Spoilers ahead…
A few minutes into Kanithan, directed by TN Santhosh, I was ready to check out. We are at the Sky TV office, and Manobala plays the CEO. That says it all. This isn’t about the actor. This is about what he’s asked to do, almost always – you could call it “the Manobala part,” the efficacy of which peaked some 283 movies ago. He makes a joke about the channel being in the No. 48 position, and he predicts that in a year it will be (drumroll)… No. 46. And soon we realise that jokes can get worse. Because Gowtham (Atharvaa), who’s in a bar with a friend (Sundar Ramu), gets all love-at-first-sight with Anu (Catherine Tresa), and when she orders a tequila, the friend orders a… Shakila. He cracks that there’s no difference because they’re both intoxicants. Or something.
And then Gowtham gets slapped across the face, and everything changes. Till the slap, we’re still wondering if it wouldn’t be easier to stay at home and roll around in a bed of nails. You’d get the same effect – without the cost of a ticket. Gowtham is explaining to Anu – who, after one meeting, has taken to calling him “darling” – something about why good-looking girls always fall for mokka men. He thinks it’s because of love. He begins to say the L word, and… SLAP! Out of nowhere, a cop’s palm crashes into his face. And the film takes off. Gowtham and his friends are picked up for questioning because they’re believed to be part of a ring that forges degree certificates. This is a solid angle for a film with a young hero. It hints at undeserving people with money buying an education they did not work towards, and becoming unqualified professionals – more fish in the sea of mediocrity that is India. And this makes Gowtham very, very angry.
He’s angrier because one of the co-arrestees has a father – in Trichy – who needs a bypass surgery. The mother is waiting (and wailing) at the hospital, hoping he’ll get the money and shut up the heartless hospital attendant, who yells that if the fees aren’t paid the next day, the father will be discharged without surgery – he’ll have to be taken to the government hospital. The son commits suicide, and this is no spoiler. For we are in a Shankar movie – but without the vigilante justice. Translation: the villain Thura Sarkar (Tarun Arora) doesn’t end up screaming in a vat of boiling oil. As in Thani Oruvan, we see an increasingly tense cat-and-mouse game between well-matched (and brainy) adversaries. Kanithan is a two-sided procedural, with both Gowtham and Thura Sarkar putting together the pieces that will lead them to each other. There are some tense moments. The editor (Bhuvan Srinivasan) really goes for the jugular.
For a change, the media aren’t painted as sensation-mongering opportunists. I like the roles the wiry, intense Atharvaa is picking. He’s the anti-Sivakarthikeyan. His characters aren’t just slacking around, waiting for the girl to fall for them. They’re doers. Here, Gowtham’s father (Aadukalam Naren, in an Aadukalam Naren part) advises him to get into IT and earn serious money, but Gowtham wants to be an investigative reporter. He wants to join BBC, where an interviewer mocks his language skills. These South Indian reporters don’t know English. They are only fit for film-industry gossip. This gets Gowtham riled up. Reconstructing the scene of a crime – he’s given a scenario and asked if it’s suicide or murder – he proves that he can talk English, walk English, laugh English. Then he turns to the mocker and delivers his punch: “English-ngardhu verum language dhaan sir. Knowledge ille.”
Kanithan, thus, is probably the closest Tamil cinema is going to get to Spotlight – that is, if the journalist was played by Rambo. You cannot have a mainstream movie, especially one whose lead actor is making a big bid for stardom, without action sequences – but these are excitingly staged, especially one in which Gowtham takes on an acrobatic villain who seems an expert in what looks like indoor parkour. But it isn’t just thrills. We realise how serious the film is from the body count of the good guys. I laughed loud when Thura Sarkar tells his henchmen, after they corner Gowtham: Don’t wait for me. Kill him. He’s no cartoon Bond-movie villain, about to stage elaborate torture games that will allow the hero to escape. He means business.
I wish the cop played by K Bhagyaraj had been given more to do. I wish I hadn’t been able to predict the death of a major character. And I wish the director hadn’t chickened out in the second half and felt the need to alleviate the grimness with a mood-killing song. We’re talking life and death – and suddenly, everyone’s splashing around in a swimming pool. The lyrics might well have been “Go take your bathroom break now.” But even this is a sign that the movie is working – for when the song ends, the film tautens again. The messagey portions, thankfully, are kept to a minimum, but we do get this line: ‘Indha kaalathula thappu pannravangala kooda vittuduvaanga. Aana thatti kekkaravangala kandippa nasukkiduvaanga.” (These days, they’ll even forgive sinners. But if you raise your voice against injustice, they’ll crush you.) Sounds like the headlines, no?
KEY:
- Kanithan = mathematician
An edited version of this piece can be found here. Copyright ©2016 The Hindu. This article may not be reproduced in its entirety without permission. A link to this URL, instead, would be appreciated.
Honest Raj (formerly 'V'enkatesh)
February 27, 2016
Kanithan = mathematician. Seriously, got this from Wikipedia? 🙂
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Srinivas R
February 27, 2016
Welcome back, sun is shining again I guess 🙂
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Sutheesh Kumar. P. S.
February 27, 2016
Welcome back BR, though I wonder why you abruptly stopped posting about the Berlinale fare, even if I might not get to watch those films it was enjoyable reading your take on them. Anyway Twitchfilm filled in that void.
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Anu Warrier
February 27, 2016
Sounds very interesting. Don’t know when I’ll get to watch this, but it goes into a file marked ‘to be watched’. groan WDIGTT?
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Gumkha
February 27, 2016
Hello BR. Your big fan. Waiting for your ‘Sethupathi’ review. I loved the film. Would love to read your review on it.
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Amit Joki
February 27, 2016
The script was written for Dhanush in mind and the director said he couldn’t have imagined anyone else. But Dhanush by that time had 2 years of call sheet packed and so he suggested Atharvaa for it. Like the same way he suggested Dinesh in Visaaranai.
Both have done extremely well.
The heroines are increasingly reduced to dancing in songs that too which don’t gel with the screenplay.
Waiting for you to review the films which were released when you were not here. Like Jil Jung Juk and Sethupathy. Also I notice you are tired with Sundar C antics.
You ignored aranmanai and didn’t review aranmanai 2. I would have loved the bashing. Alas!
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Karthik
February 27, 2016
Listening to you on FM your voice seems to be very young. 🙂
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Rahini David
February 27, 2016
Listening to you on FM your voice seems to be very young.
BR, Why wasn’t I told?
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tonks
February 27, 2016
Can we have an audio link to the programme, please? If it is available.
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praneshp
February 28, 2016
@Amit Joki: I think BR has an aversion to horror movies (That’s a mild way of saying he is scared of ghosts).
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anusrini20
February 28, 2016
Hey I think BR’s talk with RJ Balaji came on Big FM thrice this week! 😀 I caught a bit of it on Monday and Tuesday.
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brangan
February 28, 2016
I didn’t know it was being broadcast either. Recorded it long ago. Then someone said it was on air.
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Hari
February 28, 2016
Waiting for jil jung juk write up…
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vijay
February 29, 2016
The poster reminded me of the good old Hardy Boys/Three investigators covers. But thought that maybe they were trying to flick from Cage’s National treasure movies
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Arun Annamalai
February 29, 2016
What Kanithan has going for it is a fresh plot idea, atharvaa and execution to some extent but @brangan it is loose in several places in it’s logic, like the media persons attacked by the villian but not being able to place a cell phone call to any person for help and this happens twice, with a single protagonist it is acceptable but not with a bunch of people in the middle of the city and it is not like he owns all the cops or he is a major politician. Then there are better cameras to spy on like a live feed instead of static camera which you would have to go and pick up and they are not expensive either. Also, why take the heroine to a shady place when she just has to wait in the car? Spoiled the illusion for me, the song at the end did not help in keeping the flow taut as well as the unnecessary deaths at the end, the setup and middle portions were well done barring the logic holes mentioned above. the movie could have ended right when the hard disk was retrieved which i felt was a decent enough climax and payoff.
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Tina
March 4, 2016
” Till the slap, we’re still wondering if it wouldn’t be easier to stay at home and roll around in a bed of nails. You’d get the same effect – without the cost of a ticket. ”
EPIC.
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Jagajaga
March 4, 2016
Kanithan”… For the most part, a punchy thriller
I guess it is an apt title! Only that, we the audience were the punching bags.
The idea was great – that fake-documents can wreak havoc. But sadly, the screenplay was too chaotic, the film had too many fights, and too few explanations.
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Ragunathan Pattabiraman
June 28, 2016
OMG. You made me watch this! Why did you even review this movie?!
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