback and you fall in love instantly? If you want a silly, fun-for-the-family entertainment, Santhanam comedy track and all, why not make a fluffy rom-com? Here, you have a heavy-duty romantic drama trying its best to present itself as a rom-com — it’s so ugly.
It’s scary too. Because this seems to be a much-loved film and a hit, and so everyone now will start focusing on the comedy track in their films, at the expense of all the other emotion. Which means… what exactly? Very depressing to think about. The only thing more depressing is that you try to tell people why the film didn’t work, and they’ll say, patronisingly, “This isn’t meant to be taken so seriously.” Yeah right. Tell that to those girls who need the paddle electrodes 🙂
Rahini David: Yeah — hence this brash, un-genteel take on it. There’s only a thematic similarity, nothing else 🙂
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revathy
September 30, 2013
i luv ur comment sir (bharath’s review)….its 100% true and realised it after watching the movie 🙂
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sridhar270
October 1, 2013
I think the biggest problem with Raja Rani (or other similar movies) is Santhanam. His comedy is atrocious! Every other line has to make fun of someone dark, fat, bald, etc and voila! he gets the laughs from the audience. Is there any hope after that?
Nowadays, I am wary of any Tamil comedy movie as I keep expecting it to be like OKOK – in my opinion the absolute worst of the bunch.
The whole Arya – Nazriya Nazim love story was so poorly developed simply because of the need to accommodate Santhanam’s mostly unfunny jibes.
After the almost brilliant first half (Jai – Nayanthara, Nayanthara – Sathyaraj), the movie was such a let-down.
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vpjaiganesh
October 2, 2013
atlee’s name has all the warning signs for any prospective viewer – attu..
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thotsvandi
October 3, 2013
I agree with most of your reviews. Like many, I watch the movie and come to your blog for cudd chewing. It was disappointing to know this movie did’nt impress you. Generation gap, may be 🙂
One explanation for their not talking their terms is just because they don’t want to. Who wants to open up to a stranger who gets into their bed?
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Finny
October 3, 2013
“Even if you agree to a marriage for the sake of the people around you, surely you’re going to talk to your spouse”.
You were referring to thematic similarity with Nenjathai killathey where even suhasini does not utter a word with prathap pothan after marriage. In fact they knew each other before marriage unlike arya and nayan. What is your take on it?
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Rahini David
October 3, 2013
thotsvandi: Opening up and being in talking terms are different things aren’t they? You may not want to open up to somebody just because you married them (oxymoron in other places but completely intentifiable in India) but can’t you treat them like a roommate. “Hi there! How did the day go? and mine was a complete waste of makeup.” wouldn’t hurt these people. These people aren’t children. If they got married then they are in the “can drive, can vote, can drink” slot of humans. Adults.
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Hari
October 3, 2013
Arya is not Mohan of Nenjathai killathe or Mouna Raagam. He’s neither Karthik nor Pratap. He wants to continue the routine from Boss and the same star cast without anything funny. Was Jai really married in the movie?? Horrible stuff and couldn’t sit through. Maybe NK, MR has struck a chord in me and also the evergreen Illayaraja and such lyrics has left me haunting.
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brangan
October 3, 2013
thotsvandi: Well, I liked VTV a lot, so maybe I’m not that much of an old fart? 🙂
Finny: See, in that film, they were mature about it. She wasn’t talking to him, but HE was communicating. So even if there’s no great relationship or romance, there’s at least the basic business of knowing what’s happening around you — it’s like the childishness here. I’m perfectly okay with the not-talking part. But not talking volumes and not communicating (except to snap at the other person) are two different things.
Rahini David: I’m not even talking about being roommates. See, they got married because their previous romances didn’t work out. So there must have been a time they met? How about a scene that sets up their discomfort with each other?
And the emotional logic is all lover the place. That scene where Arya cries “Oru aambalai azhudhaan na yemaandhuttan-nu artham.” It’s getting claps and whistles, but what does it mean exactly? Who yemaathified him? Assuming he’s not talking about his ex, what did he expect from Nayantara that he feels yemaathified? Really stupid, this is.
And the most galling thing was showing the ring on Jai’s finger. After all that effort to say that there’s love after love failure… Jesus! Get a grip on what you want you say!
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Mahendran
October 4, 2013
“Raja Rani” tamil movie release recently and running super and collection of this movie is excellent. Now Source says that “Raja Rani” movie is going to remake in Hindi as “King Queen”. Cast Crew of King Queen is Ranbir Kapoor and Deepika Padukone.
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thotsvandi
October 5, 2013
Rangan – LOL, after the movie hangover, I am able to see what you are telling only now. 😛
I liked a few shots in particular, like Arya shedding tears after returning from Nayan’s flashback and the ring on Jai’s finger. Thought you would have liked it, but well 😛
I got confused whether Jai got married or not after that scene.
I totally didn’t care about the post marriage scenes, I was soo attached to Nayan’s episode.
This film is becoming a rage among all love failure cases on the verge of marriage and already 4 people near my cubicle are having the ‘love for life’ ring tone and we are all going again today 😆
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theeversriram
October 5, 2013
brangan think thotsvandi is rite !! Generation gap or a Mainstream audience gap !!!
most of the audience enjoyed the movie … see the box office collections for exact details but movie is a super hit (particularly among youngsters )
Today the trend is comedy and Santhanam is at his peak so obviously there is more focus on those aspects. Who wants a dull, heavy duty melodrama anyways ?
Ur comments are like an uncle who after watching Mouna Raagam would say that Mohan is much better than Karthik since he has a good job, degree and assets whereas Karthik wat hope does he have … Why is Revathi acting like a fool then ???
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Mambazha Manidhan 2.0
October 5, 2013
“Tamil-film loosu ponnu” is a phenomenon that arises when directors with little clue about how real women speak, behave and act base the female character on how they think women speak, behave and act or “should”. I, for one would come under the same category as would most Tamil males.
It is unrealistic to expect a filmmaker to be familiar with all types of women to be able to portray realistic female characters. I think the trick is to base them on women you know and this is where I think directors like Mani Ratnam, Gautham Menon stand out time and again.
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thotsvandi
October 5, 2013
@theeversriram – noo! I think you will change your opinion if you sit back and relax.
I saw it second time today and I still was moved at places, but it was mainly because of the manipulative bgm, the stunning visuals and our own back-stories. And mostly because all of us want to hear someone saying, “There is love after love failure”. Hahha. No doubts this is a colorful movie compared to the ones made right now. But this is not the movie you should reach to feel some real love in life. That is, it does not reflect anyone’s life. I only pray that people don’t expect the kind of love shown in this movie after marriage.
What we are looking at is a Kushi and not and an alaipayuthe or dum dum dum.
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thotsvandi
October 5, 2013
From my own comment – “What we are looking at is a Kushi and not and an alaipayuthe or dum dum dum.”
When I was typing this I realize, its hard to come up with a tamil film which can be called romantic comedy.
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brangan
October 6, 2013
thotsvandi: Between all the multiple viewings of “Raja Rani,” did you or your friends get to see “Onaayum Aattukuttiyum”? Genuine question. Just curious how the “young” these days make their movie-going plans…
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thotsvandi
October 6, 2013
No. Not me or my close friends.
“how the “young” these days make their movie-going plans…” – Genuine answer.
1. Peer pressure – “kandippa paaru”. You can’t say no to three of the four member gang. Its a hard earned weekend, we don’t want to experiment a movie, so we go by what a friend says.
2. Marketing – Raja rani was a well marketed movie and it looked naice (so many tv shows related to that), while Onaai was not (I came to know it was a Mysskin movie only after it was sent out of theater in my place).
3. Stars. (Read Santhanam)
4. Songs.
5. Company. I like to watch Onaai but none of my friends would want to. One can’t go alone to a theatre.
6. Preference – People are not ready to watch a movie that has no comedy or love in it.
Though I am seeing updates about Onaaiyum aatukuttiyum from friends gradually, its not being played anywhere in my suburb. Those who are near multiplexes are lucky, seriously. Almost all of my blogger friends in Chennai have seen it. That is why we need DTH releases.
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brangan
October 6, 2013
thotsvandi: Thank you. That was really interesting to know.
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Sid (@Tweet2Sid)
October 7, 2013
I got to saw the movie today. I couldn’t find a line in this review where I disagree with BR.
There were genuine laughs and interesting moments, but the overall impact of this film is almost nothing. Length of the film is so miserably felt when it’s time it ended already..!
I could see Nayan do some acting in this film, though at times she looked like an “akka” to Jai.
Jai was simply awesome.
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Sid (@Tweet2Sid)
October 7, 2013
I meant I got to SEE the movie.. oops!
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Jupe
October 7, 2013
Kadavale, if this movie is indeed raking in the moolah, there is absolutely no hope for me in this world – for the frist time I feel “old” or “irrelevant” as a movie watching public.. The film was a disaster with a half decent sound track and a gorgeous Nayanthara….
Surprised to see no comments on the Satyaraj-Nayantara angle but I really missed Raghuvaran and had me going back to Youtube to catch some of his scenes with Dhanush in Yaaradi Nee Mohini…sigh….
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MumbaiRamki
October 7, 2013
THotsvandi : Nice points . The effect of peers and unspoken perspectives in a group has a huge effect – I can understand why Raja Rani is a a safe bet .
Even if 2/6 people feel strongly about OA and 4/6 people are ok with Raja Rani , it IS the ok that wins rather than the 2 strong , as they are seen as outliers, whose passion for that movie that is not marketed well is understood as one promoting a movie that only few enjoy . Marketing === Public Consensus for being a safe movie .
And the whole aspect of not getting serious if you go in a group is interesting .. BTW , how was it for Viswaroopam ?
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RAGHAVI
October 7, 2013
Hello ppl please wake up facebook generation or telegram generation LOVE is still LOVE, nomatter who says it and how they say it. It’s a wonderful story a story which 99.9% of people from all over the world go through. But we are not ready to accept it. Love is crazy and it can change a somewhat similar situation happened in my uncles life and I knew what the emotions would be as my whole family went through it. RAJA RANI is an ageold story with a new and refreshing take a story we all knew but thought it was just an old’s wves tale. The climax is superb and all you WONDERFUL MEN out there who have got married please touch your heart and swear on god that the girl next to you is the one you loved for the 1st time or the one whom you loved. Majority of the answer would be NOOOOOOO. And Atlee has brilliantly used double usage of a same dialogue in many parts of the film it was generally used in novels and drama to heighten the plot and to put extra emphasis on certain issues in life and love. All my friends, family, classmates, collegemates, FB friends (500) and my twitter fans (200) love this film & it’s going to be remade in hindi as KING QUEEN starring RANBIR KAPOOR & DEEPIKA PADUKONE. Wonderful acting by NAYAN & JAI & ARYA & NAZRIYA & SATYARAJ & SHANTANAM & well the whole team. The over the top eyelashes of nayan are so cause most anglo indians have thick eyelashes and dress vibrantly and love makeup. NAYAN IS AN ANGLO INDIAN IN THIS FILM. Satyaraj sir would make every girl feel for want of a dad like him.
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Mambazha Manidhan 2.0
October 7, 2013
Worth a watch. Definitely.
Jai already had the film in the bag with his performance , but he sealed with the words “Poda” in that lovely scene at the airport.
The sore point of the movie was watching actress Nayantara attempt to start crying in the car, making faces which no emoticon can capture. Unbearable.
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Ravi K
October 8, 2013
Brangan wrote: “If you want a silly, fun-for-the-family entertainment, Santhanam comedy track and all, why not make a fluffy rom-com? Here, you have a heavy-duty romantic drama trying its best to present itself as a rom-com — it’s so ugly.
It’s scary too. Because this seems to be a much-loved film and a hit, and so everyone now will start focusing on the comedy track in their films, at the expense of all the other emotion. Which means… what exactly? Very depressing to think about. The only thing more depressing is that you try to tell people why the film didn’t work, and they’ll say, patronisingly, “This isn’t meant to be taken so seriously.” Yeah right.”
I haven’t seen Raja Rani, but this tonal inconsistency is a problem I have about Indian films in general, especially Tamil films. When a film approaches any REAL heavy-duty emotion, and not just the usual highly-pitched melodrama, filmmakers shy away from it with comedy or songs. If you want comedy, the drama will seem like an anchor on the film. That is, with the usual “kitchen sink” approach to having disparate elements in a film. If you want to see drama, the comedy deflates any tension or mood. That is, if the emotional stuff is even done remotely well in the first place.
It’s increasingly hard for me to see Tamil films as anything other than a “time-pass,” a way to literally just pass the time (with very few exceptions), without any meaning or staying power in my head or heart.
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brangan
October 8, 2013
Sid: “akka” to Jai – LOL!
MumbaiRamki: But you have to also admit that the marketing for OA was terrible. Except for hard-core movie buffs, few knew it was coming and that was fro Mysskin. These days, it’s not enough to just make a movie. You have to market the hell out of it — and at least on that count, “Raja Rani” did a great job.
RAGHAVI: “And Atlee has brilliantly used double usage of a same dialogue in many parts of the film..”
Er, You probably know this, but this double usage of the same dialogue was one of the hallmarks of “Mouna Raagam” (the kambilipoochi line, the sengal-aala panna veedu line…)
Mambazha Manidhan 2.0: Worth a watch. Definitely…. lovely scene at the airport.”
Indha maari-laam solli nice-a “youth” pakkam nazhuvitteengale 😉
Ravi K: Now you know why a solid (and uncompromised and “heavy”) love story like NEPV was so dismissed by the very “youth” brigade that’s embracing this film. Not judging. People are free to watch what they want. But just observing…
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Aditya
October 9, 2013
B, this is not generation gap. It was a horrible movie. The attempt to create a strong female lead in a rom-com is a wonderful touch, but does that mean every man in the movie must be reduced to a spineless heap of tears? Why must we trade a set of prejudices for a set of caricatures? I’m all pro-feminist power in pop culture, but surely Nayantara’s overbearing hostility required a reasonable, assertive opposing voice (female, if we absolutely must avoid strong men for some reason) to balance things out. And about Jai, we have to disagree. His incessant weeping was a jarring exaggeration. Especially because he’s not a comedy extra here; he’s an integral character.
In general, the whole evisceration of manhood thing was so heavy-handed.
About the unrealistic lack of communication, total agreement. Irrational miscommunication / misunderstanding is part of the classic rom com formula where things climax to tragic irony and then sweet redemption. But you gotta build it up, and make the communication misfire. Here the communication didn’t exist. It was hard to see why the characters were being so unreasonable to each other, even allowing for human frailty.
Perhaps it is people not only of a certain generation, but also people going through post-relationship blues who enjoy this movie. It does strike a chord or two with some
On the whole they didn’t do feminism any favours with such a rude lead. They certainly didn’t do love after love failure message any favours with the whole mirror story set-up. After all, it isn’t the case that these guys got through their stuff and worked through it. They both had to hear how the other had been through exactly what they had been through to feel any empathy. Surely life could also be worth living with – let’s see – any compatible individual? Does it really have to be someone carrying the exact same scars?
Cheers from family in Muscat.
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jussomebody
October 11, 2013
Not like Raja Rani was great, but come on, NEPV was just tiresome. I mean, I got where it came from, but it just got so redundant after a point with the talk talk talk of what they did to each other. Stupid one-dimensional, whiny, boring people.
Shall take this chance to say that comparing it to the “Before” movies is just, blasphemous 😀
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Rahini David
October 11, 2013
This site is badly in need of that like and dislike options for each comment. Is it not possible to have this with this theme itself?
I really liked Aditya’s comment.
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dinakaranonline
October 11, 2013
I did not like this movie or NEPV. Wonder to what group i belong 😦 I liked VTV though. May be our impression about movies changes based on our age /relationship and level of maturity we have? When i watched Kuch Kuch Hota Hai or Dil To Pagal Hai when i was in 11th std ,i wondered why the big fuss . But i absolutely loved them when i was in college.
I watched VTV before getting married and NEPV post marriage – that’s why I did not like it ? Im not sure. May be the term ‘youth charm’ is really attracting the college group? I am almost hitting 30 approaching mid life crisis and hence my taste has evolved. But even now i would watch VTV happily for nth time.
Somewhere I read the most memorable songs in one’s life will always be during the time they grow up as teenager,mostly during college days. same applies to movies also i guess 🙂
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brangan
October 12, 2013
Adit: Your very own fan mail. How about that? Now are you convinced you should ditch whatever you’re doing and take to writing? 🙂
Very nice comment, BTW.
jussomebody: You kids, I tell you… :-p
dinakaranonline: Thank you for sharing that.
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Sanjay Kumar
October 13, 2013
finally saw the movie yesterday…frankly the film is regressive to the core even if the setting is urbane and set among rich upper class …and Santhanam’s comedy if one can really call it was horrible… making fun of people’s skin color and appearance…not to mention the frequent reference of women as “item”, “figure”…and the plots follow the typical Bagyaraj kinda of “upholding” family values plot by making a “failed” eloped marriage and an unconsummated “rogue” marriage, maybe to make the subtle message that such unions will either fail or end up like this…how different is Atlee from the themes of 70s and 80s? the most jarring and irritating portrayal is the “reformed” Nayanthara waking up her hubby with a hot piping cup of coffee….frankly whatever little he achieved by making her character bold and unconventional as headstrong lady was vanished by this stereotypical representation of this “kudumba ponnu” (also did you also notice she never consumes alcohol not even beer, which is bit difficult to believe considering the kind of person she is portrayed as)…stale wine in a champagne bottle!
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Aditya
October 13, 2013
@ Rahini & Bharat: thanks for the kind words 🙂 Typed it fresh from the movie. Brother’s birthday choice, so how can one refuse?
B, I am looking forward to your review of Gravity.
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Mambazha Manidhan 2.0
October 14, 2013
The success of Raja Rani as a film has to do with the audience lapping up a traditional tamil movie with stars, stakes and some semblance of content as opposed to just trailer gags and trendy catchphrases in a balls-to-the-wall new generation DSLR film. Thalaivaa tried and failed.
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Pady Srini
October 26, 2013
Except for the climax, I found the movie very ordinary. But this is a better movie than many crap love stories of the past. Definitely NK and MR are superior movies for many reasons ( Raja for one ). After watching a classic like NPPK, every movie seems ordinary.
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Venkat
November 3, 2013
Guys, all right with the intellectual masturbation attempted by the reviewer and his heard, this movie has collected INR 500 million. I feel these makers make movie for the market, that’s the common Tamil movie fan like me who is emotional. For intelligent and so called well read and informed viewers you have captain Phillips and Samsung running in adjacent screens
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kj
November 14, 2017
watched this movie as an outsider (refer to Inside/Outside). I didn’t like it at all. I didn’t expect it to be this bad as I had heard this movie was a hit. I asked my Tamil friends about the movie they loved it. They said the humour was top-notch.
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Madan
November 18, 2017
@kj: I am not an outsider (ok semi outsider as I am a Tamilian living outside TN) and still didn’t like the film (which I just happened to watch today). And I really don’t think it has much to do with inside/outside or the generation gap argument presented at the time of its release. There is way too much pandering in this film (and specifically pandering towards a particular kind of crass comedy) which mars what good moments the film does create. There is an excess of comedy while the difficult scenes are handled crudely and abruptly. And the reintroduction of Jai in the climax was so, so contrived. No explanation as to how a guy working in customer service and who shifted to USA landed up in immigration and how conveniently he explains it away when he had in fact promised to meet her at the registrar office.
One moment I did really like in the film: when Satyaraj is informed that Jai has indeed taken the flight to USA and Nayanthara is clinging onto the hope that the phone call brought good news. Also wonder if her tendency to have fits is a riff on Idhayam (again, this too is not really explored, where is the time to if you fill 3/4 of the film with lousy comedy).
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