Spoilers ahead…
The trailer for PS Ramnath’s Thirunaal made me expect yet another “rowdy movie,” and the film is that – but it’s also a little more. This time, the rowdy doesn’t even have a name. He’s known by his implement of choice, a razor blade that he snaps in half and tucks into his tongue, the way Rajinikanth once stashed away cigarettes. Blade (Jiiva) has a cool trick. In action scenes, he snaps the blade into smaller pieces and spits them out at attackers. And yet, his intro-shot tells us something. He’s not fighting. He’s not singing and dancing. He’s found sleeping in a van, in a scene that focuses on the other passengers. The character is written in a lower key than the usual rowdies who usually strut across our screens. Blade is an orphan, and he’s more like a kid who just needs a home. First, he finds that sense of belonging with Naga (Sharath Lohitashwa, who’d make a magnificent asura if we still made mythologicals), the gangster who lords over the Thanjavur-Kumbakonam area. Then, when he falls in love, Blade finds he’d rather be with Vidya (Nayantara).
To no one’s surprise, she softens him – or given his nick, maybe we should say she blunts his edges. She gives him a name, Ganesh. She gives him a birthday, hers. In return, he gives her a lovely song (Srikanth Deva’s Pazhaya soru). There is nothing here that we haven’t seen earlier, but the director has a way of surprising us with little touches. Vidya’s father (Joe Malloori) is imbued with a quiet dignity. He never raises his voice – not when Naga (his business partner) cheats him of his share, not even when he catches the soon-to-be-engaged-to-someone-else Vidya with Blade. Naga, too, has his reasons for not wanting Blade and Vidya together. If they get married, then Blade becomes a business rival. These motivations may not be major, but they’re something – proof that some attempt has been made to get into the heads of these characters. And bonus points to anyone who casts the sadly underused Marimuthu. The role is unworthy (another corrupt cop!), but the effortless bits of “business” he infuses his performance with show what a rare, naturalistic talent he is when compared to the horribly stagy (or TV-serialy) supporting actors that populate so much of Tamil cinema.
Ramnath’s staging is alert, alive to local colour – it made me want to catch up on this director’s first film, Ambasamudram Ambani, which I missed during its theatrical run. The romance, too, is treated fairly well, resisting the temptation to make every scene a highlight, and even the item number is contextualised, springing out of a conversation. An aside: How marvellously earthy these song-dance sequences seem in Tamil cinema, with dancers seemingly plucked out of the streets and with buxom women who move with abandon, without a care that a Katrina or a Deepika would fit into one of their fat rolls. In contrast, the dancers in Hindi cinema are so tiresomely uniform, so plastic, as though picked up from the assembly line in Shiamak Davar’s dance studio.
The biggest problem in Thirunaal is that it does not chart Blade’s transformation from animal to human being. In an early scene, Blade forces a man to sell his house at a lower price by using the latter’s daughter as a bargaining chip. The daughter is a cop. She’s on duty. Blade kidnaps her, strips her (this isn’t shown, but a line of dialogue later leaves us in little doubt about what he did), and sends her uniform to her father as a threat. The poor man does what’s needed to free her, and when she’s let go, this female cop can do nothing but seethe silently. After Vidya comes into Blade’s life, I expected this incident to come up again. Maybe he’d apologise. Maybe he’d regret – or at least think about – what he did. But nothing. However, when others abduct Vidya, Blade yells, “Yaaruda ponnu thookinadhu?” and fights them off. Why these double standards? Love is transformative, no doubt, but can someone truly transform without acknowledging the sins of his past?
KEY:
- thirunaal = special day, especially a festival
- asura = demon
- Ambasamudram Ambani = see here
- “Yaaruda ponnu thookinadhu?” = Who kidnapped the girl?
An edited version of this piece can be found here. Copyright ©2016 The Hindu. This article may not be reproduced in its entirety without permission. A link to this URL, instead, would be appreciated.
Amit Joki
August 5, 2016
Lovely song? Yes going by the tune. But horrible lyrics.
Rahini: If I am right you did a thesis on loosu ponnus. This song alone will wrap the thesis for you.
She counts the rain drops, is afraid of her own shadows(when girls being afraid of cockroaches itself is a cliche but this one goes overboard), she does a pilliar and all that and the hero seems to rasichufying it.
Loosu ponnu of the year I guess.
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Iswarya
August 6, 2016
Amit: You successfully piqued my curiosity and I checked out that song video on Youtube. Nayan seems to successfully elevate the innate loosu-ness of that character (as inferred from the lyrics) into something comparatively sane, by at least not looking vacuous. (For true horror, imagine this song being shot with, say, Kajal A or Hansika M.)
And for anyone else who has heard this, does this tune seem lifted from an old Idea cellular ad that used to go “9-8-1-3-1-na-na-na” or some such thing, or is it just me?
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Iswarya
August 6, 2016
I meant this ad:
But greater intrigue now: which Ilayaraja song is this?
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brangan
August 6, 2016
Iswarya: The tune hasn’t been lifted. The riff has. It’s the opening line of Paniyil nanayum malargal rendu…
Amit Joki: The problem is that the song literalises the lyrics by showing the exact same events on screen. By themselves, the words paint a cute-enough picture, but when when we move from the realm of the suggestive to the literal, when we “see” her do these things (they’re not really “actions” one does), it seems loosu ponnu-ish.
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tonks
August 6, 2016
I just checked it out too. Even though admittedly the getting scared of one’s shadow and the counting of the raindrops seems slightly loosu poonish (and a trifle stalkery lyrics?), I liked the song, I’m afraid. And I guess it’s a ” list” song.
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Iswarya
August 6, 2016
BR: Wow, thank you so much! You really made my weekend. Never heard that song before, and now I’ve got my childhood crush over Anil Kapoor revived for a few moments. Total nostalgia overload! 🙂
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Aadhy
August 6, 2016
Iswarya: I think you should check out the kannada version “Naguva nayana madhura mouna” as well, which I personally prefer to Paniyil nanayum. And I don’t even understand kannada. I don’t know why, but certain tunes sound better in languages we don’t know, whereas in theory, it should be the other way round. In this case, the first four words in kannada end with ‘a’, giving every word a proper noun-like sound (though they might actually be adjectives with nouns), which I absolutely love. And yeah, also the mystery of not knowing the meaning could work in its favour, sometimes.
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Amit Joki
August 6, 2016
BR: Yes the literal translation to screen made it seem like that.
Tonks: Haha nope. No need to be afraid. The song itself is good. The visualization could have been better, but one can’t help when the lyrics are so figurative that one has to literally go by it.
Like, it wouldn’t have made sense for it to have been shot like those where the song runs in the background and the actors just strod across doing their daily routine.
I wonder if GVM could have done justice to the visualization of this song. I would root that he would.
Iswarya: Well, I still was irritated. Nayan or not. May be if Samantha had been in that song, naa vekkame illama download panni rewind panni panni paathirpen 😀 she kinda looks cute in such roles. Each to their own then. But yes Hansika or Kajol would surely have given me cringes.
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Siddharth Subha Venkat
August 9, 2016
Also waiting for your review on Tamilselvanum Thaniyar Anjalum!!
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Honest Raj (formerly 'V'enkatesh)
August 10, 2016
Any thoughts on this?
http://www.thenewsminute.com/article/nayantharas-innocent-kiss-why-do-we-think-sexualizing-young-boys-funny-47885
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Iswarya
August 11, 2016
Aadhy: Thanks for the reco. The Kannada version is awesome and has become my most hummed-under-the-breath song of the week.
Honest Raj: A part of me is so glad that these kinds of stuff are coming up for discussion and comments on this blog. So different from how it used to be, say, four years ago when I was fresh lurker here.
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Amit Joki
August 11, 2016
Honest Raj: Certainly there’s no innocence attached to it. What the liplock implies is that the child has been thought to do it if he is attracted towards someone. And that is plain wrong.
I could have digested him saying, Akka ungala romba pudikkum and planting a kiss on her cheeks.
Also if the genders were reversed, I am pretry damn sure there would be uproar all over the country, lawsuits would have been filed by Mahalir Sangam, this thread would be inching close to the comment counts of Bajirao Mastani and the male actor would be forced into a sabbatical his career and character. tainted forever.
Just think of what he will think when he reaches Puberty. He will be boasting to his envious friends, dei naanla appaye lady star guda kissu kissu pannavanda.
Horrific.
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Rahini David
August 11, 2016
Honest Raj: Completely agree with the writer. Children do have thoughts of romance and flirtations. Both the male children and female children. They have jealousy when a ‘friend’ of the opposite sex starts being ‘friends’ with another, they have fights among themselves among who is a ‘friend’ of who, etc. And it does include crushes on female teachers and admiration of actresses. This part of childhood being acknowledged in movies/novels does not make me uncomfortable. But sexualization is obviously different. It is even more different in movies as a REAL child is ASKED to do this.
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Honest Raj (formerly 'V'enkatesh)
August 12, 2016
Iswarya: So, it’s thanks to commenters like me? 🙂
Amit: Just think of what he will think when he reaches Puberty. He will be boasting to his envious friends, dei naanla appaye lady star guda kissu kissu pannavanda.
Ha, this reminds me of the following line from VVS:
Naanga ellam pathu vayasulayae Padminiya pickup pannavanga.
Rahini David: True. The most horrendous of such scenes is in the Jiiva-starrer Ko (involving Piaa and her neighbouring kid).
As the author says, reality shows are even more worse than movies.
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Rahini David
August 12, 2016
I never understood that scene with Pia. So she wants to undress in front of a 12-13 year old boy, but unfortunately a grown up adult man she is already attracted to walks in and makes things uncomfortable. Ithukku U Certificate.
If it had been the other way around, it would have been a A Certificate. Nalla varuvaanga.
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Raj
August 12, 2016
Super comments about Thirunaal the movie!!!
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