If Hrishikesh Mukherjee’s Satyakam were made today, it might look like Singh Saab the Great. Here, Sunny Deol takes on the role his father did in the earlier film, the honest man disillusioned by the nation around him – and he adds some creative touches. When he catches an eve-teaser in action, he pours a bottle of water down the man’s crotch, to cool his ardour, while drawing his attention to the bottle of acid nearby. And despite being a wronged man, he seeks not badla (revenge) but badlaav (change). Some things, though, never change. Hence, in this Anil Sharma movie, a reference to Deol’s 3.5-kilo arm (a cool one-kilo increase from the Damini days), and the scene where the actor stops a speeding car with one outstretched hand. There’s a fine masala moment involving a villain (Prakash Raj) who’s performing a yagna, but we’ve seen the surrounding scenarios too often, and a few nods to Facebook and Twitter apart, Sharma isn’t interested in updating this material. The result is a dull film whose greatness lies only in its title.
Copyright ©2013 Baradwaj Rangan. This article may not be reproduced in its entirety without permission. A link to this URL, instead, would be appreciated.
Rahini David
November 27, 2013
Nice Pun.
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MANK
November 27, 2013
@BR
It seems that you didn’t even finish watching this film. Just watched it till interval , assumed what was going to happen next and scribbled this writeup from there itself and left. Can’t blame you if you did
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venkatesh
November 27, 2013
@BR : “Deol”- fashioned way – really 🙂
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Kutty
November 27, 2013
This was the most disappointing movie of the year for me. As someone who has only heard about Sunny paaji and not seen any of his movies till date, went in with a lot of expectation (like a Delhiite heading into a Rajini movie, maybe?). Instead of mindless action, got a truck load of emotional scenes. And was in a barely filled theatre where even those present seemed to be watching the movie with serious intent. And finally, I guess neither the audience nor me got what we wanted. And what’s with the repeated shots of Sunny remembering the heroine? It was like flashes back to back.
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Jitaditya
November 28, 2013
The pouring water on the crotch scene is lifted from Balayya’s Simha…
Please watch that one if you havn’t… a real crowd pleaser with colossal body count…
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Bunny
November 28, 2013
“Deol fashioned way” — you are a master of words. The movie’s trailer itself had a dated look, like the movies that get released after a decade.
I cringe to think what the masala snobs of today would do to film like ‘Satyakam’.
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brangan
November 29, 2013
Kutty: Actually, the whole thing was one nested loop of flashbacks. We begin with Amrita Rao at her laptop… and we flash back to Sunny in the present day… and then we flash back to Sunny in the past… and then we return to Sunny in the present day, where he keeps flashing back to his wife in the past… Phew!
Jitaditya: a real crowd pleaser with colossal body count…
Haha! What a great tagline for a movie!
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Kutty
November 30, 2013
“Nested loop of flashbacks”.
Total lol! To draw another Rajini parallel, this could also be used to describe Baasha as well. 🙂
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