Spoilers ahead…
Jay K’s Ezra, which is set in Kochi, is filled with Malayalis; the story revolves around Ranjan (Prithviraj) and Priya (Priya Anand). But their domestic help is Maharashtrian, and the large, large house they live in (for once, wouldn’t it be nice if a horror film unfolded in one of those matchbox-sized flats in Mumbai?) belongs to a Gujarati. These characters are Christians and Hindus and Jews. In other words, we find in Ezra a feature found only in some Kamal Haasan films: the characters constitute a microcosm of India.
But in a Kamal Haasan film, this interconnectedness would add up to something. In Ezra, it’s just a touch. Like the through-the-keyhole shot that announces the presence of something sinister inside an intricately carved chest. We think the thing is a voyeur, or maybe it’s keeping an eye on the world, waiting for the time to make its move. But its moves happen almost by accident. Had Priya not purchased the chest at an antique store, would the creature have possessed someone else (whoever that purchaser was)?
The writing in Ezra leaves a lot to be desired. A 1940s flashback is such a tired rehash of rich-boy-poor-girl clichés, it’s downright embarrassing. You wish the way a priest finds out about the malefic creature was better charted – it happens almost instantaneously, and Ranjan’s buy-in is equally instantaneous. You wish the shot in the present, of a woman hanging from a tree, had been lingered on, so we recall its mirror shot from the past. You wish the exorcism in the climax had been staged in Ranjan’s workplace, where there’s scope for maximum tension, maximum damage.
But let me tell you this. None of this mattered while I was watching the movie. One, the larger plot points – the echo of inter-religious marriage in the past and the present; the reason behind Ranjan’s exotic profession; or even the reason the film (and the horror) begins after the death of Kerala’s last Jew – tie together satisfactorily. And two, you can’t take your eyes off the screen. Ezra is exquisitely mounted and photographed.
Jay K begins showboating from the very first frame, where the camera keeps rising from the Star of David emblazoned on a white cloth and slowly reveals a funeral ceremony. A simple shot of a car coming to a halt in front of a cemetery is filmed with Sergio Leone swagger: the camera swoops over the arch at the gates and peers down at the vehicle. The vastness of Ranjan’s house becomes a character of its own, with rooms simultaneously suffused with light and shadow. And it all works because of the genre. The must-haves in horror – things going bump in the night (the sound design is excellent), or an apparition in a mirror, or creaky fans that suddenly begin to whir— are so numbingly familiar that style can become substance.
KEY:
- Ezra = see here
Copyright ©2017 Baradwaj Rangan. This article may not be reproduced in its entirety without permission. A link to this URL, instead, would be appreciated.
Jyoti S Kumar
February 23, 2017
BR sir, will you be reviewing Malayalam movies full time? I will be among those delighted to hear the news…
LikeLike
KP
February 23, 2017
We had a matchbox sized apartment from Chennai in Demonte Colony
LikeLiked by 1 person
Jeeva P
February 23, 2017
Thala, enna pei padam laam review panna aaramichitinga (since u hate the genre totally)?
LikeLiked by 1 person
Anu Warrier
February 23, 2017
We lived in a match box in Bombay. It was haunted by a kuttichathan. 🙂 Unfortunately, he decided to come back with us on one of our visits home. Now he haunts us here.
LikeLiked by 3 people
Aman
February 23, 2017
Wasn’t Bhoot set in a Mumbai flat? Agree with you on the writing part, especially considering the female from the past has more right to feel aggrieved with world and turn into a ghost than the male one. Beautifully shot ( Director was an assistant of Rajeev Ravi I think, some of the flashback parts and the song was shot by Rajeev Ravi) himself, but having too few memorable moments like the one set in the street. Film didn’t make completely utilize the ambiance of Fort Kochi.
P.S : I think film is set in Fort Kochi and not Kochi, any self respecting makes it a point to correct you whenever you mistake Fort Kochi for some place else. I had the misfortune of facing the wrath of it once.
LikeLiked by 1 person
harish ram
February 23, 2017
what about the glamourous Prasanth starrer, Shock? 😀
LikeLike
brangan
February 23, 2017
Aman: especially considering the female from the past has more right to feel aggrieved with world and turn into a ghost
Actually, I liked this one bit. The cliche would be that the wronged woman turns into a ghost. This is much more inventive. It’s not even the man. It’s the DAD who seeks revenge. Nice little turn of events — even if it wasn’t fleshed out very well. In the sense that I barely got the sense these two were in love.
LikeLike
vishal yogin
February 23, 2017
I went for this not even knowing whether it would be subtitled or not. But luckily it was, & I am sure this was the case when you went to see it.
The awe and wonder post The Wailing remains for this genre, but I knew this one would not touch those dizzying heights. Nevertheless, it was enjoyable.
Pssst, cant you do a review of The Wailing even though it will never be released in India ? I am super curious about your thoughts/feelings as you watched it.
Did you see it on the big screen or before mami began ? I imagine that watching it on the big screen amplified the magic multiple times…
LikeLike
Akhilan
February 24, 2017
Hey BR, I just wanted to congratulate you for joining the Film Companion Review Channel…!! It was such a pleasant surprise when Anupama announced it…!!
With you, Anupama, Sucharita, and Nikhil, it’s gonna be super awesome…!! Can’t wait…!!
LikeLike
nickhilpandey
February 27, 2017
Happy, that you did mention the meaning of the word EZRA in Jewish culture because many have missed this part.
LikeLike
SatzSnapper
February 28, 2017
Exact thoughts. Flashback portion was cliche. But, I like the way they tell the story thru the song. And that song gives me a gripping feel. Apart from that i like that Wall walking scene. That sequence makes me sick.
LikeLike
Rohit Sathish Nair
March 14, 2017
As Aman pointed out, Jay K was Rajeev Ravi’s assistant, and I remember Rajeev Ravi doing the same with mirror shots. He does shoot mirror images, but he doesn’t insist us right then to check the similarity. He just lets it stay, and leaves it to us to unearth it. I remember 2 such instances as of now in Kammatipaadam.
LikeLike
patriciajosef
July 18, 2017
I am from Tamil nadu I like Malayalam Movies very much, in contrast I heard many Malayalam people like VIJAY, AJITH, SURYA, ALLU ARJUN. Tollywood is completely opposite to molly wood, whereas kolly wood is mixture of both the tolly wood and molly wood. Movies Made by Malayalam Industries are heart warming and life oriented, where you can at least learn something for your Life. I wish People from Malayalam film industry release their movies in Tamil with subtitles so that it will reach wider audience. Because artistic work should reach more people in the world. I used to read all the latest Kerala News in Malayalam from this site, check it , would be useful.
LikeLike