Spoilers ahead…
Sonu Ke Titu Ki Sweety is a Luv Ranjan film, which is all the explanation you need, really. The man is his own genre: the battle-of-the-sexes “comedy,” topped with a longish rant by Kartik Aaryan. (We get one right at the beginning.) Ranjan’s films are ostensibly light, frothy entertainers but they make you want to run home and write a clammy-handed thesis about the gender dynamics in today’s twentysomethings. The girl (Sweety, played by Nushrat Bharucha) says, “Dost aur ladki mein hamesha ladki jeetti hai.” (In a contest between the best friend and the girl, the girl always wins.) The best friend (Kartik Aaryan’s Sonu) bets otherwise. The film is the tug of war between them. They are fighting for ownership of Titu (Sunny Singh), who has all the personality of the big, fat, invisible rope between Sonu and Sweety.
Get-a-room-guys! bromances are nothing new in Hindi cinema, but Sonu Ke Titu Ki Sweety goes someplace that a Sangam, say, did not (or could not) go: the notion that you need a girl for sexual gratification but she cannot give you the emotional gratification your best friend can. Sonu actually asks Titu, “Why do you need a wife when I am there?” Elsewhere, he issues an ultimatum that echoes in the climax. “Ya to woh, ya main.” (It’s either her or me.) Titu smiles indulgently through all this, because, to him, this borderline-psychotic behaviour simply means his best friend is looking out for him. (He thinks this is Sonu’s “motherly instinct,” thus proving what damage is wrought when a child is named Titu!)
Ranjan’s is a world where getting married means the woman will make you eat egg-white omelettes and bajre ki roti, and marriage means you get to meet your friends once in three months, if that. The horror, the horror — it’s the very apocalypse. The premise isn’t entirely preposterous. Life does have a way of isolating you from friends you thought you’d be hanging around with forever, but a film from an older era would have punched up these emotions. We get a song that goes “Tu jo rootha to kaun hansega… tera yaar hoon main” –– an older film would have built up to this song. (Think of the melancholic reprise of Yeh dosti in Sholay.) Very late in the film (and too late for it to matter), we learn how Sonu looked after Titu in school, and how Titu looked after Sonu after the latter’s mother died. Why not sprinkle these revelations throughout and make us see what these two mean to each other?
Without this, Titu comes off like a dolt and Sonu like a dickish, entitled misogynist who sets Titu up with the very same girl he was once convinced was wrong for Titu –because anything is better than Titu ending up with Sweety. The film plays like an expansion of an episode from Ae Dil Hai Mushkil, where Anushka Sharma takes it upon herself to show Ranbir Kapoor that Lisa Haydon is wrong for him. But what seemed harmless there looks noxious here. We might have had something if the one-upmanship games between Sonu and Sweety had at least been fun. This is what we get: Sonu says something incriminating, and discovers, to his horror, that Sweety has been recording everything on her phone. Aren’t today’s kids smarter than that? Oh, and the women! They look like plastic dolls and are eminently interchangeable. I laughed when this other girl eyeing Titu says, “Sweety aur mujh me farq kya hai?” (What’s the difference between Sweety and me?) Erm… nothing?
Why is Sweety such a witch? Because there’d be no movie if she actually had issues that made her act this way, as opposed to the fact that she is this way because, duh, she is a woman. Everyone’s a cardboard construct. Sonu and Titu barely seem to be friends. They could be two guys who met in a bar and found each other fun to drink with. Some mild laughs apart, the only thing about these films is that they are easy on the eye. The colours are bright and the supporting cast (Alok Nath in an atypically caddish role, a delightfully dry Virendra Saxena, Ayesha Raza as Titu’s easygoing mother) is terrific. But this is small comfort in a film hell-bent on convincing us that the world would be more Edenic if there were only Adam and Steve.
Copyright ©2018 Baradwaj Rangan. This article may not be reproduced in its entirety without permission. A link to this URL, instead, would be appreciated.
Sahir.
March 4, 2018
How do you react to people who read homosexual/homoerotic undertones into the Sonu-Titu relationship? I haven’t seen the film myself, and do not plan to, but I find this discussion very interesting.
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Sanjeev Patwardhan
March 4, 2018
This supposedly scheming-planning-plotting-selfish girl, does NOTHING to deserve that description. Except ‘admitting’ to being one on a one-on-one encounter with her bete noire. A corroboration of it never comes. She comes across as just another young bride with normal insecurities. The biggest flaw in the film.
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Pavan
March 4, 2018
The satisfaction of watching such a film is marginal, but going through reviews that thrash it is a guilty pleasure in its own right.
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Anu Warrier
March 4, 2018
Another film that had an interesting premise that had so much potential. Deep sigh. This must be the cinematic version of the sexist jokes on Whatsapp that paint the wife as a harpy and the husband as this poor, put-down-upon, wimp. I wonder if these people realise they are doing neither gender any favours.
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Apu
March 5, 2018
I somehow laughed through this review:
http://www.asianage.com/entertainment/movie-reviews/240218/sonu-ke-titu-ki-sweety-movie-review-after-so-many-sexist-jokes-sonu-shouldve-wed-titu.html
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rsylviana
March 5, 2018
I had stopped watching Tamil romantic/rom-com films a long time back, because I found that they are basically an excuse for the directors and comedians to go on an all-out women-bashing-rampage through dialogues and songs. Looks like Luv Ranjan is working furiously to extend the same courtesy here in Bollywood too !!
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awkshwayrd
March 5, 2018
Rajeev Masand put it well enough – a better film would have either had
a) Sonu be in love with Sweety, or even better,
b) Make the homoerotic subtext into text
Option a) would have been deliciously dark, and b) would have been actually self-aware. Literally anything that showed some awareness of the bromance cliches and subverted them would have been better – even just Sonu becoming self aware and growing up.
This is a pet peeve of mine – man children are not attractive. It can work in Hollywood dudebro comedies if the characters are actual horny teens but Indian movies show ppl in their 20s – actual grown ups – behave like this.
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MANK
March 7, 2018
this sounds very similar to those sivakarthikeyan comedies. And now that this film is a superhit, we can expect more films like these.
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The Guy Next Door (@guy_in_london)
March 9, 2018
You are over-reacting. It’s a comedy, Judge it on that standard, not on values, etc
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Sev
March 17, 2018
For all its ills, I appreciate the team of talented people trying to find a footing. I find them all trying to make a space for themselves in this crowded, biased world of mainstream Bwood laudable. I am glad their movie gets numbers better than Padman, with the undeserving Sonam Kapoor. Sorry, this closing of ranks by Bwood bigwigs to shun talented outsiders in this brazen manner is starting to make me jaded (and many others like me). I want the old Bwood of 70s and 80s where stars came from nowhere and suddenly, their charm and all won you over. Maybe it was never so straightforward as I imagine, but the current state is painful for me as a lover of mainstream movies the way they once were. People might keep saying that the nepotism debate has exhausted its time in the public space but to me, its stark outcomes are saddening and painful. It isn’t about being politically correct or whatever; it is about being truly hurt by this new Bwood. But I am hopeful. Time and tide can unleash changes against the wills of the mightiest humans. So, it is only a matter of time when we get a Jackie Shroff and a new Madhuri or even Meenakshi. Sigh! THe days of yore seem better still when they are a distant, tantalizing memory.
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Sev
March 18, 2018
BTW no word on the hilarious clip of the always avuncular Alok Nth using the C word? I nearly spilled my drink over myself on seeing this version of his on screen. It presents a nice contrast to his other cinematic self from the Barjatya movies. I like both Alok Naths 🙂 Finally, I still refuse to be critical of these kids because the chips are stacked heavily against them and they all appear talented and driven. I will, however, judge them harshly if they see the type of Kanagana Ranaut has earned and yet, refuse to improve the content of their comedies and other movies. Till then, these kids have my blessings 🙂
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Vidhya M
April 8, 2018
Happened to watch this film – thanks to a) those catchy songs, b) my curiosity on how this one entered the 100 Cr club and most importantly, c) ban on new releases in Chennai.
Must say I wasnt bored or offended by this silly time-pass movie. The difference between the usual misogynistic stuff & this one, is that Sonu is never a “hero” nor “heroic” in the film. He is a dolt and no where does the film try to justify his actions. His grudge against the girl Sweety is baseless and remains so till the end. No where Sweety is shown to be evil or ill-suited to Titu (like say Kalki in ZNMD). Even her open-challenge to Sonu was after all his shenanigans against her. And apart from calling herself the villain, there wasnt pretty much any serious threat from her. So in the entire movie, the audience knows that Sonu is being a jerk for no reason. We laugh at him and not with him.
And the best part is – Sweety is not shown sobbing or being devastated or apologizing after the climax. Whereas the two men are seen clowning around along the same lines as their elder counterparts (Alok and his friend) – indicating how they are going to turn-out in a couple of decades.
Now I know that this film doesnt require this thesis 🙂 But in other threads on misogyny we had this discussion on how a character could be misogynistic Vs the tone of a movie, its implications being misogynistic. I thought this movie exemplifies the former – how Sonu is silly and vain, while the screenplay never justifies it.
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Dr. Grossip
May 24, 2018
@Vidhya. Thanks for your comment. I was starting to feel the criticism of this film was over-bloated and under-deserved. I am glad you enjoyed it. I plan on watching it too. I like ALok Nath, and usual Luv Ranjan actors. They are trying to come up the hard way in this ear of star-relatives and friends, and I wish them all the luck and success there is to have.
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