A bit of a rant about how we keep dusting off the same set of “greatest hits” every time we want to remember a composer.
It was RD Burman’s 77th birthday last Monday. Google honoured the composer with a doodle. Behind an illustration of RD that made him look like a round-faced schoolboy, there were representations of scenes from films he scored music for. I had to squint, but I thought I saw the giant Daliesque eye from O haseena zulfon wali (Teesri Manzil) and Kajal Kiran borne up by balloons in Yeh ladka haye Allah (Hum Kisise Kum Nahin). It’s understandable that they chose images from his greatest hits, because you want the viewer to get it in an instant. When you want to make a quick Sholay reference, you’re going to choose Gabbar Singh, not Ramlal. A similar philosophy was followed by a local radio station, which played greatest hit after greatest hit: Oh Maria, Keh doon tumhe, Dil dena khel hai dildar ka, Duniya mein logon ko, Aa dekhe zara… The purpose was achieved. We remembered the great composer with fondness, with nostalgia, with sadness.
But if a newcomer to the RD-verse had tuned in, he’d have slotted the composer in the wakao genre, a creator of high-energy tunes that make it unnecessary to go to the gym because you’re burning many, many calories through all the involuntary head-shaking, finger-drumming, foot-tapping… Mercifully, as the programme continued, we got non-wakao numbers as well: Roz roz aankhon tale, Chand mera dil, and that exquisite ode to the modest dream (a little earth, a little sky, a little house made of straw) sung by Lata Mangeshkar and Bhupindar, Thodi si zameen. But again, very popular numbers. And again, for good reason. You want to satisfy all listeners (or all viewers, in the case of TV), so you choose the most popular songs, the most characteristic songs, the songs that most easily, most instantly define the composer.
And in RD’s case, that’s the rock-based wakao song. No one else burned up the dance floor so inventively, so consistently. Also the jazz-based cabaret number, which he elevated to ostrich-feather heights. Which is why radio stations keep returning to Bachna ae haseeno and Piya tu ab to aaja to remember RD Burman. There’s another reason. Radio’s job is to play music that becomes the background for chores, and you want “happy music,” music that makes the chore seem less… chore-y. There’s a meme that goes “When you’re happy you listen to the song, when you’re sad you listen to the lyrics.” It’s something like that. RD was no slouch in composing songs situated at the other end of the emotional spectrum from his wakao/cabaret numbers. But when you listen to Main shayar badnaam, the part of the brain that allows you to multitask gives way to the part haunted by ghosts from the past. You cannot work. You can only wallow. These songs are why night was invented. If they were played during the day, you wouldn’t be driving, humming along. You’d have pulled the car over and dredged up a few hundred sad memories.
But do we diminish the legacy of a composer when we dust off the same set of “greatest hits” every time we want to remember him? This isn’t just about RD. This reductionism happens with everyone, and it results in (1) the composer being typecast in the mind as the creator of X type of song (and thus being perceived as less versatile than he was), and (2) a large portion of his work remaining unknown, and, over generations, vanishing from public memory. RD is rarely singled out as the creator of – for instance – songs that play over situations that aren’t exactly sad, and are yet tinged with a peculiar wistfulness, even melancholy. I’m talking about Panna ki tamanna, Bechara dil kya kare, Neend churake raaton mein, O hansini, Bade achche lagte hain, or even Baahon mein chale aao, which can easily become a “sad song” with a different kind of percussion. Listen to the line “Humse sanam kya parda.” If you didn’t know it was a naughty-flirty situation on screen, you may be forgiven for thinking this is a snatch from one of those heartbreaking ghazals Madan Mohan kept tuning for Lata M.
This is my favourite “genre” of RD song. It’s characterised by a strong vocal performance, with the instruments receding to the background (the beats scurry in and out almost apologetically) – and yet, the song isn’t complete without these instrumental touches. And it sounds so… personal. Listen to Aaja piya, tohe pyaar doon, and you feel Asha Parekh is singing only for Rajesh Khanna, and we’re eavesdropping on a private moment. RD wasn’t the first to compose this kind of song, but his era was the last to give it a place of pride. Ironically, he was one of the reasons for its demise. His wakao numbers became such blockbusters that the Hindi film soundtrack became increasingly instrument-heavy – even the love songs became less velvety, interrupted constantly by insistent beats. Listen to Kya yehi pyaar hai, from the 1980s. That whispered-into-the-night quality of RD’s earlier love songs is gone. Maybe it’s fitting, after all, that we choose to remember RD Burman as the wacky wakao man!
An edited version of this piece can be found here. Copyright ©2016 The Hindu. This article may not be reproduced in its entirety without permission. A link to this URL, instead, would be appreciated.
sanjana
July 2, 2016
I am not a great fan of RD. Maybe because he is over celebrated. His songs are overplayed. ARR is also over celebrated though his songs are not so overplayed.
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Madan
July 2, 2016
Some telepathy this! I just posted a rant sort of about this exact same phenomenon elsewhere. I don’t know if you, B Rangan, watched it at the time but Anu Malik did a programme for Zee TV curating and discussing some RDB classics. Most of them have since been immortalised, including but not limited to Chingari, O Mere Dil Ke Chain, Tere Bina Zindagi Mein Koi. I have nothing against these songs per se but why just the same songs over and over, for a composer who had a vast catalog spanning three decades? I really wish radio stations wouldn’t stick to their reflexes so much and attempt to play some more underrated songs. I don’t know how many would even believe Zamaane Ne Maari is an RDB composition if they weren’t informed in advance. I DID hear it on radio, but on good ol’ Akashvani. Other retro stations don’t mind playing Mausam Mastana a zillion times a day. Lastly…
” the part of the brain that allows you to multitask gives way to the part haunted by ghosts from the past. You cannot work. You can only wallow. ” Lovely, lovely writing!!!
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Madan
July 2, 2016
Forgot to mention that the Anu Malik programme was aired a few days after RD’s death.
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venkatesh
July 2, 2016
Ok, i get this however I am coming at it from a different angle.
Let me take an example.
I introduce the “young un’s” to Illayaraja via a greatest list set of songs. There are 2 reasons for this :
a_ They have heard some of this from the new-gen movies that all have some Illayaraaja bit coming in.
b_ They know who Kamal or Rajini or Mani Ratnam are and those are touch points that they can relate to and it just happens that some of Illayaraja’s best hit songs are for these folks.
This isnt the best way to do it however what is the alternative ?
My view is that those who want to go deep and look at the entire oeuvre will do it anyway on their own. How else do you introduce a new-generation to a stalwart from another generation?
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Madan
July 2, 2016
venkatesh: I agree that you have to introduce first time listeners of an artist through the ‘greatest hits’ because there isn’t a better way. But the context here is some radio stations were celebrating an RDB fortnight with a Pancham Jayanthi on his birth anniversary. So with so much RD music being played, they could have played some of the less heralded tracks too. I mean, they were filling out time with songs by other composers (like the nth repeat of Ravi’s Tumhari Nazar), so why not lesser-RD instead?
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awkshwayrd
July 2, 2016
I had a surreal experience thanks to Google. It pointed me to a link detailing RD’s lesser known 80s songs – and none of these were good enough to be part of the late 90s ‘lets remix all of RD’s songs craze’- and ALL of them were songs I liked when I first heard them in the 90s. And I had no idea they were all by RD
Essentially I realised if there was a Bollywood song from the abysmal 80s I found halfway decent, it turned out to be by RD. And all the ones I definitively liked, were definitely by RD.
Could be ‘coz I never really warmed up to Bappi Da’s music…
What was really appalling was realizing he would have been only 77, not a 100 or a 177 which was the impression I had .. that’s ridiculously young
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Radhika
July 2, 2016
i know the “best of” lists are very personal, but I must admit to being a bit surprised at your affection for those songs – you must’ve been quite a Sunjay Dutt fan!
Thinking of my favourite “non-wakao” (nice term!) RDB hits, hmmm
Aap ki aankhon mein kuchch – Ghar – that lovely tabla beat in it
Dhanno ki aankhon mein – Kitaab – (apparently that beginning was inpsired by Merci BonDieu)
Katra Katra and Mera Kuchch samaan – Ijaazat (the first has Asha almost in coversation with herself, beautifully interwoven, and the second is just amazing, a letter, sung.
Phir se aiyoo badra bidesi – Namkeen (I get transported to that misty hilltop each time I hear this)
Naam gum jayega – Kinara
Aanewala pal
Wow, I just realized almost all of them are Gulzar songs, in Gulzar movies. I guess, I probably love all Gulzar-RDB combos
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Shalini
July 3, 2016
Ah, a post on one of my favorite Hindi Film music directors. Joy! Not being in India, I have neither the pleasure nor frustration of listening to Hindi film songs over the radio, but I empathize nevertheless. A penchant for sticking to the safe list is a universal flaw with radio stations, I think.
The lack of variety in playlists is particularly vexing with as prolific and versatile a talent as RDB. Even in the “Wakao” category of songs (which I unabashedly love), there is more diversity than the usual notes streaming over the airwaves would lead one to believe. Why not highlight the seductively sinister “kaanp rahi main” from Joshila or the trippy romp “main ladki tu ladka” from Dil Diwana instead of the overexposed piya tus of his stable? Sigh.
“RD is rarely singled out as the creator of – for instance – songs that play over situations that aren’t exactly sad, and are yet tinged with a peculiar wistfulness, even melancholy.”
Yeah, the emotionally complex song is musical catnip for me too. Compositions and renditions that insinuate emotions beyond the surface melody – those sort of songs never really stop playing in my head. But there is staleness even in this genre when it comes to RDB, isn’t there? The perennial favorite of RJs “O majhi re” is certainly evocatively poignant (the gibberish lyrics notwithstanding), but there are other gems – “tu jahan mile mujhe”, “takra gaye do badal ambar pe”, “na soyenge na sone denge, kajre badarwa re, and oh, countless others – that deserve to get some sunlight too but never do. I suppose I should be grateful for You Tube, but…it doesn’t really replicate the serendipitous frisson of pleasure one experiences upon hearing a musical love over the radio.
Anyway, two RDB favorites that I can’t resist posting:
Aayi re aayi re – Doosri Sita
Koi to aaye re bada intezaar hai – Aaj Raat Ko
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Rahul
July 3, 2016
I think music is as much about discovery as it is about nostalgia. The epiphany of finding a new group from your favourite genre or a new song(that you like) from your favourite singer or composer is comparable if not superior to the pleasure of playing your favourite songs in a loop.
You-tube suggestion service has proven to be a good friend. I like post punk – joy division, the smiths etc and thanks to you-tube i discovered relatively under played, but terrific bands like Wire , This Heat, Television etc.
i have not discovered any new RDB numbers in a long time, though i think a few of my favourite songs like ” Kya jaanu sajan” or “jeene de ye duniya” are not that popular. I do keep discovering “new” Lata mangeshkar songs thanks to youtube.
Talking about intimate songs , how is this one from the great SDB-
Incidentally, notwithstanding the almost unequivocal adulation that RDB gets from contemporary composers and listeners, people tend to forget that by any objective metrics it would be hard to argue that he was more successful than his father.
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Anu Warrier
July 3, 2016
Nicely said, BR. So true of so many other composers as well. Thank heavens for YouTube and music lovers who upload some really rare songs – the number of gems I’ve unearthed!
Even if I love his scores from Teesri Manzil, Hum Kisise Kum Nahin, and so many other ‘wakao’ numbers, I would love to introduce RD to newbies through Raina beeti jaaye (Amar Prem), Tujhse naraaz nahin zindagi (Masoom), Rhim jhim gire saawan (Manzil), Ghar aaja ghir aaye badira (Chhote Nawab)… All Latadi, not Asha. Karvatein badalte rahe (Aap ki Kasam), Is mod se jaate hain (Aandhi), Daiyya main kahaan aa phansi (Caravan) … oh, and so many more.
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brangan
July 3, 2016
Madan: Frankly, I don’t reach for Chingari koi or Zindagi ke safar mein anymore. Think I’ve heard them enough for one lifetime 🙂 Also, there’s a conscious quality to those songs that reminds me of those Oscar-baiting movies. To me, these are more Kishore songs than RD songs… Oh, and tell me about Mausam mastana 🙂
venkatesh: But who says these programs are a Composer 101 series? Even so, it must surely be okay to sneak in the odd “non-greatest-hits” song.
awkshwayrd: About his untimely death, it’s terribly sad, of course. But it also — inadvertently — legend-ised him even more. He wasn’t creating very good music in the last days (by his standards), with the exception of an Ijaazat here and there.
Radhika: you must’ve been quite a Sunjay Dutt fan!
Explain please 🙂
Shalini: Ah Joshila. The best album Yash Chopra ever got.
Rahul: “jeene de ye duniya”? Oh wow. I love this song. Manmohan Singh is terrible, but Asha’s just amazing.
And you’re absolutely right about SD, who just isn’t lionised the way he deserves to be. But I think RD’s music speaks to today’s generation more, hence the popularity.
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Radhika
July 3, 2016
Oh my, early product placement ads! So many of the songs above have been lovingly picturized on women bathing under showers – dropping soaps, encased in fluffy pink (no, one is yellow) towels. Sponsored by Bombay Dyeing. I guess one really enjoys a bath when singing an RDB number.
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Radhika
July 3, 2016
Radhika: you must’ve been quite a Sunjay Dutt fan!
Explain please:-)
Two of the songs you mentioned were on Sanjay Dutt no? One you liked and one you didn’t – heeeheee, never pegged you as a Sanjoobaba fan
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tonks
July 3, 2016
”the part of the brain that allows you to multitask gives way to the part haunted by ghosts from the past. You cannot work. You can only wallow. ” Lovely, lovely writing!!!
I second Madan. A bit sad that the editors have chopped off this bit in today’s print version of The Hindu.
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Madan
July 3, 2016
“Frankly, I don’t reach for Chingari koi or Zindagi ke safar mein anymore. Think I’ve heard them enough for one lifetime 🙂 Also, there’s a conscious quality to those songs that reminds me of those Oscar-baiting movies. To me, these are more Kishore songs than RD songs… ”
Agree in toto. Ah, Zindagi ke safar mein was one of the other songs that Anu Malik unfortunately immortalised through his programme. I never liked it very much to begin with and can’t bear to listen to the whole thing whenever it comes up on radio anymore. Amar Prem is a great album with Raina Beet Jaye and Kuch Toh Log, likewise Aap ki Kausam has Suno Suna which is at least breezy and fun. That is one of the ‘genres’ RD popularised in HFM. The breezy, urbane duet. SJ got somewhere close with songs like Main Chali Main Chali but RD’s duets had more tempo and got rid of the chastity that was still part of Hindi vocab in the 60s (more so the Kishore-Asha duets though). Many things he could be remembered for apart from Wakao.
I actually like Mausam Mastana a lot but during Pancham Jayanti week, if one station played it and I moved to another when it was done, they too would be playing it and so on. Too much repetition. Not only that song, to be fair. Yesterday while coming back from the airport I got so fed up of the repetition of a narrow catalog by retro stations that I switched to a contemporary station in disgust since morning playlists are more melodic rather than only dinchak dinchak. Not the retro stations’ fault that I have OD-ed on old Hindi songs but they could try harder to slip in obscurities in the midst of the essentials.
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Madan
July 3, 2016
. “A bit sad that the editors have chopped off this bit in today’s print version of The Hindu.” – Oh no! 😦
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Vikram S
July 3, 2016
BR, I guess the other issue in picking a playlist is the understanding and appreciation for the specific type of music being selected. In Bangalore at least I have spotted many occasions when the motormouth ignoramus RJs commit terrible gaffes… so it’s the ignorance of the rj and their writer/ producers…so many times I think maybe all the back end research type work at radio stations is better done by the forty-somethings…😃
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Tambi Dude
July 3, 2016
here are two of his 80s gems.
https://www.youtube.com/watch?v=AkikD9iS06Q – Harjaee – 1980
https://www.youtube.com/watch?v=4EBxRYp6Dpk – Savere Wali Gadi – 1986
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prasunsblog
July 3, 2016
Another RDB-Gulzar gem is Abke na sawan barase, abke baras to barasengi ankhiyan
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Lakshmi
July 4, 2016
BR, thanks for the lovely article. I have been a silent lurker here for years but this article resonates with me on several levels. RDB and SDB songs are my perennial favourites and I find myself going back to them all the time for every mood. So many of his lesser known gems and even the popular ones suffered from an abysmal picturization. As Anirudha Bhattacharee and Balaji aptly said – better heard and not seen 🙂 He was let down by the low quality of the B-grade movies that flopped so miserably that the songs never even came to light. Surprisingly, although Ilayaraja gave music to several run of the mill movies with unknown, his music made those otherwise ordinary movies a hit.
Anyways, wanted to share some of the gems that I have not heard that often on the radio stations or popular playlists:
Aao aao jaane jaan (Gomti ke Kinare)
Maine tumko chaha pehli baar (Double cross) (I love the way both these songs start with the antara and then segue into the mukhda)
Kabhi kabhi aisa bhi to (Waaris)
Hum jis raste pe chale (Teri kasam)
Tere liye palkon (Harjaee)
Jab bhi koi kangana (Shaukeen)
Kabhi kabhi sapna lagta hai (Ratandeep)
Raat Banu Main Aur Chand Bano Tum (Mangal Sutra)
Hai tauba mujhe tune – Jawaani Diwaani
Tere bina main kuch bhi nahin (Nikamma)
Chand kya hai (Dhamkee) and the Paraya Dhan songs
And irrespective of the numerous times that I have heard it, whenever “Chala Jaata hoon” comes up on my playlist while I am driving, I am transported to that world, that era, and for those few moments, I am driving in an imaginary convertible with the wind in my hair 🙂 RDB can do that for me!
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astha
July 4, 2016
How about the Libaas songs? “Seeli hawa chhu gayi…” and “Khamosh sa afsana…” I would much appreciate listening to these unheard gems on radio that the “Piya tu ab to aaja…” overplayed numbers. I feel I’m more of a Gulzar-Pancham-Lata combo fan.
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Utkal
July 4, 2016
I think the greatest song RD ever composed is ‘ Dum Maro Dum’. Waht a hook, and what chorus! What a song! And I can never tire of listening to songs of Amra Prem, no matter how many times I listen to them. And to say they are Kishore songs is missing the subtle nuances that RD brought to these seemingly simple compositions.
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naveenkrwpress
July 5, 2016
Ghar, Ijjaazzat, Aandhi, Mausam are one of my top favs fighting with my IR lists – the list that would listen anytime without any fwd/back anytime anywhere and immerse into.
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vijay
July 7, 2016
RDB’s contribution to many a lazy sunday afternoon listen, DD chitrahaar and 80s radio/TV as such is immense
You stumble upon something like this and instantly it takes you back to those days
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sanjana
July 8, 2016
Not to forget songs from Caravan. Apart from the famous Piya tu. Rafi, Lata and Asha dominate with only one song sung by KK.
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Vivek Gupta
July 8, 2016
@Rahul: What gem of a song you posted ! I can’t believe that I never heard this song and I say this as a huge Daddy Burman fan. Oh, and what poetic subtitles that came along with your video.
“Its lonely out here, yet the night is effervescent. And the consciousness seems distant at times”
Thanks for making my day !
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sanjana
July 8, 2016
Thats such a lovely and sweet song, Rahul!
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Madan
July 9, 2016
@sanjana: No KK either in Baharon Ke Sapne or Teesri Manzil. But this would change completely in the 70s.
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Rahul
July 9, 2016
Vivek and Sanjana , glad you liked it!
Madan/Sanjana , See here
http://scroll.in/article/742268/music-history-the-unknown-story-behind-woh-shaam-kuchh-ajeeb-thi
It seems, there was a point in Kishore Kumar’s career where he was more inclined towards acting than singing from someone else, who could be a rival actor !
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Madan
July 9, 2016
@ Rahul Thanks for sharing this. Didn’t know it happened only in Suhag Raat. Kishore himself gave a contradictory account of this in an interview Pritish Nandy did with him in the 80s. He said he came to Bollywood to be a singer but the producers wanted him to act even though it gave him no joy. He said he would deliberately make faces in the hope that that would get them to stop bothering him to act but they still wanted him (because the films succeeded anyway). Maybe Kishore decided to rewrite his own history by then (the 80s) when his fame as a singer had far eclipsed his acting achievements. However it happened, it was indeed unusual for Kishore to sing a contemplative song like Who Shaam Kuch Ajeeb Thi at the time.
Also, a great insight into how Gulzar used to work.
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Rahul
July 9, 2016
Madan, I think both narratives could be true, the kind of eccentric that KK was . Singing may have been his first choice but then witnessing his popularity as an actor he may have thought, “why sing for others and make them more popular than me” : D
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Madan
July 10, 2016
Rahul: Yes, quite possible that KK would do that. He was eccentric indeed. Maybe that’s why he had some spine and stood up to Sanjay Gandhi.
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Sifter
July 15, 2016
This is fun. Thanks for the lovely article. I like the ‘wackao!’ songs of RDB alright, but it is the less flashy ones that is close to the heart.
Love the following few that I could remember….
Sili Hawa Choo Gayi – Libaas
Manji Re Manjhi – Dil Padosi Hai
Phir Se Aayiyo Badra Bidesi – Namkeen
Aaja Piya Tohe Pyar Doon – Baharon Ke Sapne
Dum Maro Dum – Hare Rama Hare Krishna
Bechara Dil Kya Kare – Kushboo
Rhim Gire Sawan (both versions) – Manzil
Tujse Naraz (both versions) – Masoom
Khaali Haat Sham Aayee Hai, Katra, Katra, Mera Kuchh Saamaan – Ijaazat
Dilbar Dilse Pyare, Daiya Yai Main Kahaan Aa Phasi, Chadti Jawani Meri – Caravan
Naam Gum Jaayega – Kinara
Ooh, and how can I not mention Bahon Mein Chale Aoo – Anamika.
Somehow, I never liked his Aandhi songs. The tune and the lyrics are great, but somehow they leave me cold.
As most said here, YouTube is a treasure trove for repeat listening’s and helpful suggestions.
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brangan
October 8, 2020
I knew I had written something about RD Burman – finally found it. The title was not helping 😀
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Jayram
August 17, 2022
Earlier this year, we were talking about 7/8 songs in the Lata (https://baradwajrangan.wordpress.com/2019/09/28/happy-90th-birthday-lata-mangeshkar/#comment-168261) and Anirudh writeups/threads (https://baradwajrangan.wordpress.com/2022/02/14/readers-write-in-441-anirudh25-and-counting/#comment-168652). I just remembered this RDB-Kishore one:
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