Spoilers ahead…
Note the title, Inimey Ippadithan. This is Santhanam announcing that, henceforth, this is what he’s going to do. He’s going to be the hero. He’s going to wear yellow sneakers and cavort with a non-Tamil-speaking heroine on foreign beaches. He’s going to do stalk-the-girl-till-she-says-yes scenes (otherwise known as “romantic track” in Tamil cinema). He’s going to do action scenes. He’s going to do sarakku scenes – not that he hasn’t done them before, but he’s not the side dish anymore, consoling the heartbroken hero. He is the heartbroken hero. And he gets two heroines, an alabaster automaton (Ashna Zaveri) and Akila Kishore, who seems to have decided that she can’t keep waiting for the next Kathai Thiraikathai Vasanam Iyakkam.
But the things we’d tire of in normal-hero mode become a little more bearable with a comic hero. The action scene, for instance. It’s the usual one-versus-many scenario, but with a sharp twist. And it helps that the writer-director duo Muruganand (Prem Anand and Murugan, from TV’s Lollu Sabha), for inspiration, look towards one of our most successful comic heroes, K Bhagyaraj. Inimey Ippadithan is what you’d get if you put Bama Rukmani, Chinna Veedu and Thooral Ninnu Pochu into a time machine set to today. Hence the very first scene, where some kids are stopped by an elder with this advice: “Room-ukkulla poga koodadhu. Innikku unga akkavukku first night.” Inside that room, Cheenu (Santhanam) is getting ready to play what he calls “jingili bingili vilayaattu.”
Is there another cinema culture that is so turned on by the wedding night? And how do women feel about these scenes, where they are portrayed as consummation containers? Or take the other scene where Santhanam asks a prospective bride to go back in, discard her silks and jewels, and reappear in a nightgown – because that’s what she’ll be wearing every day after marriage, doing housework from morning to night. According to Cheenu, there’s no use appraising a woman who’s all decked up – “Nayanthara-ve nightie-la sumaaraathaan iruppaa.” Even the casual chauvinism is from the heyday of Bhagyaraj.
But when we go to these movies, the question isn’t “How politically correct is it?” but “Are there laughs?” And there are plenty. I was prepared for Santhanam’s trademark alliterations and rhymes, along with fat jokes and bald jokes – but there’s some nicely staged physical comedy too, especially in a restaurant scene that’s guaranteed to have a long YouTube afterlife. I could have lived without the songs (a sprightly set of tunes from newcomer Santhosh Dhayanidhi), and the film takes too long to get going. But once Cheenu finds himself trapped between his two women – a classic Bhagyaraj situation – we experience the gamut from hmmm… okay to hey, not bad to that was actually hilarious. Another import from the Bhagyaraj school: messy emotions. There’s something at stake, and by the surprising climax, there’s a comeuppance in store. Those fat jokes don’t seem so cruel anymore.
KEY:
- Inimey Ippadithan = henceforth, this is how it’s going to be
- sarakku = booze
- Kathai Thiraikathai Vasanam Iyakkam = see here
- Lollu Sabha = see here
- “Room-ukkulla poga koodadhu. Innikku unga akkavukku first night.” = Don’t enter that room. It’s your sister’s wedding night.
- jingili bingili vilayaattu = that thing you do to make babies
- “Nayanthara-ve nightie-la sumaaraathaan iruppaa.”= Even Nayanthara won’t look so hot in a nightgown.
Copyright ©2015 Baradwaj Rangan. This article may not be reproduced in its entirety without permission. A link to this URL, instead, would be appreciated.
Anuja
June 13, 2015
So far, so not bad. I just hope Santha sticks to his strengths and becomes the Chandrababu or Bhagyaraj of this gen. As I recall, Sivakarthikeyan started off well only to morph into a mass produced commercial hero opting to work mainly in barf-worthy films. It is painful to watch stuff like Maan Karate… Had lots of hopes for Vijay Sethupathi as well and what does the guy do but sign up for average fare by the dozen and compounds his mistakes by putting on oodles of weight to no doubt look like he has been living on “Orange Mittai”. Sheesh… There is no need to make like Hrithik Roshan and flaunt 1000 pack abs but is it too much to ask that he lose the paunch?
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brangan
June 13, 2015
Anuja: What an anti-paunchist statement. I severely condemn this usage and recommend that you call the likes of me “six-pack-ically challenged.”
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Anuja
June 13, 2015
Gosh darn it! The Freudian slips you wind up making while dashing off quick comments following an arresting review… Previously, I felt BR was ‘anti – paunchist’ and took umbrage when he compared Nayanthara’s (in Ghajini) and Anjali’s gently rounded bellies to undulating Mexican waves or some such. And now I am guilty as charged for the exact same crime. Worse, I am six – pack-ically challenged myself and have always assured mine own self that real women have ‘curves’.
Can it be true? Deep down are we all seriously superficial not to mention supercilious twits?
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Ravi K
June 13, 2015
“Deep down are we all seriously superficial”
That sounds like a Yogi Berra quote 🙂
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anusrini20
June 14, 2015
The “nighty comedy” is getting quite a bit of attention these days! I recall a similar sequence in Yaan – the hero and his friends walk into a mall, and imagine all the women in nighties (only then can you truly tell if woman under examination is a “figar” or not).
Okay…?
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Madhu
June 15, 2015
BR: That key for ‘jingli bingli villayaattu’ is LOL-worthy! 😀 Thanks for the keys, now all my non-tamil speaking friends to whom I send these links will stop pestering me for translations.
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Rahini David
June 15, 2015
Enakku mattum thaan puriyala? So nighties are less sexy than silk sarees? I’d have thought it was the other way around. Sounds like the boy who wrote this line never even touched second base.
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Priyangu
June 15, 2015
Need keys for “fat jokes” and “bald jokes” as well. I tried translating, but didn’t help much: gundu jokes and vazhukkai jokes?
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anusrini20
June 15, 2015
@Rahini: Haha! With regards to the boy’s imagination: These nighties are more Pommi’s than Victoria’s Secret, and women who wear these nighties are most likely envisioned with dosa maavu on their arms and their hair tied up (unless the woman is Andrea, in which case there will be a Victoria’s Secret nighty as well as a giant fan placed strategically).
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brangan
June 15, 2015
OMG, Rahini just said “second base” :O
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Gradwolf
June 15, 2015
Well I had to: http://www.thenewsminute.com/article/keralas-showstopper-women-nighties
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venkatesh
June 15, 2015
I knew there was a reason i come to this page – the comments section reads exactly as it should for a Santhanam comedy, lots of tittle tattle, slightly below the belt and a bit of nudge nudge wink wink.
I blame you for this Anuja.
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vijay
June 15, 2015
Are our audiences that depraved to elevate the likes of Santhanam (most annoying comedian of the last 30 yrs or so) to hero material? A big Boo. Sivakarthikeyan is torturous enough.
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brangan
June 18, 2015
When it comes to comedy, today, everybody keeps thinking in terms of lines… And after a point that becomes boring.
Was recalling some situation-based humour… Why doesn’t anyone think up this kind of stuff?
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Pady Srini
June 27, 2015
“He’s going to do stalk-the-girl-till-she-says-yes scenes (otherwise known as “romantic track” in Tamil cinema)”
ROFLOL…
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