Spoilers ahead…
The Kannada hit, Kirik Party, is the latest entry in the genre we could call South India’s answer to the South Bombay movie. The vibe is similarly cool, the sensibility similarly young, the air similarly irreverent, but there’s one crucial difference. The feel is grounded, recognisably rooted. The kids in the South Bombay films look like they’re in New York. The engineering college kids in Kirik Party feel like they’re from Hassan, Karnataka. They watch Upendra blockbusters. They wear lungis. They also wear dudish sunglasses, straddle dudish bikes and go on angsty road trips of self-discovery, across very local landscapes. It’s wonderful – in this film, and also in the Tamil (Kadhalil Sopdhappuvadhu Yeppadi) and Malayalam films that birthed this genre (Bangalore Days, Premam) – to see India as most of us urbanites know it, an easygoing mix of East and West.
The filmmaking, too, exists comfortably in-between. The must-haves of our cinema are all there. Romance. Comedy. Songs. Fights. But the director, Rishab Shetty, is stupendously inventive, and these generic elements acquire startlingly specific colours. One fight is structured like a game of cricket – there’s a stumping, a drinks break, there’s even running commentary. Another fight is folded into a song. And the songs – oh my god, the songs. Forget La La Land. This is the most inventive musical of 2016. B Ajaneesh Loknath’s splendid numbers are used to deliver the “song breaks” we expect, but they also – as in a musical – form an intrinsic part of the narrative. People sometimes talk in unison, like a chorus. There’s a post-suspension song, where the suspended students explain their side of things to a teacher, to a car mechanic – a brass band scampers about in the background. There’s a song where people speculate on the contents of a diary – it’s the first “gossip song” I can remember since College ka ek ladka in Saath Saath. The songs are often broken up to accommodate scene-lets, bits, dialogue. You know how seriously a filmmaker takes his cinema by how seriously he treats his songs. Each number feels fresh, alive – not just in the execution (that’s just choreography), but in the conception, in the very why of the song.
The story revolves around Karna (the terrific Rakshit Shetty). At first, he’s a baby-faced underachiever, hardly the brightest of bulbs. When told that the girl he likes (Saanvi, played by Rashmika Mandanna) is three years older, he smiles and says it’s okay, because in three years he’ll be her age. The wooing scenes are a riot. Saanvi teaches Kannada to students from other states, and Karna employs them to deliver his pick-up lines, in class. This is the kind of film where the smile never leaves your face. Until Fate socks Karna in the solar plexus. We get a Premam-like transformation from boy to wayward man. We get a Bangalore Days-like reconciliation, where the ghosts of the past are put to rest. The comedy segues smoothly into tragedy, and vice versa. Rishab Shetty seems capable of moulding mood any way he wants.
The background score helps enormously. Because this is a musical, the music is non-stop. It’s practically a parallel narrative. When juniors declare war on seniors, we hear finger snaps, bass guitar twangs from a Spaghetti Western. When this intent escalates into full-blown war – with hockey sticks! – we hear a… waltz! You know the cliché of the solo violin wailing as a sad story is being told on screen? We get the sad story, we get the solo violin – but we get a sound that’s totally unexpected. The music is the current, and the film just… flows, there’s no other word for it.
There are vignettes that go on too long, but there’s always some payoff – a great line (even from what I could get from the subtitles), a great bit of acting (the cast is superb), or a great laugh. Or even a great bit of staging. You can’t take your eyes off screen because there’s not one lazy shot. Every contributor (and I have to single out cinematographer Karam Chawla) is exquisitely in sync. (There’s a separate essay to be written on how these films use slo-mo to shape our viewing experience.) And amidst the fun, the college frolic, the ragging of eccentric professors, the writing reveals surprising depths. In the first half, in the first romance, Karna finds himself on a church tower – he wants to ring the bell. Saanvi says no. In the second half, after Arya (Samyuktha Hegde) comes into his life, she urges him to ring a bell, a very different kind of bell, one that changes his life. The high that you get from watching a commercial film made by people who know film, who love cinema – it’s something else.
KEY:
- Kadhalil Sopdhappuvadhu Yeppadi = see here
- Bangalore Days = see here
- Premam = see here
- La La Land = see here
Copyright ©2017 Baradwaj Rangan. This article may not be reproduced in its entirety without permission. A link to this URL, instead, would be appreciated.
Sutheesh Kumar. P. S.
January 8, 2017
Thank you BR for this new year gift. Watched it thrice already. I’ve already told everyone who cares that this is a must watch. You’re right, that was movie magic.
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Karan
January 8, 2017
Great one sir.. even I felt the same after watching tis movie…
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venkatesh
January 9, 2017
Well you have been given the A-OK by the Director.
https://twitter.com/rakshitshetty/status/818152410040238080
I saw his Ulidavaru_Kandanthe and that was cool, without being awesome.
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Anu Warrier
January 9, 2017
Wow! I haven’t seen you wax so eloquent over a movie recently. I have to watch this one. Havent watched a Kannada movie in ages.
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shiva
January 9, 2017
Sir,u should watch his Ulidavaru Kandante..he already played that bearded bad ass type of guys character in that movie..character richie who behaves like Tony Montano of Scarface..
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Vikram
January 9, 2017
Rangan, when I read the news that Kirik Party will be released in Chennai, I half expected this review from you. Yes, the biggest point in the movie that was missed by most Kannada film reviews is that KP is actually a musical movie.
Director Rishab Shetty’s first movie was Ricky, which revolved around the Naxal problem in coastal Karnataka and starred Rakshit. Though thematically interesting, producer’s interference marred the narrative. He did a course correction in KP.
Incidentally, Rakshit is also a director and his first movie was Ulidavaru Kandante (As Seen by the Rest), a take on Japanese maestro Kurosawa’s Roshomon set in the coastal Karnataka. The cinematography, OST, background score, attention to details are all there to see.
Watch it if you get a chance! https://www.youtube.com/watch?v=POJ_6EtGeMw
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adra
January 9, 2017
As others have noted, Ulidavaru Kandante is BY FAR the best movie by Rakshit shetty.
The narration, songs, BGM, colour palette and the costal style is carried very impressively by him as he carves out a vivid picture of Malpe.
Besides, he’s multi talented. Direction, production, lyrics, screenplay, dialogues were all done by him.
Please do take time to watch that amazing movie if you can spare some time. I assure you that it will be worth your time!
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Narendra Acharya
January 9, 2017
“In the first half, in the first romance, Karna finds himself on a church tower – he wants to ring the bell.”
And what a ‘secular’ moment that is. They are in a church, he is talking about the morning prayer call from a nearby mosque, and then she (Saanvi) starts singing a lullaby-like song about Radha.
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tejas
January 9, 2017
Rangan sir, would Laila Bechari kya karti count as “gossip song”? Although I think it was based on a high-school.
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Anu
January 9, 2017
Oh wow! I can’t believe that I’m posting this comment!
I am regular reader here and look forward to your reviews, although I’ve never dreamed of commenting here. Boy, was I thrilled when I opened your page today! 😀
I am a huge fan of Rakshit Shetty – have loved him ever since we chanced upon “Simple aagond love story” – we watched it for the lack of any other good movies running in the theatres on the day. There were hardly any expectations – we hadn’t heard much of the actors. Gosh, was I floored! It was such a fresh take on a love story and I thought Rakshit was just brilliant – with his comic timing and acting.
He has come a long way since then and has been improving in his every film – has proven his versatility as someone pointed out above – he’s an actor, director, lyricist, dialogue writer…
We loved Kirik Party – every actor is so good and as you rightly said – the way music has been used in the film is beautiful! The background score and the songs – they take the narrative forward like in no other movie I’ve seen. I loved the fight scene with the cricket commentary too and another favourite was the one where they’re trying to prove which Engineering branch is the best and why! It’s howlarious!
Thank you for taking time out to watch this and other good Kannada movies that’re being made these days. It goes a long way in spreading the word and getting them to reach a wider audience!
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Anon
January 9, 2017
I am at the 1 PM show @ Escape and judging by the crowd during the interval, I am the only Kannada speaking person here. Everyone is here after reading your review!
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Sharath Bhat
January 9, 2017
Thanks for the great review. I would also highly recommend Hemanth Rao’s Godhi Banna Sadharana maikattu starring Rakshit(It was Ananth Nag who stole the show in that though). Rama Rama re was another very good movie.
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Vishu4401
January 9, 2017
Really good plot of writing and well used keys for notation. I probably would like to refer your way of writing the blogs.
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Dinesh
January 9, 2017
Awesome movie….i hope this was the better cinema of 2017…
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venkatesh
January 9, 2017
OT : Has anyone found good English subtitles for Rangitaranga ? Another highly lauded Kannada movie that i am very keen to watch.
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Vikram S
January 10, 2017
BR, great to see a Kannada movie review from you. Slightly off-topic, will you be writing about Om Puri anytime soon. TiA
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praneshp
January 10, 2017
Damn, you posted too late, it’s out of all theaters except Mayajaal. Hopefully Bairavaa sucks like the trailer promises, and this one can sneak back in.
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praneshp
January 11, 2017
Apologies brangan, it was still running in Escape today. Thanks for the excellent review, the kind the movie deserved!
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brangan
January 11, 2017
praneshp: So you liked it? Glad!
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praneshp
January 11, 2017
@brangan: I loved it. I read your headline, then skipped the post so I could watch the movie unbiased. Then came back and read your review. The perfect movie for me is when all of these are good, and even better when I can watch it at Sathyam or Escape 🙂
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TharaLocalMaamu
January 12, 2017
Any chance this movie is running with subtitles somewhere/anywhere in Bangalore? I know the irony of it but this city does have a lot of non-Kannadigas and we would love to watch some good local movies as well !!
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Ravi
January 12, 2017
@TharaLocalMaan … the movie is playing with subtitles in Bangalore theatres too.
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Prabhakar
January 17, 2017
you missed to mentioned Aruj (1985) staring Sunny Deol…. https://www.youtube.com/watch?v=iwcTUEaFyi8
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Soundarajan Iyer
January 24, 2017
First Kannada movie in the theatres for me in decades. Having grown up in Hubli, the asides of the off-screen character in Hubli-Dharwad Kannada were really funny. These didn’t always make it to the sub-titles and even when they did, were totally lost in translation. I will be seeing the movie again, keeping an ear peeled for those asides. Rakshit Shetty and team, whoever wrote and delivered those, hat-tip! “Dance maadidh aatha-thangi? Side-ig hog nindhur!”
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suresh kumar
February 3, 2017
Enjoyed every second of it. Improvisations over premam and bangalore days. Premam was excellent but didnt had a transformation scene. And what voice by Vasistha Sinha for Neecha Sullu Suthu Naalige.
The hero telling heroine at the church “look that guy is waking up everybody”– i am sure bollywood superheroes wouldn’t dare that one 🙂
And now samyukhtas take on sharukhs main hoon na style was much better than alia bhats in Dear Zindagi.
Follow up comic sequences – the exam paper writing, stealing exam papers, ragging of juniors, following peon, kidnapping of principal, brainstorming of what happened the earlier night, shifting the blame on computer section was a laugh riot. And the whole sequence had a purpose as it led to a beautiful climax. It is difficult to make a one comic scene-here the director made one good episode.
It is always said that in his earlier days aamir khan had a say in the movie direction. Could it be the same with rakshit shetty. Just a guess… Not taking away anything from the director.
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Rohit Sathish Nair
February 11, 2017
Was looking forward to watchng this here in Manipal
A friend told me that the film is overrated and that the first half glorifies stalking (real creepy stalking rituals, he said). Did any of you feel so?
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veeresh
February 18, 2017
yes, it’s real nice
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Priya
February 23, 2017
Finally got a chance to watch this movie yest after hearing so much about it. My friend and I sort of became impatient after 2 hrs when the plot was not moving ahead..some scenes felt so disjointed that we actually left from the movie hall slightly disappointed with the pace, just before the climax.
Only after coming home I went thru ur review and the comments, and looks like my friend and I are the only ones who felt so.
First half felt so much like Premam re-lived! The acting was superb and by all actors alike. Songs are beautifully composed too. Still, left with a dissatisfied feeling.
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Sutheesh Kumar
December 31, 2019
Eagerly looking forward to your review of Avane Sriman Narayana(Kannada or Tamil). Maybe you’re waiting for the Tamil version.
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Sutheesh Kumar
January 1, 2020
Hi BR,
Wish you a great 2020! Any chance of you watching Avane Shriman Narayana. A review would be 2020’s new year gift to us.
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brangan
January 2, 2020
Sutheesh Kumar: They had a very haphazard release of the Kannada version because the Tamil dub is out this week. Still hoping to catch it in Kannada…
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