Spoilers ahead…
In Saket Chaudhary’s Hindi Medium, Irrfan Khan plays Raj Batra, a garment shop owner in Chandni Chowk, a location that’s Bollywood-speak for “the boonies.” In an early scene, he chances upon an assistant on the verge of alienating a couple of fussy customers, a mother and her soon-to-be-married daughter. Raj steps in, takes over. He sweet-talks the mother and daughter, orders them a falooda. He even slips into a lehenga to prove a point about its suitability. It’s all played very broadly, but the point is made, that Raj knows this place, this language, these people. And when his wife (Meeta, played by Saba Qamar in a sitcommy style; every expression is an exclamation point) insists they move to Vasant Vihar, he’s a fish out of water.
Meeta shares some genetic material with the Sridevi character from Judaai. She says she wants to move so that their daughter, Piya (Dishita Sehgal), can study in a top school, but she seems a bit of a social climber herself. After they move, she wants Raj to call her “honey,” and a party she throws for the rich people she hopes to cultivate as friends has caviar on the menu. Neha Dhupia has fun playing one of these snooty upper-class women as though auditioning for the part of one of Cinderella’s stepsisters. Meanwhile, Raj breaks into a Punjabi song-and-dance, and Meeta is embarrassed. It’s not hard to see where Saba Qamar is getting her acting cues from. Saket Chaudhary himself directs in a broad, sitcommy style.
The crux of the matter is this: Meeta does not want Piya to study in a government school. “Is desh mein angrezi zubaan nahin class hai,” she tells Raj, that English isn’t just a language in this country, but connotes class. A posh school, she thinks, will give Piya those advantages she never had. (Raj didn’t have them either, but then he doesn’t care.) And so we slip into a Nil Battey Sannata kind of movie, where a parent’s dreams are foisted on the child. And like that film, this one too takes a problematically facile look at very real issues. Hindi Medium just wants to exist at a feel-good level, with a big Hirani-esque speech at the end making everything okay. Looking at Raj and Meeta, another title springs to mind: 2 Idiots.
Still, parts of the film are very enjoyable, mainly due to the actors. It’s a blast watching Tillotama Shome finally lay down the weight of the world and slip into the catty part of a “consultant,” helping parents get their kids admitted in upscale schools. (“People make appointments with me during the first trimester,” she tells a bewildered Raj and Meeta.) Amrita Singh plays the headmistress of one these schools. She has a good scene where she shows how humiliations can harden you. Irrfan Khan is good in a role that doesn’t require much heavy lifting, and Deepak Dobriyal steals the film as Shyam, a very poor and very decent man. The actor oozes humanity from every pore, and yet the character doesn’t become a saint.
The portions where Raj and Meeta move into Shyam’s neighbourhood were, for me, the most troubling. (They have to pretend to be poor, so that Piya can get an admission in a quota.) Suddenly, the satire becomes too serious, the issues too important, the resolutions too simplistic. But I loved the conceit that the Batras were considered nouveau riche in Vasant Vihar, and now they’re nouveau poor. (Shyam, on the other hand, claims that he is a khandaani gareeb. He has been poor for generations.) Raj and Meeta had to learn how to act rich. Now, they have to learn how to act poor.
The film’s best part is the opening stretch, where a young Raj, who is a tailor’s assistant, helps a young Meeta get the dress she wants. Like the scene in the garment store, here too we have a mother and daughter. Meeta says she wants a low-cut back. Her mother disapproves. The tailor tut-tuts. Meeta says the design will get spoilt if the back isn’t cut low. The tailor says, “Ados pados ke designs ko bhi dekhna padta hai.” (We have to consider the neighbours too.) Raj says, secretly, that he’ll help Meeta.
While watching the scene I just thought how beautifully it was pulled off, but as the film went on I realised that this scene was an encapsulation of everything that follows: that Raj will continue to cater to Meeta’s whims, that what-neighbours-say will continue to be a consideration, that Raj and Meeta will continue to fool others in order to get their way. Hindi Medium is an easy, fun watch, but it might have become something great had the rest of the movie matched up to the magic in this scene.
Copyright ©2017 Baradwaj Rangan. This article may not be reproduced in its entirety without permission. A link to this URL, instead, would be appreciated.
A Wise Crackpot
June 8, 2017
The film tries to include so much – the cut throat competition involved in having children enrolled in the best of private schools, the tuition and training institutes this competition benefits, children at such a young age being subject to so much judgement and it’s not just their performance that decides their selection but also their parents’, the fraud and corruption that the commercialization leads too – especially when there’s a SC-ST quota involved and the fate of public education in all of this.
But these elements that are very important and relevant can easily be quite cliched and also too many for a film to properly deal with. Hindi medium being a commercial entertainer deals with them on surface.
This film is nice but a more inventive treatment would have given it more impact and a wider reach.
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praneshp
June 9, 2017
Is it Samuthrakani-level bad? I get the feeling from your review that the good parts compensate for the bad, so I’m going to watch it soon.
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brangan
June 9, 2017
A Wise Crackpot: This film is nice but a more inventive treatment would have given it more impact and a wider reach.
Actually, I think not. This sitcommy approach, stripped of nuance, is what’s making the movie such a big hit IMO.
praneshp: Not that bad. It’s not preachy so much as messagey (and yes, there’s a difference). But there’s humour, some of the performances work. So a not-bad kind of thing.
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Prashila
June 9, 2017
And like that film, this one too takes a problematically facile look at very real issues.
BR, others, what do you guys think would constitute a good balance of making a decently entertaining-non-documentary-ish-non-preachy and yet less-facile-and-more-realistic movie with a topic as relevant as this one is?
I ask this because I got the exact same feeling of too much Saket Chaudhary (which is more in the zone of his Side effects movies much in the manner in which those silly husband-wife whatsapp jokes have gotten so popular) when I watched the trailer and all those dialogue promos. But I have people around me absolutely pleased with this movie because to the audience that cringes at the Half girlfriend type fare(poor Mohit Suri), and yet wants their movies to be light and ‘fun’, something like Hindi Medium ends up being a Godsend.
I thought for a while, but my mind draws a blank. So, I thought I would ask.
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Aniruddh
June 10, 2017
Like the opening sequence, the climax was also amazing. When Irfaan finishes his speech, none of the parents sitting there applaud, indicating that the situation will remain the same, even after he has said what he has to say. They could have ended the movie with a change of heart of those “snooty upper-class people” and the admission of Shyam’s son, something like Appu of Nil Battey Sannata becoming an IAS officer. A bit of realism for a light hearted, fairy tale movie, though with its own happy ending. Don’t you think sir ?
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A Wise Crackpot
June 11, 2017
@brangan: mmm yes.. By saying with inventive treatment it would have had a wider reach, i was wishing that it catered to my demographic as well. Its for the parents who have faced similar troubles which is why my aunt and uncle liked it a lot, telling me their own experience of facing this kind of stuff whereas going through that competition as a child is a different experience so i could not enjoy hindi medium much, something just wasn’t clicking for me.. but the film couldn’t have catered to both – so your point stands. the demographic it caters to is wide enough. Any new treatment or nuance may not have taken it there..
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Rads
June 12, 2017
Save time and money and watch the Malayalam original Salt Mango tree!
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A Raheja
September 6, 2017
The Movie rightly represents irony of Nursery Admissions in Delhi. My experience was similar to Hindi Medium movie, that I have shared here
@ http://www.blog.guru/movies-television/hindi-medium-harsh-reality-delhi-school-admissions/
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