Spoilers ahead…
A few scenes into Anant Mahadevan’s The Xposé, I sat up. Could this actually be a cunningly disguised sci-fi epic? Consider the evidence. It’s 1968. We’re neck-deep in the Bombay film industry. A starlet in a bikini top and a sarong sprints out of the sea in a shot that won’t be seen on the Hindi screen till 1982, when Parveen Babi, in a similar outfit, sprinted out of the sea in Yeh Nazdeekiyan. More time travel awaits us. Another starlet is dressed (or should we say undressed?) like Zeenat Aman in Satyam Shivam Sundaram, and a song from that film, Chanchal sheetal nirmal komal, is invoked in the title of the film being shot, Ujjwal Sheetal Nirmal, which now makes it look like the world’s first feature about a detergent. Fast-forward three years, to 1995, when Rajinikanth, in Baasha, uttered one of his most famous punch lines: Naan oru thadava sonna… These words are mouthed, in 1968, by a “South star” named Ravi Kumar. This actor is played by Himesh Reshammiya, and I fear for his life. What The Xposé is saying is that this line was Reshammiya’s long before it was Rajinikanth’s. Which Superstar fan is not going to grab a machete and buy the first air ticket to Mumbai?
A little later, though, the film begins to look like a postmodern experiment. Here we are, on the sets of Ravi Kumar’s film – and I kid you not, the walls are covered with van Gogh reproductions. The logical viewer may find himself wondering which Hindi film, from that era, evinced such interest in nineteenth-century European art, but the point may be that this is beyond simple rationalisation, much like the unlit cigarette that’s always found between Ravi Kumar’s fingers. He used to smoke when younger, but he gave up the habit when his father caught him. But he doesn’t want to let go of the habit entirely either. The unlit cigarette, I suppose, is some kind of statement. Perhaps it’s an up-yours to Anbumani Ramadoss. The statutory anti-smoking warning appears whenever Ravi Kumar appears, practically daring him to light up. Somewhere, Godard is smiling.
Speaking of whom, a poster of Le Mépris adorns the wall of the filmmaker Bobby Chadha (Ashwin Dhar). We think he’s going to change the face of cinema. Instead, he demands to see his heroine in a bikini. At the other end of the movie-viewing spectrum, we have Subba Prasad (Anant Mahadevan), whose walls are adorned with posters of Aayirathil Oruvan and Pudhiya Paravai. A starlet who auditions for him asks what she should do. He says, with a straight face, “Na dance, na expression, na pose – sirf expose.” (The two heroines, Sonali Raut and Zoya Afroz follow this advice to the T.) And finally, The Xposé settles into the genre it was always going for: horror. Not the traditional kind, with screaming ghouls – though one could make a fairly airtight case that Reshammiya, with his eerie knack for turning vowels into nasal consonants, comes close. No, The Xposé involves an entirely different kind of terror, the audience’s realisation that there’s still an hour-and-a-half to go. And Yo Yo Honey Singh is in the cast.
There is a good movie to be made from the premise of a starlet being murdered and the question of who the killer is. A small group of characters, introduced one by one, with each person having a motive – an Agatha Christie-style game is instantly at play. The best film of this type is Vidhu Vinod Chopra’s Khamosh, which turned a similar storyline into a solid exercise in claustrophobia. But The Xposé – despite murder, a catfight, a daring rescue from a computer-generated fire, multiple twist endings, and at least one partially revealed nipple – manages to remain terminally dull. And just what is Irrfan Khan doing here? Perhaps indulging in a little exposé of his own, about the vagaries of an actor’s life. One minute, you’re in an Oscar-winning Ang Lee epic. The next, you’re playing narrator in the film of a hero who cannot spell. Tell me Mr. Khan, are you really under that much karzzzz?
KEY:
* Yeh Nazdeekiyan = see here
* Chanchal sheetal nirmal komal = see here
* Naan oru thadava sonna… = see here
* Anbumani Ramadoss = see here
* Le Mépris = see here
* Aayirathil Oruvan = see here
* Pudhiya Paravai = see here
* “Na dance, na expression, na pose – sirf expose.” = “I just need you to take your clothes off.”
* Yo Yo Honey Singh = Sorry, I can’t bring myself to go there
* Khamosh = see here
* karzzzz = loan, debt; also this
Copyright ©2014 Baradwaj Rangan. This article may not be reproduced in its entirety without permission. A link to this URL, instead, would be appreciated.
venkatesh
May 18, 2014
Nowt wrong with “Na dance, na expression, na pose – sirf expose.” – I am almost tempted to watch this due to that line … –
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ramitbajaj01
May 18, 2014
haha. Nice sense of humour.
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Kutty
May 18, 2014
If this review is not reason enough for more Himesssssssss movies, nothing else can be.
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MANK
May 18, 2014
Brangan:least one partially revealed nipple. Ha ha, your powers of observation as always is unparalleled
I was waiting for this review and was afraid you might pass this. thanx for not disappointing.This sounds more entertaining than 2 states.Did you enjoy this in a ‘its so bad that its good ‘ way.?
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Sam
May 18, 2014
The Xposé looks considerably beneath my standards, and I’m somebody who thinks Race 2 is great cinema.
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The Gypsy Girl
May 18, 2014
I hadn’t heard about this film before today, and my husband said “which rock are you living under?”. Clearly, a rock I am happy to crawl back under!
Also, “No, The Xposé involves an entirely different kind of terror, the audience’s realisation that there’s still an hour-and-a-half to go. And Yo Yo Honey Singh is in the cast.” …..killed it!!
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Ravi K
May 19, 2014
Your review makes this sound delectably bad in the most bizarre way possible. I have to see it.
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Bunny
May 19, 2014
Now that’s disappointing Rangan. You didn’t review Revolver Rani but the newspaper asked you to review this.
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brangan
May 19, 2014
MANK: “manages to remain terminally dull. “
Does this sound like enjoyment?
Bunny: Didn’t review “Revolver Rani” because it wasn’t released in Chennai. Also, this review wasn’t for the paper. If you see the copyright note at the end, you’ll know if it’s for “The Hindu” or for the blog.
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Shankar
May 19, 2014
Your HR reviews are the best….I still fondly recall the one you wrote for Aap Ka Suroor, had me laughing for hours! You see, there is one benefit…HR inspires you in some way! 🙂
I saw Million Dollar Arm last night….the movie was well, as good as a Disney flick can be. It could have been much better though. What I was disappointed with was the score, it was so stereotypical with lots of leftover pieces etc. The only sweet spot for me was the closing Tamil song…even though it was an older track.
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Anuja
May 20, 2014
Shankar, did you read BR’s Karzzz review? I laughed so hard, my sides hurt! And you are so right, HR coaxes BR into bringing out the big guns!
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Arundhati
May 21, 2014
You know brangan, I used to envy you your job. What could be more awesome than watching movies all day and writing about them, while the rest of us corporate slaves are spending our waking hours toiling over Excel spreadsheets and trying to stay awake in meetings.
But lo, the day comes when you must go and view a Himesh Reshamiya movie, and instead of trying to forget it, you have to actually write a long review reliving the painful experience – while the rest of us can blissfully ignore the movie and be in complete denial about Himes-bhai’s existence.
Thank you brangan, for making me appreciate my job. No matter how many Excel sheets they throw at me, I shall never again complain.
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TheKomentor
May 22, 2014
In the above picture, first glance, you get the impression the two girls on Himesh’s immediate either side have their **** cheeks visible. Next moment, you realize those are the backs of two other girls.
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Rahini David
May 22, 2014
TheKomentor: These delusions are good. They spice up your life. But Please do visit your eye-doctor once in a while.
Keep Commenting.
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ramitbajaj01
May 22, 2014
It could be a case of poor resolution, Rahini
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TheKomentor
May 23, 2014
When Rangan talks of partially revealed n*****s, you lap it up as if it were a verse from an epic poem. But when I think loudly about a fleeting illusion of backs looking like **** cheeks, you call me delusional, advise me an eye checkup, and think there’s a problem with my phone’s resolution. This confirms something I have always known — the world is never on my side.
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Srini
May 23, 2014
Off Topic : Would you be writing something on Kochadaiyan? The trailer wasn’t impressive , for Thalaivar’s sake , I hope its good.
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Rahini David
May 23, 2014
The Komentor: “Lap it up”? Oh Man, You Rock. ROFL.
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hari prasad
November 4, 2022
Heard that Himesh Reshammiya is about to build an universe around this movie by doing a movie called Badass Ravikumar….
It’s so awfully funny that KRK of Deshdrohi fame is trolling Himesh…
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