Spoilers ahead…
Pawan Kumar is the rare writer-director who does justice to the job descriptions on either side of the hyphen. U Turn, his follow-up to the buzzy and justly acclaimed Lucia, begins with a lovely scene, in an auto, between Rachana (Shraddha Srinath) and her mother. The scene is essentially to establish that the mother is leaving on a trip, and Rachana will be alone for the rest of the film – and Pawan Kumar could have achieved this by simply having the mother wave goodbye as Rachana closed the door. But this auto ride gently introduces the road as a major character, and it gives the characters the opportunity to talk, and through this talk, we learn about Rachana, her family (there’s a brother with visa problems), her mother’s exasperation with her unmarried status (which lets us know she’s single and available), her impulsive boldness (which makes her take on the auto driver, and explains her future actions), her determined and independent nature (which will explain, later, why she invites danger home)… In this short stretch, Pawan Kumar fleshes out a whole character. It’s the screenwriter’s equivalent of the four-minute mile.
But wait. There’s more. Eventually, we see that this mother-daughter scene forms a loose parallel with scenes of another mother-daughter on the road. Pawan Kumar is tricky like that. It’s no surprise that the title comes with a graphic that suggests a maze of U-turns. This story – about the consequences of an illegal U-turn motorists take on a busy road in Bangalore – keeps looping in on itself, and it sees sinister U-turns everywhere, even in an “I Love U” text message. Heck, the camera itself does a U-turn at the beginning, first showing us an inverted shot of a road and then righting itself. Soon, the second major character is introduced – again, on the road. And when we follow him back home, we see a troubled family, with a wife who wants to enrol their son in day care and get back to work. Another writer would have made this a happy family. But the dysfunction brings with it a sense of doom.
At one level, U Turn is a gruesome PSA about what’s going to happen to you when you break road rules. People start dying, and somehow Rachana is connected. At first, she’s just your average intern at a newspaper. Working late on stories. Talking to a friend about an office crush. And finally summoning up the guts to ask the man (crime reporter Aditya, played by Dilip Raj) out. (Again, lots of good writing in these conversations.) But everything changes when she’s picked up by the cops. (Roger Narayan is very good as sub-inspector Nayak.) Rachana was looking for a story – she now finds herself in one. It’s a great hook. U-Turn is not as ambitious as Lucia. (That film had a lot more U-turns.) This time, Pawan Kumar is just out to spin a good yarn – and that he does with flair. The first half is so tight and tense, I kept thinking, “The answer to this mystery had better be worth it.”
But the latter half feels loose and is a bit of a letdown. It’s still pretty watchable, and the director keeps pushing himself (and his story) as much as possible. We think we know the who and the why behind the deaths, but that’s not all: there’s another who, whose identity is still unknown. But the answers are underwhelming – the final revelation plays out like something Mahesh Bhatt would have written for an Emraan Hashmi horror franchise. But Shraddha Srinath, who exudes intensity like a perfume, holds the film together. It’s good to see a heroine at the centre of this kind of story – it’s usually a male-dominated genre. Aditya, on the other hand, is the “love interest,” reducing to wondering why Rachana is not picking up his calls. You think his crime-reporting skills will come of use – instead, he gets the “damsel in distress” duties. It’s up to her to save him. This gender twist is another smart little U-turn.
KEY:
- Pawan Kumar = see here
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Bharath
May 28, 2016
And great that it’s playing with subtitles when I watched in Bangalore. Wish Tamil films would do the same.
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hrishi
May 28, 2016
Bharath…you posted a comment that was the exact info was looking for…subtitles in Bangalore! Thanks
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Vikram
May 28, 2016
BR,…really gratifying to read the U-turn review…Kannada review after a long time…btw, did you get a chance to see ‘Tithi’…
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Vikram
May 28, 2016
I echo your thoughts on U-Turn. The first half sets up an intriguing second half. But Pawan had too many strings to tie, loses focus, and ends with a tame climax. Please watch Rangitaranga (still running for the 48th week in Bengaluru!) on how a writer-director spins a yarn, ties all the threads, and provides a satisfactory closure! Of course, I am not complaining about U-Turn. The movie is doing well in Bengaluru, and that’s all matters.
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sanjana
May 28, 2016
One more Kannada film review! So refreshing for a change. Thanks.
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Bharath
May 28, 2016
Hrishi – Ha. Btw, I watched at PVR Forum
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Aravindan
May 29, 2016
SPOILERS
This is a terrible followup for Lucia. I almost want to rewatch Lucia and reassess my opinion – that’s how lazy this film was. It almost ruined the good memories of Pisaasu, now, that’s unpardonable.
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Ravi K
June 1, 2016
For the most part “whodunit” kind of stories bore me. At some point I get a little fed up with the journey and just want to find out the answer to the mystery.P lus, if you know the whole time that the film is building up to a big reveal, it’s rare that the reveal will exceed expectations. With “U-Turn” I felt a little like that towards the end. But for the most part the characters and atmosphere of the film made the journey engaging.
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Vighnesh Hampapura
June 2, 2016
@Vikram Saar, My earnest is to not recommend BR to watch RangiTaranga. His review/article/post will only contain all the problems and plot-holes, more than what I experienced in the film! Story-wise, U-turn is far better than RangiTaranga.
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Vijay
June 4, 2016
BR – love ur insights on movies.. pls check out Ulidavaru Kandanthe and Good Banna sadaharana maikatu both Kannada movies. Would like ur comment on them. Tnq Vijay
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Vighnesh Hampapura
June 4, 2016
Upvote @Vijay
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An Jo
June 19, 2016
Well, it’s kinda strange you, OF ALL FOLKS, missed, or at least didn’t find it worth mentioning Rangan Saar, that this is a thematic parallel to.. well.. that Hindi movie released in 2012 November..
http://www.bollybrit.com/reviews-blog/film-review-u-turn
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