Spoilers ahead…
The National Award for Kaaka Muttai doesn’t make any sense. Best Children’s Film. What does that even mean? Best film that has good parts for children or good performances by children? Or best film for children? Either way, the award is an insult. Kaaka Muttai isn’t just for children — actually, some of the humour apart, it’s not for children at all. And it features stunning performances from everyone, the kids certainly (Ramesh and Vignesh, playing siblings in a slum), but also the grown-ups — especially Iyshwarya Rajesh, who plays the kids’ mother with a world-weariness that belies her years, registering amusement, annoyance, love, exasperation and about a dozen other things you rarely get from a Tamil-film heroine. Watching Nithya Menen in O Kadhal Kanmani, I felt there couldn’t be a better lead performance this year. Now, I’m not so sure. Just watch Iyshwarya’s small, tired smile at the end, when she hears that her younger son has stopped wetting himself. She doesn’t oversell the moment. It’s a triumph, all right, but it’s a small triumph. That small smile is enough.
What a relief to find a real person on the Tamil screen. But part of the performance, I am sure, has to do with the sensibilities of the director M Manikandan. This is one of the most assured debuts I’ve seen — one deserving of more than just that consolation-prize-of-a-National-Award. He wrote and photographed and directed this film — but this isn’t one of those ego trips we are often subjected to, with filmmakers multitasking just so that they can slap their names on all aspects of the film. There is a voice, and an eye not just for scenes but moments… exquisite little vignettes. Look at the scene where the younger kid — called Chinna Kaaka Muttai; the older one is Periya Kaaka Muttai; henceforth CM and PM — finds out that a ten-rupee note is full of holes. The usual Tamil-cinema director would consider his job done by just giving us this information. But Manikandan stages this small moment. CM holds the note up against the sky. The sun shines through the holes. Even amidst the squalor, there’s beauty.
There’s more beauty in the writing, where even a casual reference to raahu kalam at the beginning returns in an echo at the end. And I cannot remember the last time I saw a movie so populated with small-but-memorable characters. Take Pazharasam, the kids’ grown-up friend. As with the kids, we know him only by his alias. There’s a beautiful moment when PM realises that’s not the older man’s real name, and the scene informs both characters — PM is puzzled, a kid who thought he knew this grown-up and is now realising maybe he didn’t, and an enigmatic layer is added to Pazharasam. (Who is he really? The film won’t tell us.) Or take the kids’ father, who’s in jail. We hardly see him, and yet, we get a sense of him. He’s in the TB ward. And through his wife, we get to know how he looks at her — pleadingly. He wants to get out, but who’s got money for bail? Or take the kids’ grandmother, who sighs to her daughter-in-law that she is not able to contribute to the running of the household. How much greater her pain must be when her pint-sized grandson points out the same thing!
Kaaka Muttai is so entertaining — it’s either a crowd-pleasing art film or an arty crowd-pleaser; maybe both — that it’s easy to forget how sad the undercurrents are. CM and PM no longer go to school because there’s no money. They sell coal they pick up from railway tracks — “oru kilo, three rupees.” The houses are cramped, and there’s no address. The ground they play in is sold to a developer, who builds on it a pizza parlour. In other words, it isn’t just globalisation. It’s globalisation at the doorstep of the underprivileged, whose lives remain unchanged by all this… progress, if that’s the word for it. It’s not like they’re getting jobs in that pizza parlour.
Heck, they’re not even allowed inside. The story is about CM and PM’s desire to taste a pizza, which they see in a mouth-watering television commercial. No, scratch that. The story is about desire, period. It’s about the kids’ desire for a cell phone. It’s about the mother’s desire to bring her husband back home. It’s about a low-rent thug’s desire for easy money. It’s about the desire of upper-class kids for the ‘lowly’ and unhygienic pani puri that’s sold on streets. It’s about the desires invoked by television, which teaches us to salivate over things we never knew existed. Even the pizza isn’t just pizza. After a point, it comes to represent the desire of these kids to get access to a better world — an entry ticket to an exclusive club. Rarely has the divide between haves and have-nots been laid out with such devastating understatement, without the moralistic gavel-banging our filmmakers are so fond of.
Sometimes, there’s a literal divide. CM and PM are pals with a rich kid, who’s always seen on the other side of a fence. Crossing over isn’t so easy. PM and CM think they can enter that pizza parlour if they dress like this rich kid, and they even manage to get the clothes, but the doorman knows they’re impostors. They may be wearing clothes that resemble the ones worn by pizza-eating kids, but they don’t look like pizza-eating kids — and look at the irony, the doorman himself is one of them. The scene is brilliant. PM is slapped and he smarts from the humiliation — not just because someone has hit him and denied him entry to this club he so badly wants to belong to, but because his friends from the slums are watching. And then we see where he gets this streak from, this independence, this pride. His mother refuses an MLA’s offer of tea/coffee, and when her neighbours talk of participating in a protest for free biriyani, they know she won’t join them. PM, too, isn’t looking for handouts. He wants to buy the pizza, even if the money is obtained through means not exactly legal.
How, with all these story threads, did Manikandan think up so much humour? Or maybe the question should really be addressed to other filmmakers. Why do they get so wrapped up in their dour mission to educate that they forget to entertain? If there was a National Award for Best Non-Sequiturs (or Best Use of a TASMAC Bar in a Tamil Movie), Kaaka Muttai would have walked away with it. The impotency flier. The grandmother’s attempt at making a pizza. The revelation of what a sidekick did when his pal tried to milk money from the people who own the pizza parlour. About the latter, there’s a sense that this thread is extraneous — but after the film, I felt it was very much part of the weave. These guys are opportunists, but so are the kids. The guys, in other words, might be what these education-less, opportunity-less kids will grow into in the company of their cell-phone-stealing friends — though the frustratingly twinkly music (by GV Prakash, who seems to be under the impression that this is a Disney fairy tale) keeps instructing us to think otherwise. The kids are cute enough. There’s no need for the music to be cute as well.
But as long as the focus is on PM and CM, Kaaka Muttai can do no wrong. Apart from the score, there are hardly any missteps. A few scenes with the media come off as too-pointy, especially given how muted the rest of the movie is. There’s a bit about a drunk who begins to talk about lower castes, and the mood quickly (though not abruptly) becomes more light-hearted — the whiff of a lecture lingers. But this is like a topping (pineapple, in my case) that you pick out and set aside, because the rest of the pizza is so lip-smackingly good. The moment when the kids enter the pizza parlour, I had gooseflesh. But the euphoria doesn’t last. Even as they sit down to finally consume the object of their desire, CM tells PM that it’s cold. They’ve never experienced air-conditioning. At least a few people are going to feel a twinge the next time they call up Domino’s.
An edited version of this piece can be found here. Copyright ©2015 The Hindu. This article may not be reproduced in its entirety without permission. A link to this URL, instead, would be appreciated.
Rajesh
June 5, 2015
Will this ever come to Kerala. Cant wait to see.
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Pranesh
June 5, 2015
Sorry for the OT comment, but any plans of watching Demonte colony? I watched it only today (in a full theater at Luxe), and loved it. I thought you’d like some things about it as well.
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Rekhs
June 5, 2015
no wonder U got a nat’nal award!!! Well said indeed. i came out thinking next time i see some of the have-not kids (for want of a better word) near a pizza place i wl def get them to taste it! we take so much for granted!! kudos to vetri dhanush mani and the entire cast and crew. my day seems complete today. OOps i forgot ishwarya, she sure deserves a nat’nal award for this, what were the jury members thinking!!!
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rajandr
June 5, 2015
I think your are smitten by the Nithya Menon bug. Don’t worry I was too during the Hotel Ustad days and now have recovered very well.
I don’t think you were indirectly referring to Kamal Hasan when you were mentioning filmmakers multitasking so that they can slap their name. In his ThoongaVanam he’s even doning make up artist role.
Finally the anti globalisation socialist in you has come out (shouldn’t it be a suprise for a one working in THE HINDU) and acknowledge that globalisation isn’t lifting poor from their poverty but making the rich and close to license givers more rich. Nice to read these lines from your review.
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Anu Warrier
June 5, 2015
I think the ‘Best children’s film’ slot is so that these films can at least be recognised at some level. If they had to compete in the ‘Best film’ slot, they would be lost.
And this ‘recognition’, consolation prize or not, gives the director a bit more standing when he makes his next movie. Perhaps funding will be easier, now that he’s an award-winning director?
I wonder if it will release in my local theatre here. Uttama Villain played for three days on one screen in an arthouse theatre here; this, without any of that distributor clout may never be released abroad unless some college movie club decides to screen it. Ah, well, must wait for the DVD, I guess.
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reelorola
June 5, 2015
Unbelievably, this has released in Hyderabad and am watching it tomorrow evening. And what a delicious starter with this review 🙂
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apala
June 5, 2015
Loved the review BR! Hope I can catch it here – did not seem to be playing anywhere near!
Hope this does well at the cinemas in TN.
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Rahul
June 5, 2015
Enjoyed reading your review- and since this movie was sent to some festivals, I am sure it has been subtitled properly. Your comment about children’s film reminded me about the time when as elementary school kids we were shepherded to see Masoom, in the understanding that it is a children’s movie, though it probably is anything else but. Incidentally, that was also a glorious debut, of Shekhar Kapoor. Talking of debuts, I wonder why is it, that so many filmmakers have great debuts. Is the technical aspect of film making that easy to imbibe?
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vijay
June 5, 2015
Glad to hear that kaakka muttai is doing well going by initial reports. Pasanga, goli soda, kaakka muttai….really surprised that our directors who were once inept at making films that were either for children or had children in them could suddenly get quite a few of them very right in a row. Something’s changed in the water
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vijay
June 5, 2015
“Talking of debuts, I wonder why is it, that so many filmmakers have great debuts. Is the technical aspect of film making that easy to imbibe?”
and is the sophomore jinx really a jinx?
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brangan
June 5, 2015
Pranesh: Not really. I haven’t watched the film, as I’m not big on horror — unless a Mysskin is doing something with the genre, in which case I am interested in what he does.
rajandr: I don’t think you were indirectly referring to Kamal Hasan…
Er, hello, where did his name come from?
Rahul: I wonder why is it, that so many filmmakers have great debuts. Is the technical aspect of film making that easy to imbibe?
Do so many filmmakers really have great debuts? Most of them don’t, IMO. About the technical aspects, it is my belief that it’s innate. Some of this stuff cannot be taught — you have to have it in you, this eye for staging etc. And most filmmakers lack this eye. They want to tell a story and that they do, but they are not “directors.” In the sense, they could just as easily have told this same story on the stage. There’s nothing in their work that makes you think “cinema.”
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Ravi K
June 6, 2015
Baradwaj wrote: ‘Do so many filmmakers really have great debuts? Most of them don’t, IMO. About the technical aspects, it is my belief that it’s innate. Some of this stuff cannot be taught — you have to have it in you, this eye for staging etc. And most filmmakers lack this eye. They want to tell a story and that they do, but they are not “directors.”’
In Tamil films it seems uncommon that directors direct scripts they haven’t written, not counting dialogue writers. Whoever writes the script for a film ends up directing it, whether or not they have any directorial vision. I wonder how many lackluster films from writer/directors could have been enlivened by directors that didn’t write the scripts.
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parthibanmanoharanParthi
June 6, 2015
Loved this film at the Toronto International Film Festival screening last year. The audience who were mainly foreigners thoroughly enjoyed the film which was apparent in their laughs and reactions. A film that definitely needs to be celebrated!
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brangan
June 6, 2015
Oh man. Got this on Facebook…
For people living in U.S. can watch the original Korean version aka inspiration: http://youtu.be/VUhAwIpIirc
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Destination Infinity
June 6, 2015
Great review. I want to see this 🙂
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sanjana
June 6, 2015
Is it that we can make films only about poor kids or kids with disabilities or kids from dysfunctional families? What about kids from other backgrounds? Dont they have any stories? Like Hum hai raahi pyar ke or Sound of Music?
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KayKay
June 6, 2015
“Is it that we can make films only about poor kids or kids with disabilities or kids from dysfunctional families?”
Well sanjana, I recall, many many many years ago, a delightful movie called “Mazhalai Pattalam”. 2 broods coming together when their respective single parents’ hook up.
If my memory isn’t failing me, they were neither poor nor disabled. Comfortably middle class.
But like I said, that was eons ago……
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jai
June 6, 2015
O God!!!! This is an inspiration too!!!! Damn!!!! thought something original surfaced finally…. What’s so honorable about getting inspired from foreign films all the time???? If it works the other way around, then, its something to be proud of. But is there anything so original here? Can’t our filmmakers come up with something original? Or is it impossible?? If so, how r the koreans or chinese or japanese or to an extent, hollywood filmmakers r able to do it?. Or do they get inspired from other films too, which we aren’t familiar about????….. Damn confusing….. Is there anything 100% original here?
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brangan
June 6, 2015
jai: um, I just said I got that on FB. It’s just someone’s claim and I put it out here to see what others had to say. But let’s verify it first before beginning to accuse Manikandan…
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sanjana
June 6, 2015
So eating a pizza will make us feel guilty.
So many things make me feel guilty.
Even living in a house which could accommodate some homeless makes me feel guilty.
Taking hot water bath, having a good meal, buying new clothes when there is no necessity all these things make me guilty. Watching a butcher killing a goat while other goats watch with helplessness make me feel guilty. I cant prevent it.
I never thought ranches were killing fields.
Even when I kill a mosquito, I think whats its fault?
We cant help certain things. What we can do is to be kind to others, give something to the beggar without thinking it may encourage begging, not to bargain too much with the poor hawker and try to help in small ways. It will help us to sleep better.
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Arun
June 6, 2015
That inspiration movie, which Mr. Rangan got in Facebook was ‘Way Home’. It was about a 10 or 11 year old upper middle-class boy, who was left with his mute grandmother in a hilly village by his mother during the vacation period. The boy, initially, taunts his grandmother, since he couldn’t find any of the urban luxury, but gradually comes to admire her. It’s also a artsy crowd-pleaser; other than that there are no similarities with ‘Kakka Muttai’.
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Aravindan
June 6, 2015
“The Way Home” is about a boy from the city (unwillingly) visiting and staying with his grandmother in the village for a while. Among the various old-new city-village clashes in that film, I remember the boy demands her to make a particular type chicken/noodles that he usually eats and the grandmother fumbles around to get it done and makes various efforts. I guess someone finds that as an inspiration for this one. (Haven’t watched Kaakka Muttai yet, from what I have seen in the trailers, they look like entirely different films. I find the claim bizarre).
In any case, I cannot wait for Korean movie fans from Tamil Nadu to check that film out. To put it beautifully in Tamil, பேஸ்தடிச்ச மூஞ்சியோட திரும்பி வருவாங்க. Half of the film shows the grandmother slowly walking up and down a hill.
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Yuvaraj Jeyasankar
June 6, 2015
I don’t think it is inspired from ‘The Way home’.There is a scene where the kid yearns for KFC chicken which his grandma is unheard of..She tries to prepare her own version of KFC chicken.. something similar here where kids’ gradma try her hand at pizza. But other than that there isn’t much similarity…
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uniquebluerose
June 6, 2015
BRji your review was superb….The movie even better and well sorry can’t credit you for seeing the movie had booked for it before hand… 😛 ….but the movie definitely became more enjoyable after reading your review….
Hats of to you…..the fangirl in me is all waiting to meet you 😉
Movie was flawless!!!!
From what Arun has said this is definitely no inspiration form the Korean movie …and even if its inspiration I am absolutely all right with it esp when it is taken is such a flawless manner
Love the bit in which Ishwarya Rajesh in a bid to search for kid goes across the bridge turns back and then again turns back….
and even though this movie is all about underprivileged and how things we “haves” take for granted are such struggle and never accessible to “have-nots” I liked that it didn’t totally make a Villain of every “haves” … the kids are not kidnapped …. or no horrors are shown like it was in Aangadi theru or Vazhakku enn 18/9
The grandma trying to replicate the Pizza fir the kids happiness…. The happy content life they lead … and the want of pizza frustrating them leading to small argument at home.. everything was just perfect.
looking at City center CM says the will definitely not be let in… sad but true
Some shots I felt were superb… the kids happiness on seeing the TV…. the way the periya kakka muttai looks at the aero-plane in sky…the last penultimate scene where the little one hugs the mother but the PM looks on with apprehension, waits till she smiles … when they are VIPs in the last scene they talk about whether Simbu is coming back…. the mother is content to stay outside watch the kids contented…
and final touch was classic… they don’t like the Pizza after all…. lol!!!!
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uniquebluerose
June 6, 2015
another point…..your said “He wants to buy the pizza, even if the money is obtained through means not exactly legal.”
I think neither CM or PM even fully realize the illegal aspects of the coal they pick or even when they exchange those dresses form Reebok and Levi for Pani puri….
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neabs
June 6, 2015
kudos to the movie and kudos to your review. Felt like watching feel good movie in summer after a long time. couldn’t take my head off from the smiles of the kids. As you have mentioned the characters looked so real and instant liking.
I also liked the re recording of movie.
the granny’s Pizza trial, the mom’s contempt outside the Pizza hall, PM’s smile at his mother after their lost and found episode and several more moments were so so magical.
The climax was absolutely outstanding, the red carpet welcome and the dialog ” Ayya sutha dosa idu vida naala irundud”.
I also liked the close up shots and long shots in movie.
The movie dint make any particular incident dramatic , that remains as the positive point of the movie.
The way CM and PM gets new dress was cherry moment, the other two kids never make and simply have PP and tell ” we sold It” 🙂
One more thing was most of characters were referred by the nick name, we could rarely see their original name.(CM, PM ,Naina etc). Even without names some characters stay in our mind.
Ishwarya Rajesh was outstanding thought the movie. Ramesh and Bob antony were equally good.I also liked the granny .
But the kids stole my heart :P. I still couldn’t still take my head off from them,
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neabs
June 6, 2015
Few more favorites:
The media holds a discussion before the slum, CM and PM crosses by, but they are sided away.
The Pizza delivery boy and supervisor wait for the kids in front of the home and eventually awaits for a promotion.
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Rahul
June 6, 2015
BR , of course, there are probably more directors that do not make good debuts than those who do. My point was, you do not really see a discernible upward graph in the work of most directors. Good directors usually make a good first movie and bad directors do not tend to become good directors with experience.
Regarding this movie being “inspired”, in Iran, this kind of kids movie is probably a genre.
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brangan
June 7, 2015
uniquebluerose: Some shots I felt were superb… the way the periya kakka muttai looks at the aero-plane in sky
Ah, but the genius in that shot isn’t just that he’s looking at the plane in the sky. It’s what he’s doing. CM is throwing up clothes from below. PM is laying them out to dry. He gets up. The plane passes by. He’s so entranced he misses the next item of clothing, which hits him 🙂
Physical comedy + social observation + imaginative staging…
Seriously, when I walked in, I was half-expecting some “well-intentioned” nonsense like Angaadi Theru or Vazhakku Enn… Was not prepared for this at all.
I really hope this director lives up to this promise.
About I think neither CM or PM even fully realize the illegal aspects…
Of course they didn’t. But we realise it.
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Anantha (@anantha)
June 7, 2015
Ennadhuidhu! Pineapple on a pizza, is heavenly, particularly when paired with jalapenos and onions. How can you pick it out and leave it aside!
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apala
June 7, 2015
@sanjana
“நாலு பேருக்கு நல்லது பண்ணுனா, எதுவுமே தப்பில்லை”. By The Great Velu Nayakar.
Peace! 🙂
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jithin
June 7, 2015
isnt this the makikandan who directed “Kanna Laddu thinna Aasaya”?
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वरुण (@varungrover)
June 7, 2015
I might be lynched for this but for me this is as close as a film can get to be a modern day Pather Panchali. Many similar elements too, including the loving and playful old woman, desires, death, siblings, and hope.
Without that comparison too (or may be it’s fairer to leave that comparison as just an aside), what an absolutely brilliant film! Loved the lightness of touch employed to deal with a subject that had all the shades of falling into a ‘poverty porn’ space, if not ‘sympathy for kids’ space.
I didn’t even find the news/media portrayal segment as ‘too-pointy’. It stopped just short of it. Imagine, if when the news anchor announces a short-break, the first ad we saw had been of another Pizza brand, it would have been over-milking the satire. The thing is that our news channels have become so OTT already that it’s really difficult to tell when their portrayal is being spoofy and when it’s ultra-real.
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kums
June 8, 2015
That ‘oru kilo, three rupees’ dialogue comes up when the richer-kid is playing. The very next dialogue is by his father from the balcony – ‘lokesh, time up!’ – a great dig at modern parenting!
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sanjana
June 8, 2015
Modern day Pather Panchali? I think that film itself was inspired watching poor kids and their lives. And every film will resemble some other film in a broad way. They say there are only 7 stories and so this overlap occurs. Great minds think alike, visualise alike. Even I thought of Ray while reading the review.
Love stories
War stories
Adventure stories
Poverty stories
Other kind of love stories.
Comedies
Cranky stories
Horror genre
Stories with extraordinary effects
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Sabari Girisan M
June 8, 2015
The director seems to have understood that class, in its crudest analytical form, has become a redundant model if one wishes to understand social reality. Something like Bourdieu’s habitus and practices have to be taken in hand in order to get a clearer picture.
However, the wittiest aspect of the movie is that it leaves it to the audience the task of interpreting what the film maker tries to say. It does not give a brief summary at the end ( in contrast to films like 7 aam arivu) which, I feel, is not the task of a cinema. A hint was given at the end through that TV programme scene. Thankfully, the anchor paused the scholarly man from elaborating his theory further.
Among the many ingenious shots, I like the momentary closeup of the trumpeter when Simbu enters the restaurant.
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pruy
June 8, 2015
Also I read somewhere that director’s second movie – kutramum dhandanayum – is is post production stages and the movie has no songs (which seems to be a good sign). Looking forward to it. It is similar (in making not genre) it will put him amongst the most interesting director to look forward to in future.
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kumar
June 9, 2015
A western take on the movie can be found here:
http://www.hollywoodreporter.com/review/crows-egg-kaakkaa-muttai-toronto-730393
Some times I wonder how proportional the familiarity of the milieu depicted in the movie is to how much we tend to like the movie. When I mean familiarity its not just the language and the locale but also the kind of cinema we have grown up on.
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Shreyasi Ghosh
June 9, 2015
Loved the review as much as I loved the film. I watched it yesterday. A bit of the humor, rooted in colloquialism was lost in translation. But what an experience! From the story to the cast to the music (I found a touch of Rahman in it, only to realize later it’s composed by GV Prakash. Coincidence much? ), everything was top notch. The vulnerability, confusion, angry isolation and pre-adolescent angst have been so beautifully captured. Looking forward to more of the director’s work.
One question. Did the media circus, the buffoonish politician, the ridiculous hype around an everyday occurrence in India remind you a bit of Peepli Live?
After the movie, I said aloud, ‘I don’t think I will ever be able to look at a pizza the same way again’. 30 minutes later, we were chomping on one. Art did inspire life in this case.
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brangan
June 9, 2015
वरुण (@varungrover): About the “too-pointy” media portrayal, I’ve always found it hard to take media portrayals on screen. When Network happened — not that I saw it when it was released, but in the sense of it being a product of a period — it seemed just right. But today, media is already such a farce that any attempt to skewer it on screen just comes off being too much.
Shreyasi Ghosh: I didn’t care for the media depictions in Peepli Live either (review here)… “the way it functions, is already its own satire. Peepli [Live], after a while, ends up satirising an already broad satire.”
kumar: That’s why, two people rarely see the same movie. It isn’t just what we’ve grown up on, but also what we’ve been exposed to, what we like/dislike… sometimes which side of the bed we wake up 🙂
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Karthy Ramachandran
June 9, 2015
I wonder where was the hiding before, what a fabulous movie many scenes i had seen me .. truly deserve everything for this movie.. two child and mother stolen the show. I lost completely in it. Hoping for same kind of movies on our way ..
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Raj Balakrishnan
June 10, 2015
Great review Baradwaj. Really want to see this one.
@ Kumar, I thought that the review that you shared was condescending. “Third world farce”, “too uneven for western audience”….screw these westerners.
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bart
June 10, 2015
Wow, what a movie! I am full of joy (me feeling this way after “Aaranya Kaandam”.. that also points to the void!). I deliberately kept away from your page so that I can see first. Now that I read it, well written, I completely agree except:
a) BGM didn’t jarr me / put me off much. Enjoyed the songs.
b) The TV scenes were a satire and hence I could enjoy the irony and digs (the anchor from “puthiya thalaimurai” giving her bite while the kids walk past and being asked to stay off the scene was right on the head, a cracker).
I am a sucker for sentiment. The way he has connected “pullaingala kai neetti adikka vendamnu pakkaren” from the mother to the angst and anger against the offender (“sevilulaye vachi oru izhu izhukkanum”), the pride of PM not eating the “echi pizza”, the irony of the ration shop not having rice but providing two TVs, the empathy/ warm affection shared by the “waste materials shop” lady and the drunkard husband, “enakku appa venam” (the kids really not seeing the father in any scene) against a cell phone.. I’ve missed a lot… This is a gem debut from the director. Solid, subtle message slid throughout without making us feel anywhere. Multiple hats off..
Requires a wide support from audience and multiple viewings.. I am happy that I took all of my family to this.
Aside query: Is Simbu really that popular amongst kids? Though I agree that “raagu kaalam” thread would’ve worked only with him 🙂 )
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reseb
June 11, 2015
Its been 3 days since I saw the movie. All the while, I am just thankful that Manikandan directed this movie and not Bala !
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sudan
June 11, 2015
Glad you pointed out that proud little smile of Ishwarya. It was so well done. Another scene which I thought was so poignant which nobody has mentioned so far – the scene in which the policemen find PM and CM. Pazharasam points to where exactly they are – why – he already lost his job doing something illegal. And as soon as Ishwarya calls them – the boys stop running, turn around and say ‘dei ammada’ and return gleefully. And a hug happens. A really poignant moment.
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apala
June 11, 2015
Like Nayagan, Mahanadhi, Hey!Ram… this one also got 60/100 from AV. Seems to be winning at the Box Office too… wonderful! Happy for the Kaakka Muttai team.
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Praveen
June 13, 2015
My take on the movie . Rangan sir you have been my inspiration.
Movies are known to be a source of entertainment. In the name of entertainment, majority of them have become a source of ‘taint’ that ‘enter’ us. But it is hope-instilling to see movies of ‘Kakka Muttai’ kind. To many, this is a children’s movie about a quest for pizza. It is only a gross understatement to call this movie as ‘children’s’ and also a blunder equivalent to calling an ‘animation movie’ a ‘cartoon’. The movie’s director , like Pixar and Disney, has wisely sneaked emotions through animation which reminds the continuing human quest for happiness. While every movie brings a couple together and whose happiness is decided by their fate, this movie starts with a happy little couple (The protagonists ‘Little Crow Egg’ and ‘Big Crow Egg’) who against all odds goes in a quest for something, that they value larger than themselves, which happens to be a mere pizza.
Unlike other couples, this one doesn’t offer us lessons to learn from their mistakes but someone who clearly teaches like a leader. At one instance ,the ‘Little Egg’ with a fat ego is happy to settle with a pizza that was offered by an acquaintance whom they encountered. But the ‘Big Egg’ was reluctant to settle with that because it was not just a pizza that he was looking, but rather the hardship that takes them to the goal. The ‘Little Egg’ in this scene has some lesson to offer when he was happy to forego his happiness of settling with this pizza for the sake of greater happiness which the ‘Big Egg’ reminded.
The couple takes a big leap when the pizza was as near as the mobile phone that they planned to flick. Yet again they remind us that it is not the goal that matters but the integrity and freedom to choose during the hardships makes the goal worth striving. Equally, they teach a lesson to couples : though the idea of the life as a goal is same to a couple, the means with which they pursue is different and it is equal duty and responsibility of both of them to remind each other that the harmony is better achieved when they are reminded about the means than the goal itself.
The climax is radically different from any other movie which to prove a point that the ‘Egg couple’ were happiest just at the realization that ‘happiness is not a result’.
‘Kakka Muttai’ will be remembered for a story like Pixar’s UP, Ratatouille and Disney’s Tangled.
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Swami Rajagopalan
June 13, 2015
Brilliant, Brilliant film, and such reviews only help to bring up such movies to a broader audience.
The film provides a commentary on multiple topics without shouting over the top. Above all, regardless of the societal issues, is about human desire. Desire gets manifested in multiple forms – Business man’s desire for the plot of land, local MLA’s desire for commission, CM/PM’s mother’s desire to get her man out of Jail, the grand mom’s desire to make her grandchildren happy, Pazharasam’s desire to have a fried frog and so on… And then in one whiff, provides a philosophical view of how that desire is futile or worthless.
I didn’t find any of the toppings over the top. Every topping was just delectable. The media pointing is relevant and valid, despite the overall muted tone of the movie. The background score need not have to be strained (to your criticism), especially for CM/PM life is still a Disney land that they live in, in their view – They don’t complain, they just desire!
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Gokul Pugal
June 14, 2015
https://www.facebook.com/notes/1026400624039222/
Do read the review of Dir Vasanthabalan.
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Dileep V
June 14, 2015
Surprised you missed out on the ‘Kids offering their services to drunkards to find their way home’ scene. Thought it was very funny and showed in the movie (as in life) things will not work to your benefit that easily.
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aparna
June 14, 2015
What a lovely, moving, funny, brilliant movie. Was waiting to read the blog till I’d watched the movie, great review. The drunkards being offered service was the bit I found most hilarious too. Its so good to hear its succeeding at the box office. How few movies we have that come up to this standard, here In India.
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aparna
June 14, 2015
The title I guess is derived from the comment made at the beginning where the paatti questions why the crow’s egg should be considered inferior to other eggs and unfit for eating just because the crow is black.
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aparna
June 14, 2015
As lovely a symbolism as that in the title of “To kill A mockingbird”
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Ananth
June 16, 2015
‘Way Home’ is a story of a city boy getting stuck with his granny in a village, temporarily. It’s about their relationship and his disconnect there.
A neighbour in the theatre proclaimed that ‘Kakka Muttai’ is a copy of a ‘Hollywood’ film about a boy, his sister and their lost pair of shoes.
It’s just that Kakka Muttai, Way Home, and Children of Heaven, are fantastic films and they feature kids in lead roles.
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aparna
June 16, 2015
It reminded me of “Life is Beautiful” in that both have unbearable sadness lurking behind the humour
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Rohan Nair
June 17, 2015
Great review, but a bit irresponsible of the reviewer to put up in the comments some unverified facebook link to rumours about the movie being a ‘copy’. “Just to see what others have to say”. Be a bit more careful, sir.
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kums
June 19, 2015
please watch the director’s interview here (see part 2 &3 as well)- he is very determined!
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Prasanna A
June 23, 2015
Nethi adi. The whole movie is a slap on the face of consumerism that we are part of. But then the movie is also layered and different people can take away different things. And all this in 109 minutes too.
BR: How about looking at the number of comments each movie review attracts in your blog and thus locating the artistic sensibility of your readers:-)
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K.
June 23, 2015
BR, what did you think of the Marathi film Fandry?
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brangan
June 23, 2015
K: Oh, I loved it.
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aparna
June 23, 2015
If you havent watched it yet, please do try and watch the Malayalam film “Anju Sundarigal”, five short films by five different directors strung together as a movie, which has some lovely moments.
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K.
June 26, 2015
BR: Oh man, I really, really hated that one (Fandry, that is.) Loved Kaaka Muttai, and was often reminded of Fandry: KM beautifully avoids the pitfalls Fandry falls into. There’s so much beauty here, which Fandry never bothers to show. There’s nothing wrong with a fully grim and angst-ridden film such as that one but when sketched with such tremendously broad strokes, I just couldn’t get myself to care. KM, on the other hand, transcends the “poverty porn” label so effortlessly.
Reg the “children’s film” tag, it kinda made sense to me because of the film’s worldview – even in subplots involving adults have a certain childlike innocence to them. Like how the chapter about the two guys who demand money in exchange of the video recording plays out like a sweet, simple parable about why one shouldn’t be dishonest to one’s own partner. Elsewhere, I’d have found it jarring but in this film, it just fit in given the playful nature of the rest of the film.
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Utkal
July 1, 2015
Varun: “I might be lynched for this but for me this is as close as a film can get to be a modern day Pather Panchali.”
Even I thought of Pather Panchali, and Apu and Durga. And I thought CM and PM came off a little more natural if at all. And Manikandan pulled off the difficult task of creating poetry out of the unlikely material of urban poverty and class divide.
BR: I read the review after seeing the film and I must say it meticulously applauds every single thing that I thought was applause-worthy.
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Supertramp
July 1, 2015
Just reached home after watching this, and loved most of it. Whatever the flaws were there can be ignored and you don’t even have to make allowances that you usually reserve for first time film makers.
P.S : When the show was over and I got out of the theater( I watched it in a regular one), one middle aged man was complaining to the doorman about the film. I just listened out of curiosity and he said ‘what kinda film is this, robbing poor people like me of my hard earned money’. He probably would watch a Simbu film over this.
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aparna
July 1, 2015
I was re watching Kaakka Muttai, this time around after reading the review. While I agree with all the points praised in the review, and could enjoy them all the more for having had them pointed out, I did not find the music jarringly Disney- like at all. I found it very much in tune with the joie de vivre with which the kids go about their life (its only the audience who is saddened by the undercurrents). The TV scenes too I though were done in a very tongue- in – cheek manner and I did not find them strident at all.
I had this urge to adopt the chinna kaakka muttai. Or at least give him a hug.
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Utkal
July 1, 2015
I agree with Aparna: I thought the joyful music was deliberate. And it was a conscious contrast to the sad sitar sounds of Pather Panchali. In spite of everything, the two kids were living life, much more than many of us, and the music was celebrating it. And I didn’t mind the media bits. I thought they were handled quite well , not going over the top, or striking too strident a note.
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Neena
July 12, 2015
Managed to watch this only last week. Had been so looking forward to it since I saw the trailer where the little kid goes “my name is kaaka muttai” 🙂 Dunno about globalisation, but this film is quite a thesis on the city/the urban – park cum playground is bought up and converted into a pizza parlour. The loss of public space or greenery is not the problem, the denial of entry into the pizza parlour is. The railway tracks, the coal on them, the bridge under which the slum lives, the initial scene which opens in the kids’ home and then zooms out to an aerial view of the said slum. The part of Chennai which needs to repeat the word ‘Mylapore’ in order to remember the name of the place. Sheer brilliance!
Yes, the music was the only jarring note. Urban ambient noise may have made more sense. Didn’t find the media bit OTT, though. It fit well with the whole ‘opportunistic’ arc. Besides, like getting two TV sets form the ration shop, can’t avoid the media if you live in Chennai, right?
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Neera Iyer
August 7, 2015
Thank you for a fitting review for an amazingly touching film. This is the first Tamizh movie I’ve watched in a long time and what a delight it was! The movie left me in tears. As you put it, the movie brings out the stark divide between the haves and have-nots with stark simplicity. And beauty. The beauty that is clear in the mother’s face and the kids’ eyes. While the writing is funny and direct, the movie itself sparkles with a sense of optmism and resilience that only kids are capable. I was not as irked by the music either; the sometimes flippant score brought out the lightness in the lives of the slum kids. But the movie despite its outward light-heartedness left me with a heavy heart. How many gems do we lose under the dim light of half-coke bottle lampshades, and how many dreams are crushed like the crow’s nest with a solitary egg in it…
After a long time, a movie that lingers like the brilliant homecooked dosai-creation of the old grandmother, without the gooeyness of greasy, air-conditioned pizza of rich artifice.
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Venkatesh
August 12, 2015
Couldn’t stop myself from commenting here after reading your “Lights, Camera, Conversation… “The home and the world” post.
I was knowing about the film while it was in the making. Luckily it got a producer like Dhanush and Vetrimaaran. Had it gone into the wrong hands, it would’ve surely went unnoticed.
When the NFAs were announced earlier this year, most people were not knowing about the film as it wasn’t theatrically released then. Thanks to Dhanush, Vetrimaran, and the distributors ! 🙂
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chandra prakash
September 24, 2015
http://www.movingimage.us/visit/calendar/2015/11/22/detail/the-crows-egg
for tristate area makkal , this movie is being screened on Nov 22nd, Sunday at Museum of Moving Images, Astoria, NY.
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tonks
June 13, 2016
http://www.ndtv.com/india-news/delhi-restaurant-in-trouble-after-refusing-to-serve-deprived-children-1418110
“A restaurant in Delhi has got into trouble after refusing to serve a group of economically deprived children. The Delhi government has ordered an investigation and Deputy Chief Minister Manish Manish Sisodia said it might even lose its license.”
Real life parallels fiction
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Uma
November 26, 2016
I was waiting forever to watch this movie legally and fInally ended up watching this movie today on one of the pirated sites. Why dont movies like these are released on tentkotta or Netflix?
Beautiful movie with so many layers and amazing performance.
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umamaheswarans
November 26, 2016
@Uma It’s available for purchase in YouTube/Play movies.
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Uma
November 27, 2016
@UmaMaheshwaran- Maybe there are restrictions on youtube depending on one’s location. I even googled for how to watch Kaaka Muttai legally and nothing came up…
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Kaaraa.sev
May 12, 2021
What is Manikandan upto now? Been long since the trailer of Kadaisi Vivasayi. Getting quite concerned about him, could you call him up to catch up Baradwaj Rangan?
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