Spoilers ahead…
In the provocatively titled Saithan, Dinesh (Vijay Antony) is a software engineer who begins hearing voices. Is he hallucinating? Is he on drugs? Is he remembering a past life? His friends and family are spooked, and they search for a cure. Should they take him to a quack? Should they trust a doctor who diagnoses a growth in the brain and suggests surgery? Should they consult a hypnotherapist? The symptoms suggest several possibilities. Could it be schizophrenia? Reincarnation? Is Dinesh possessed? Does he think he’s in a Shankar movie?
Slowly, we get a flashback. Are these events real? Imagined? Further down the line, we come to the villain. Is he meant to be a menacing presence? Is he a buffoon? And let’s look at what he does. Is he human-testing illegal drugs? Is he harvesting organs? Consider, also, how the director, Pradeep Krishnamoorthy, chooses to advance the plot. Is this the kind of movie where an eerie moon is eclipsed by a black cloud, where candles are suddenly snuffed out by a draft, where eyeballs turn a lurid red? (After all, the title does point that way.) Or are we in a story backed by science, where there is a logical answer to the mystery? Finally, Dinesh himself. Is he an everyman? Or an action hero who can single-handedly take on a den of hardened criminals?
Saithan is less an exercise in screenwriting than a multiple-choice test in which the answer to every question is “all of the above.” The film just cannot decide where it wants to go, what it wants to be. The director’s only priority is to keep the audience guessing, and you get the feeling he’s making things up as he goes along. A hooded figure in black. An episode with a sex worker. A hand that reaches out from a computer monitor. Close-ups of unnamed people who seem to be suggesting that evil is lurking at every corner. A banshee voice in the background that keeps wailing “Jayalakshmeeee…” Nothing is built up to. Things just happen. The result isn’t so much a movie as mixed-vegetable curry.
The film’s most interesting subtext is the one that’s least explored: What if you discover your marriage isn’t what you thought it was? What if your spouse turned out to be someone you can’t live with, but can’t live without? It should have been the film’s foundation. It ends up an afterthought. There are some nice lines between Dinesh and his wife (Arundathi Nair, who’s not bad), and you want to see more of the couple. There’s a fantastic moment where a husband gets to know his wife has a sordid past, but instead of recoiling in puritanical disgust, he simply chooses to accept the present. What happened before marriage is of no concern. She is now his wife. That’s all that matters. This is the second time during the movie you feel like standing up and saluting. (The first, of course, is when you stood up for the national anthem.)
Vijay Antony has a knack for selecting subjects that are different, but a good hook does not make a good movie. And while you appreciate his humility in accepting he isn’t a good actor, that cannot tide you over a film that needed a strong central performance. Though it’s hard to see how anyone could have rooted the increasingly preposterous happenings. Red herrings are one thing. A mindless fishing expedition quite another. You want to be surprised. You end up cheated.
KEY:
- saithan = evil spirit; Satan
- national anthem = see here
An edited version of this piece can be found here. Copyright ©2016 The Hindu. This article may not be reproduced in its entirety without permission. A link to this URL, instead, would be appreciated.
lakshmi
December 1, 2016
“national anthem = see here”
😀
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hattorihanzo4784
December 1, 2016
BR (& others)
nothing related to the movie “saithan” but just venting out a bit 🙂
apologies that this could be the first comment, its not my intention to divert the conversation… its just i wanted to share my thoughts…
did you see “childhood of a leader”? (http://www.imdb.com/title/tt2815902/) maybe you did… but if you didn’t i recommend it as a must watch. There is a lot of unexploited space in Indian horror genre where they depict children (mischievous, little devils, full of evil sadistic ideas) as horror movie villains. I think someone should make a horror movie about having unruly children and living with them while managing the house, lovelife (kid screams ghost when the boyfriend is about to make out with kid’s older sister) and work. “Babadook” is another movie where we get a feeling if the kid is more scarier than the actual ghost. People have made social-horror movies where a gentle husband has to deal with a cruel wife (muthal mariyathai). But i dont think anyone in India has made a movie about a parent who cant take anymore of their kid and trying to get rid of their evil spawn?
Good son (jealous child) , Orphan (pseudo child), omen (devil child), problem child (funny, but who wants this kid?) are some of the other movies where children are shown in a scary manner. Even the “pesky child” and “sneaky child” who leak important secrets/ lie and cause major problems to the lead actors are underused in Indian movies.
I really appreciate movies like “Vazhakku Enn 18/9” and “naan mahaan alla” for showing how much damage evil teenagers (hello liberals who are against age reduction for criminal cases!!!) can cause to ordinary folk. I wish there are more such movies.
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venkatesh
December 1, 2016
gaah , he was having a purple run.
The first, of course, is when you stood up for the national anthem.
I see that this has touched a nerve with you.
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Balasubramanian Ramakrishnan
December 1, 2016
The core plot, characters (even the names.. Dineshkumar, Jayalakshmi, Ravi, Gopalan, Sharma, Mom’s character having no name…) are drawn from Sujatha Sir’s ‘aah.’ The entire first half, sans one moment, is almost a page-by-page adaptation, while the second half pretty much detours from the novel. The problem is that this ‘ticking-all-the-boxes’ thing will work great on paper, but it is difficult to do it on screen, while still holding the excitement and engagement factor. Though Saithan managed to keep us guessing for a good chunk of its time, it never engaged us thoroughly. Pradeep has a good eye for sensing things, but he has to improve in executing the same things with an assured solidity. This shows the difficulty in adapting a novel albeit this being an honest attempt. But, the major plus that i can take is that the acting of Vijay Antony has improved marginally, though it wasn’t sufficient enough to carry the movie on his shoulders.
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Pranav Sarma
December 1, 2016
hattorihanzo478: Since you asked for it, we have got “janma nakshathiram” which released years ago(dunno when) directed by “thakkali” srinivasan, though its a rip-off of “The Omen”(1980’s one).
https://en.wikipedia.org/wiki/Jenma_Natchathiram
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Cuddalore Ramji
December 1, 2016
I have seen the movie. the first half is really horrible. the second half is a medly of so many things. there is chemistry between the hero and the heroine. hero looks same in every scene. he does not know how to emote.
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Pranav Sarma
December 1, 2016
Ummm… BR! I think you gave away a twist about the villian in your review.
SPOILERS AHEAD:
I really liked how good the plot of saithan was. It had ingredients of a dark, good thriller. Its been mentioned too that a part of the story was written by the late writer sujatha. IMO this might really be one of those films like “I” and “Maattraan” where the story was terrific but was short of steam mainly due to its lack of focus on giving justice to the main plot. Even the so called “twist” part were we come to know that vijay antony has been a puppet the whole time was so poorly handled. Why is there a feeling of ghost presence given even when we are told there isnt one at all. Except for the part at the end where the sharma character reconciles with aishwarya(leave out the acting of VA no comments about that) there was no purpose on having those cigar and one-versus-many fight scenes except to appeal the mass loving crowd. They seem to like it and are pouring praises in the social media as I type right now, sample this which my friend wrote in his fb timeline- “tamil cinema is in safe,good hands”
This film could have been so much better. The 2 halves of the story and pre and post interval parts were non cohesive. It started out with really good rhythm but then fizzed out too fast. The villian characterisation which was important to the second half lacked even vacuum to feel about. The flashback which always seemed preposterous for these kind of movies was good actually. The chemistry between VA and arundhathi nayar looked good- not great, not that bad too Maybe it got to do with those small small moments which you mentioned where they valued each other in their hearts.
Tamil filmdom is churning up quite interesting plots nowadays. But do the filmmakers have to dilute it with unneeded (mostly commercial) elements, as they say then only the film will fetch a hit in the box office.Tell us BR! would have saithan worked in keeping the cash registers ringing if it was more focused to the plot? My hair is falling by thinking about this! 😉
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praneshp
December 1, 2016
There is a “Comments 77” under the picture. Can you fix it?
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sabharinath
December 1, 2016
@hattorihanzo478 If u r really a fan of those movies, then I would recommend you to watch the 1970’s spanish film “Who can kill a child?” & the 70’s hollywood film “The Other”, in case you haven’t watched….. As scary as hell……
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pato
December 2, 2016
going by social media reports,i was expecting a thriller but what a drag.it was anything but a thriller.Through the entire first half,some random spooky events were happening one after another try to fear us but there was no progress in terms of story or character.Second half with that preposterous reveal was total disaster.It makes anegan look like a masterpiece.
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Manish kaarthick
December 4, 2016
Many think they should have gone with the plot in the original novel ….but the novel actually gets very complex in the last chapters and it would have made a very confusing and dull movie…coz all that there is in the final chapters are court scenes (save for the last bit where there is a fantastic twist) ….but it was nice to finally see a real Sujatha story on screen (even though only a half)…
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S BARANIDHARAN
December 7, 2016
In my opinion, it’s not a bad movie, largely due to Sujatha’s plot points, but the latter half lacked sense and the execution was pretty amateurish. It was an average flick!
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Rahini David
December 8, 2016
hattorihanzo478: I kind of took it for granted that someone would mention this movie.
Pillai Nila has Mohan trying to kill his daughter Shalini who is the evil reincarnation of Radika and the mother Nalini keeps trying to protect her. I think Shalini kills each of her grand parents one by one but is killed off before she gets to kill her parents.
https://en.wikipedia.org/wiki/Pillai_Nila
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Harish M
December 12, 2016
sir where is your Chennai28 part 2 review? eagerly waiting for it
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