Spoilers ahead…
How do you know you are in a South-style masala movie? One clue is the sound – and not just the general background score that makes it appear that a space shuttle is being launched behind your seat. It is also the sound associated with specific actions, which, in real life, would produce no sound at all – like the picking up of a cell phone, or a glance being directed at someone. A glance. If an alien species watched these movies, they’d end up thinking that the motion of our eyeballs was controlled by typhoons. It follows, then, that these films tell stories that are equally subtle: good is good, bad is bad, and grey is something you find at the end of a Maharashtrian surname. Singham Returns, the new Rohit Shetty movie – new only in chronology – is content to coast around this ambit. He’s so reluctant to tamper with a winning formula that he even replicates the framing device of the earlier film, where an honest cop (with a wife and a young child) ends up dead and suspected of corruption. The only surprise here is… is… uh…
Why do these films have to be so predictable? Consider the stretch where Evil Guy hatches a plan to scare three Good Guys. We hear about this plan first, and then we see the attack on Good Guy 1 (a child is abducted), then on Good Guy 2 (the family is shot at), and, finally, Good Guy 3 (a car is wrecked). Why not show us these three violent acts erupt out of nowhere, leave us wondering about the who and the why, and then take us to Evil Guy and his evil plan? Before a scene ends, we know what’s going to happen in the next, and the next… What is Singham Returns about? We don’t have to wait long for the answer because we’re shown, right at the beginning, a press conference where the issue of black money is raised. It’s worse because the characters are the same: corrupt politicians, crooked godmen (Amole Gupte plays one with some glee), honest and beleaguered cops, the fearless reporter with a thing for bindis the size of crop circles…
As DCP Bajirao Singham, Ajay Devgn is his usual dour self. There’s no charisma, no looseness, no sense of enjoying himself – he treats the role like a task that needs to be ticked off. He has a new heroine: Kareena Kapoor Khan. What happened to the character Kajal Agarwal played in the earlier film? I found this puzzling because the rest of the cast (Singham’s parents and so forth) is the same. Maybe there was an explanation somewhere that I didn’t catch because I was trying to protect my eardrums from permanent damage. A couple of shootouts are imaginatively staged, and there’s a nice bit of comedy involving a selfie. I liked the drama with the impoverished mother who lashes out at Singham, asking him if he has the balls to go after the really powerful. I remember thinking that this scene wouldn’t fly in a Tamil or Telugu movie, whose heroes have it written into their contracts that they are never going to be insulted. At least inside the movie. At the hands of critics and on social media, it’s another matter altogether.
KEY:
* the sound = see here
* Kajal Agarwal = see here
Copyright ©2014 Baradwaj Rangan. This article may not be reproduced in its entirety without permission. A link to this URL, instead, would be appreciated.
Krish
August 20, 2014
Why is Yeh Jawaani hai Deewani appearing in the Key?
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venkatesh
August 20, 2014
OT but has to be said:
Apparently this movie paid money to be cleared :
http://indiatoday.intoday.in/story/singham-returns-bobby-jasoos-kick-clear-censor-board-chief-rakesh-kumar-took-bribe/1/377892.html
I liked the rate-card display.
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MANK
August 21, 2014
Ajay Devgn is his usual dour self. There’s no charisma, no looseness, no sense of enjoying himself .
All true,But this is a Rohit shetty film with such high decibel levels and perhaps it required a loud performance . I dont think any other contemporary hindi star actor pulling this role of like he does. The Khans – no way, Hrithik Roshan ,Akshay kumar – hell no ,with their dialogue delivery skills or the lack of it.I didnt care much for the film and it is very much head ache inducing as you put it., but Ajay really made the character worth rooting for . He pulls of some of the punch lines really well and some of the dialogue baazi is staged well by Rohit shetty – even though much of it falls flat. I am a great admirer of Ajay as an actor , especially when he is cool and intense – He was superb in Company , Omkara…. – and may be thats his forte, but you have to agree that among all the metrosexualised heroes of today- only he has that raw machismo , that salt of the earth quality to pull of a role like this.This would have been an intolerable film without him.
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Santa
August 21, 2014
I’m curious: why is it an issue that there is a new love interest for Singham in this movie? Some other reviewers seemed to mind this aspect too. I’m asking because can’t seem to recall anyone having a problem with Vidya Balan in Lage Raho Munnabhai.
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tejas
August 21, 2014
Oh come on! The question about why Kareena instead of Kajal Agrawal is redundant. What happens to Munna’s wife and 2 kids in Lage Raho Munna Bhai? This kind of logical continuity is never expected or demanded in Hindi films.
Haven’t seen the film. Don’t care to see either. Just had to point this out. 🙂
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Amrita
August 21, 2014
BR: I don’t think the disappearance of Kajal Anand & the appearance of Kareena must have even elicited an explanation. So don’t worry you didn’t miss it! Isn’t it a given that the heroines in these films are not only dispensable (i.e. the story would progress just as well without them) but also interchangeable? I think in every generation of heroines, there are 2-3 who truly leave an unmistakable stamp on their roles. The rest are just of the make-shift, one-size-fits-all variety. & oh, let’s not get started on the fact that SRK, Salman, Akshay, Ajay et al have, till date, acted opposite 3-4 generations of heroines.
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topgunalways
August 21, 2014
Regarding the explanation for Kajal aggrawal’s character getting changed to a new one, I do not think BR questioning it is a problem. In fact, its fine. He has mentioned that his parents and few other characters get carried over from the first part, then why change this character alone. If it was Kareena playing the same character/role from the previous one, then its ok.
And speaking about the Munnabhai and new role played by Vidya Balan in the second part, I think its a series and apart from the those 2 characters, no one else was carried over. Not even Munna’s parents are shown in the second feature.
Anyway for Singham, its a minor observation for a silly film anyway.
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brangan
August 21, 2014
MANK: Funny you mention those films, because I find him “at ease” only in these serious roles. I loved him in “Zakhm.” But in these masala roles, I find him a misfit. I summed up what I feel about him in my review of “Once Upon a Time in Mumbaai:”
“The problem, though, is that Devgn, on screen, is a laconic brooder. Give him a line like ‘Waqt kahan badalta hai… Sirf guzarta hai,’ and he perfectly locates the weariness of a man for whom life doesn’t so much evolve as elapse. But he cannot channel the intensity that Bachchan wore like a second skin, with blazing eyes and a baritone to match. “
topgunalways: Exactly – I viewed the “Munnabhai” movies as a series, but I saw this as a sequel — and the unacknowledged heroine shift seemed odd here. Anyway, not that it matters a great deal, as you say 🙂
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Madan
August 21, 2014
Have no interest in the movie at all but…
“good is good, bad is bad, and grey is something you find at the end of a Maharashtrian surname”
this is killer!!! 😀
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ramitbajaj01
August 21, 2014
Sir, May we know your criteria for watching/skipping a movie? Say, Singham Returns versus The Hundred Foot Journey.
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Alpesh Patel
August 22, 2014
Funnily enough, I saw this earlier…..it won’t give you explanation, but I think you will find it more enjoyable than Singham Returns
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topgunalways
August 22, 2014
“… the general background score that makes it appear that a space shuttle is being launched behind your seat”
And BR, i think the trashier the film gets, the more enjoyable your analysis becomes. Nothing gets spared and surely not the usual stereotypes.
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aandthirtyeights
August 22, 2014
Devgn, I thought, was brilliant in Khakee as Angrey! There, he nailed the masala villain, I thought.
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