Spoilers ahead…
The glass-half-full review of Chennai 600028 – II would state that Venkat Prabhu is back. He didn’t go anywhere, exactly – he’s been making a film every couple of years. But there was, increasingly, this sense that the cast and crew were having more fun on the sets than we were at the movie hall. Chennai 600028 – II lets us in on the jokes too. Venkat Prabhu may be peerless in his ability to dream up random comic bits, random stretches of random conversation or incident that shouldn’t be funny at all but absolutely are. My favourite bit came when the gang from the first film – now in Theni, for the Jai character’s wedding – stumbles on an arrack shop. The Shiva character asks, “Kallu saapta kidney stone varaadha?” I died. Later, the Premji character wonders aloud that betel leaf is an herb. (“Vethalapaakku mooligaiyanda.”) I died some more.
The bits keep coming. Santhanabharathi plays a drunk who can be understood only by two – exactly two – people. Jai’s in laws – a really large family – are identified through captions like “Periyasamy Thatha”. Shiva is a YouTube reviewer who not only specialises in identifying instances of plagiarism but has also reviewed Marudhanayagam and Robot 5.0. Vijay Vasanth is now married to a girl from Sowcarpet. He says things like “Ulla jaao.” I wished these bits had been more than bits. I wished they had been shaped into running gags – they are gifts that can keep on giving. The background music is its own comedy track. Every time Vijay Vasanth pleads with a former Sharks player – the team has split because many of its members are now married – to join him in a game, we hear a sad violin. But it’s not just a sad violin. It’s a hilariously sad violin. It quavers like the musical equivalent of a loose tooth.
And thus we come to the glass-half-empty review of Chennai 600028 – II. There just aren’t enough of these bits to sustain a two-and-a-half hour movie, and this time, it isn’t even fully about cricket. The charming aimlessness of the first film is a distant memory. We have a ten-ton plot around Jai’s wedding, and this is played as straight melodrama – with snarling lines like “vaarthaya alandhu pesunga,” we feel like we’re in a P Vasu film. Venkat Prabhu’s filmmaking no longer has the simplicity we saw in Chennai 600028. There is now bloat. Bloated songs. Bloated fights. Bloated emotions. A bloated villain (played by Vaibhav, who is a hoot as Maruthupandi, the captain of a cricket team where everyone sports a luxuriant “B/C-centre” moustache).
Chennai 600028 remains the most focused of Venkat Prabhu’s films, and the sequel, too, is best when its focus is on cricket. The matches are wonderfully silly, and every time a character from the original returns – Badava Gopi as a colourful commentator; Shanmugasundaram as a senior cricketing “expert”; the team known as Usilampatti Bad Boys – we smile as though reuniting with long-lost friends. (The film is aptly being called “A Venkat Prabhu Reunion”.) In the years since Chennai 600028, Venkat Prabhu has moved on to big stars, bigger scales of production, but he seems most inspired when around this low-fi lot. And that’s fine, really. Not everyone has to wear a blue jersey and play for Team India. As the first film so memorably told us, sometimes the corporation playground can give us as good a time, if not better. Half-welcome back, Venkat Prabhu.
KEY:
- Chennai 600028 = see here
- Kallu saapta kidney stone varadha? = Apparently, consuming arrack prevents kidney stones from forming.
- Ulla jaao = Go inside.
- “vaarthaya alandhu pesunga” = Watch what you say!
Copyright ©2016 Baradwaj Rangan. This article may not be reproduced in its entirety without permission. A link to this URL, instead, would be appreciated.
sid
December 18, 2016
but chennai 28-1 too had bits of drama, fight and all no….btw am i the only one who feels that this gang of actors is just so comfortable with each other.. they are not half as charming in their solo movies.. this movie may not be as good as the first part but i would still be interested if venkat prabhu decides to make a goa-2.. what say br? 😊
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shreedharsrinivasan
December 18, 2016
Good review sir….
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Hrishi
December 18, 2016
Good and balanced review. Worth a watch. Was just telling someone why and where Siva has been missing of late. His deadpan delivery of one liners is a class act.
Am I the only one who can’t get the soppana sundari ear worm out of the system. And in these days of extreme political correctness… Is it even OK to like this song?
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Hrishi
December 18, 2016
Sid: I would totally go for Goa 2
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praneshp
December 18, 2016
My wife and I were watching the original Chennai 600028 a couple of days ago; we were wondering where this bunch of actors would’ve been if they had godfathers like Vikram Prabhu/Gautam Karthik/Atharvaa, whose acting is not even worth 2 cents.
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Honest Raj (formerly 'V'enkatesh)
December 18, 2016
But there was, increasingly, this sense that the cast and crew were having more fun on the sets than we were at the movie hall
I think that’s the best part about his films. Haven’t watched the original, but Saroja remains my favourite VP film to date.
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brangan
December 18, 2016
I prefer this Soppanasundari number…
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asvini
December 18, 2016
Sid: Goa 2 will be amazing. Goa is my favourite VP movie.
BR: That is definitely the better Soppana Sundari. Vaikom Vijayalakshmi hit it out of the park.
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Sudhir Srinivasan
December 19, 2016
The Veera Sivaji number is ridiculously catchy. First time I heard it, I was a bit turned off by the unusual voice. But since then, I can’t stop listening to it… secretly.
Still slightly embarrassed.
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Anuja Chandramouli
December 20, 2016
BR and Sudhir Srinivasan, I am determined to hate that item number from Veera Sivaji, even though it is bloody contagious. SoppanaSundari indeed!
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Aambala Feminist
December 20, 2016
Brangan, Brace yourself. The petitions are coming. I can hear the rumble already. By openly stating your allegiance to Soppanasundari, you hav set a wrong precedence for impressionable youngsters. The very first line is objectifying women as a consumable product. I strongly condemn this. I will write to The Hindu!
Ok now that we’ve gotten that out of the way, just out of curiosity, is there an item song that women actually like? As an aambala feminist, I often wonder – Are all item songs condemnable or are there any “good” item songs? I was unsure where and whom to ask this without getting pelted. Given that we’re discussing Soppasundari, I felt it’s an opportune moment.
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Enna koduka sir pera
December 21, 2016
Oh BR.. Soppanasundari is stuck in my head now 😛 Love Vaikkom Vijayalakshmi’s voice ever since I heard this song in Oru Vadakkan Selfie
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Enna koduka sir pera
December 21, 2016
Sorry wrong link to the song in Oru Vadakkan Selfie. Here is the right link
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Sifter
December 21, 2016
The politically correct part of me says any item song that objectifies women should be erased. Then I get reminded of countless melodious, philosophical songs that also degrade women in addition to objectifying them.
For an item song, the lyrics are also not bad. Music is catchy. What I am trying to say here is that I like Soppanasundari 🙂 Vaikom Vijayalakshmi’s is the kind of throw-back-voice that used to belong a bygone era and is now very refreshing to hear.
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Rahini David
December 21, 2016
Aambala Feminist: I am not just a pombala. I am a pombala who is extremely passionate about feminism.
Here are a few “item” numbers I like. Cross my heart.
1) O rasikum seemanea – Parasakthi
2) பளிங்கினால் ஒரு மாளிகை – Vallavan Oruvan
3) Naan sirithal deepavali – Nayakan
4) Aatama therotama – Captian Prabakaran
5) Sambo sambo – Pudhiya mugam
6) Bothai eri pochu – Jai hind
7) Oothattuma oothatuma – Jai hind
8) Saathu Nada Saathu – Sethupathi IPS
9) Bambai city chukka roti – Rasigan
10) No money no honey da – Vaanam (Ok it is not exactly a item number. But you know why the song is here)
and 11) Sopana sundari – Veera sivaji (Makes it to the list)
The what and why and why not I will get to in an individual post sometime. For now I will just go on record saying that I dislike songs that have the man slapping the woman after she finishes singing the entire song. First-ea solla vendiyathu thaanea – saniyan. And those where caucasian women or mallu women are targetted. It gets to me.
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blurb
December 21, 2016
Aambala Feminist: sure, why not. I have a problem with calling them item numbers though. Guest appearance for a song is more like it
An example of an item song I liked: All thotta Bhoopathy. They couldn’t have had anyone other than Simran dance like that wuth Vijay.
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Rohit Sathish Nair
December 21, 2016
Vijayalakshmi’s first
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brangan
December 21, 2016
All, as wonderful as Vaikom Vijayalaskhmi is, let’s not forget Imman’s wonderful work. Look at how he structures the song — so unusual, with just one pallavi and one charanam. Look at how there’s a “tailpiece” for the pallavi (“naan dhaan soppana soppana sundari…”) Look at the shades of the Carnatic raga Kaapi and yet, how “North Indian sounding” the song is, with the sarangi and the tak-dhina-dhin chorus (used wonderfully). And the “colouring” in the phrases (eg. “maargazhiyai chithiraiyai”, “raathirikkum thookathukkum”) — oof!
Here’s another Vaikom Vijayalakshmi song I love from this year (music by K):
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Sifter
December 21, 2016
@ Rohit Sathish Nair- A big thank you for making me aware of this singers first song. Loved it.
@ BR- Again, a big thank you for the link to this song. I could have cared less about the movie it is a part of and missed the enjoyment. Couldn’t agree with you more on the North Indian Sounding bits and the entire structure of the song. Ah, it is ‘maargazhiyai chithiraiyai,’ is it? I heard it as ‘maargazhiyil chithirai’ 🙂 and was completely blown over by it 🙂 🙂
The way ‘raathirikkum thookathukkum’ was sung with that beet was damn impressive though. Oh, and agree on the Imman bit.
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shaviswa
December 22, 2016
Oh my God. That was a catchy number from Veera Sivaji BR. I am not able to get it out of my head. Imman has given some wonderful songs in his career and I am not surprised to listen to this one from him.
This sounds like a marriage between Qawwali and South Indian classical music. Very neatly done.
And yes – that raathirikkum thookkathukkum is tooooo good!
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Honest Raj (formerly 'V'enkatesh)
December 26, 2016
As ironic as it sounds, I’m reminded of that famous line by Yugi Sethu in Ramanaa. 🙂 To me, this song was more like a viewfinder to the film.
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pady
December 28, 2016
+1 to the veera sivaji song. Very catchy.
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pady
January 17, 2017
Watched this movie ( in theatre ). It really helped to go with a super low expectation. And this was watchable. Actually pretty decent.
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