(by G Waugh)
I have a fair amount of cinema-viewing experience that spans different countries and different time-periods. But the ‘masala’ genre similar to Kolams, the numeral Zero, sarees, Basmati Rice and ‘female modesty’ is a pure Indian invention. But the South has something more to its credit. It is the only cinema industry in the world that has mastered the art of having something called ‘separate comedy tracks’ in its films. These comedy tracks most of the time have nothing to do with the main story line and I am sure foreign film critics and audiences would find this practice annoying and confusing. But that is not our problem. Masala movies are made for Indians to consume and they are very much part of our culture and hence there is no reason to renounce them.
Though the history of the masala genre can be traced easily to the Amitabh- MGR-NTR era, the history of comedy tracks is not so easily traceable. Nagesh, I remember had a separate comedy track in MGR blockbusters but the practice was not, if I am not wrong institutionalized until after the arrival of the hero of this essay, Goundamani. The dark, bald man with a loud voice emerged in the early 1980s as a professional comedian and even film-makers like Mani Ratnam were forced to make use of him in their early films. When Senthil joined him later, even if the overall quality of Tamil Cinema was going down post the exit of Balachandar and BaluMahendra from the scene, there was one major improvement in our mainstream films. Comedy, under the reign of the supreme Goundamani and Senthil improved leaps and bounds smashing all restrictions of boring political correctness and traditional conventions of decency.
The reason why I choose to talk about Gounderhere is manifold. I haven’t seen any other comedian who has such a sense of wry humour, his sense of satire is other-worldly as a result of which even the biggest stars of Tamil cinema like Rajnikanth and Kamal Haasan allowed a great deal of screen-space in their otherwise hero-centric films. I will start with one example in Singaravelan to prove how singular Gounder and his sense of satire are.
Kamal Haasan – ‘Idhu Mano veeduthaana?’
Gounder – ‘Idhapaatha Mano thottammaaritheriudhaa?Sevuru, JannallaamvechirunthaVeeduthaananga!’
I still cannot get out of my mind how one can respond with so much acidic wit to a very innocent question such as this. Gounder, just like how Virendar Sehwag tore batting manuals by hitting difficult and dangerous deliveries to sixes and fours over the heads of fielders, broke anything that stood in the way of his humour. As a result, he was criticized for having introduced a cheap brand of humor into Tamil Cinema which only worsened with the entry of Santhanam and Yogi Babu in the later decades. But the quality of his humour is not for me to discuss. I am his fan, the biggest fan of Gounder in the whole of Tamilnadu and his humour is like sunshine to me – ‘You don’t analyse sunlit perfection, you just bask in the glory of it’.
Following is a carefully curated list of six movies (in no meaningful order) where Gounder was at his peak and occupied almost the whole of their running-time even if they weren’t comedy films in the conventional sense of the word. My purpose of this list is to remind the reader of Gounder’s glory which shall remain insufficiently appreciated even if subsequent generations coronate him from time to time in the kingdom of memes and political trolling.
UdhayaGeetham (1985)
This was one of the many blockbusters that ruled the roost in the late 1980s starring ‘Mike’ Mohan in the lead with music by Ilayaraja. My father used to say that these films, most of which were produced by a now-defunct Motherland Pictures Company were a great sensation among youth of his generation not only for Ilayaraja’s music, Mohan’s sweetly dubbed voice rendered by SN Surendar but most importantly – for comedy scenes performed by an upcoming duo made up of a faceless nobody called Goundamaniand an ‘ugly fatso’ named Senthil.
The comedy track in this film runs for more than an hour filling almost fifty percent of the film’s entire run-time. An uneducated youngster played by Gounder is often chided by his father played by KallapattiSingaram for not having a purpose in life. The youngster decides to reform and soon becomes a Swamiji with dedicated donation boxes planted alongside tree trunks spread all over the city. Gounder’s transformation from a penurious youngster to a rich, influential Godman is beautifully portrayed through a terrific montage set to a stylish trumpet riff. He soon gets caught by the police and meets another petty criminal Senthil in prison. Senthil procures Gounder’s address during his stint in prison and soon gets released. The very next day, a KallapattiSingaramcovered onlyby a towel at his waist arrives at the prison to meet his son. Singaram reveals that a young stranger came to the house a few days ago and wiped all their possessions away leaving only his towel, because it was wet at that time.
I am sure Tamil cinema fans wouldn’t have forgotten the Thenga-la Bomb (Bomb in a Coconut) stretch in this film which eerily reminds us of today’s fake news sensations like ‘plastic rice’ hoax spreadingrapidly across a rumour-hungry social media. But my favourite bit arrives when Senthil and Gounder are engaged in mutual introductions in the prison.
Senthil- ‘Anne, yenneKovilladeepamkaatumbodhumaniadikraanga?’
Gounder- ‘Dei Kovil la Deepamkattumbodhu, chinna thee, chinnamaniadikranga, adhuveveedupaththierinja Fire Engine varum. Adhuperia Thee, periya Mani adipaanga’
If you may have noticed, this type of ‘philosophical’ conversations will go on to pepper most of the comedy tracks played by Gounder- Senthil Duo in the future in blockbusters such as ChinnaKoundar and other films starring Prabhu.
Mahaprabhu (1994)
This could be the most unique among Goundamani-Senthil combos in the sense that there is so much to do for the usually second-fiddling Senthil here. He is at his peak to pass off as an uber-cool, ultra-modern city freak even if he is a seller of black tickets outside cinema halls. Right from the start, he is shown to escape in a Maruti Omni with mysterious men whenever he gets caught red-handed by Gounder. But as the track progresses, he grows in defiance and threatens Gounder with a gun in one terrific ‘love-service’ scene. He reads magazines like the Cosmopolitan and the latest English newspapers whenever he gets time and often taunts Gounder for his ‘lack of culture’. He even gives fitness lessons to local girls including the heroine but only towards the end, when he applies for a day’s leave for personal reasons to the owner of the mechanic shop, his full personality gets ready to be unleashed. He resigns his job and vanishes for a while. He re-emerges soon to everyone’s surprise and shock, as a full-blooded ‘terrorist’ well-trained in commando operations. He reveals that those mysterious men who rescued him all these days in that Maruti Omni were actually militant terrorists. If you are a fan of absurd situations, it is better to watch these comedy scenes on YouTube ratherthan reading Kafka, Camus and Sartre.
Ullathai Allitha (1996)
Whenever people gather lists for the best comedy films in Tamil Cinema, I have always been surprised at movies written by Crazy Mohan and Kamal Haasan taking the top slot. I know art is subjective and one’s preferences need not resonate with others. But to forget the brilliance of UllathaiAllitha, in my opinion when recounting the funniest films in Tamil Cinema is an unforgivable sin. It is like leaving out Sachin Tendulkar when you are listing the top ten ODI cricketers of all time. I see this film atleast once in every two years and not on one occasion I had felt an impulse to fast-forward the film at any moment. The best thing about Sundar C’s work is that he makes a caricature out of every single character in his movies and seeing here a stentorian Jai Ganesh and the villain Kazan Khan turning into buffoons towards the end of the film was unforgettable. Gounder’s introduction as a Ticket Collector, his elevation from a petty thief to the heir apparent to Manivannan’s property, his frequent digs at Manivannan’s persona(which he does efficiently in every film) are all gold. People still remember the Gounder-Senthil Kidnap conversation which for the first time trolled the usually serious kidnap sequences beating the likes of SoodhuKavvum by more than a couple of decades. But when you look at the rest of the film, there is much more. UllathaiAllitha is a veritable orchard of multi-hued comedy with Gounder serving as the unshakeable and ever-reliable Banyan in the middle.
MaamanMagal (1995)
This is the most famous among Satyaraj-Gounder-Manivannan films that ruled B and C centres in the 90s. Gounder was the first comedian in Tamil Cinema to reach a position equaling the hero and stories were usually written for him or around him in Satyaraj and Karthik comedy-romances. This pattern was later inherited by Santhanam in the early 2010s when he was cast alongside Udhayanidhi Stalin or Shiva or Arya.
MaamanMagal looks a very dumb film if you imagine someone other than Gounder playing Satyaraj’sfavourite ‘Maams’. Whenever Manivannan appears on the scene, you see Gounder gaining double the energy he usually has, as a result of which you totally forget the film’s overall silliness.
When Manivannan rants about the cruelties he endured at the hands of his wife, Gounder gives him a very sympathetic ear. There is an unforgettable moment where Mani says he was treated lesser than his wife’s pet dog and that he was often fed only raw rice with no ‘kuzhambu’. Mani continues to reveal that that it has been more than two decades since he ‘touched’ his wife. Gounder is shocked at the knowledge and he orders the servant to give him an additional round of arrack-filled coconuts.
But later when Mani manages to get his daughter married to Satyaraj, the very next day of the wedding look at how Mani sways to the tunes of ‘KabhieKabhie’ in front of Gounder, drying himself in a bath-towel. Gounder discovers that Mani has atlast managed to cross the ‘final frontier’ after two decades duringthe very night when the newly-married couple were consummating their love in another room. Gounder is completely disgusted at the revelation and I request all of you to kindly tune in to YouTube to examine how he responds to Mani who literally is on ‘cloud-nine’ after touching his wife for the first time in ‘kaalnootraandu’.
Thai Maaman (1994)
This is a film that is on Raj TV as a result of which most of us wouldn’t have had a chance to see this film. Please watch this film which is very much a political satire in its first-half with an in-form Gounder and a ruthlessManivannan taking digs at Tamilnadu politics. The best scene is when Satyaraj goes to file his nomination for the by-polls where Manivannansuddenly decides to announce his intention to quit politics. I am sure you will not forget Gounder’s response in this scene if you revisit it on YouTube. But the fun doesn’t end there. It continues and builds gloriously till the momentSatyaraj wins the by-election putting his maternal uncle to shame.
It appears that Gounder was allowed to operate on his own by the director throughout this film, regardless of the tone and direction of the scene in question. But he doesn’t spoil the film one bit. Gounder is at his best only when he is left alone, like the scene where he tries to describe the new MLA candidate Satyarajto the assembled crowd in the curious lingo of street-performers.
There is also a very effective scene towards the end where a serious Gounder slams the indifferent yet whimsical attitude of voters who have assembled to collect relief from the now-reformed MLA Satyaraj whom they bashed ruthlessly only a day before. There is a companion scene to this in V Sekar’sVaravuEttanaSelavuPatthana where Gounder as AnjaaSingam mocks voter ignorance and their fetish for freebies and hand-outs from politicians in a political gathering. At a time when giving indirect references to real-time politics is treated as treason or heresy by today’s administrators, old films like these, starring Gounder and Manivannan which took direct digs at and satirized regional politics look too daring yet powerfully funny.
Naatamai (1994)
A recounting of Gounder-Senthil duos is never complete without a reference to the KS Ravikumar –directed blockbuster Naatamai. For almost all of their careers, Gounder and Senthil have played only the roles of the comedian and his sidekick respectively. But Naatamai broke this divine rule to reap unforeseen success.
Senthil plays a single-parent to Gounder here who is always on the search for his missing mother. An ageing Senthil is still a Casanova in the village and his unmarried son Gounder is baying for his blood for all his atrocious attempts at womanizing. Senthil’s meeting with the village Teacher whom he woos with abandon is a total riot. And the scene where Gounder discovers that the teacher is in an illicit relationship with Pasupathi, the younger role played by Sarath Kumar and what follows is a golden ten-minute stretch of unadulterated comedy.
Gounder is slapped by Nattamai, the senior Sarath Kumar for talking ill of his brother. Gounder spins on his axis for a couple of seconds and gives an unforgettable retort-
“UngathambiPasupathi, thangamnga, thangamanathangamnga, Goldnga Diamond ga!”
After a pause, he adds-
“Mukyamaana matter laam yen phone la pesikraanga nu ippothaanpuridhu”
I am sure Alexander Graham Bell would not have foreseen such a dubious purpose when he was busy designing his invention.
But the separate comedy track only grows in effectiveness with time. Towards the end, a tired Gounder decides to find a suitable bride for himself and decides to break with his irresponsible father. When things reach a peak with a split in the family seeming inevitable, a long-forgotten member of the family enters the scene. It is Gounder’s mother whom he has been searching for decades together. But that is not the best part. It is played by none other Gounder himself and the veteran brings the house down in a two-minute cameo like nobody else.
When the famous ‘NattamaiTheerpaMaathiSollu’ line and the ceaseless Kovai dialect kept ringing in the ears of the audiences who left the theatres that day, me and my father were hearing some other sounds. They surely belonged to another language spoken millions of miles away from India. It sounded something close to these unintelligible words ‘MankistaKinkista, KinkistaPaayaasa!’
V
August 7, 2020
Kothagiri Bendu, Betramax lightey dhaa venuma, Good Morning Aapicer, Karuvaadu meen aagadhu, Sathiya Sothanai, Naan thalai keezhagathaan gudhika pogiren, Aathaa sirikadha aatha, Idhellavo Latchiyam….
And so many of his one liners have become part of our meme-culture despite the fact that he never had a bonafide hit in the millenium.
I remember reading in a magazine back then, that post Ullathai Allitha his stakes had risen and he demanded 1 Crore when offered the role of Nasser (Nachiappan Pechiappan) and even Shankar couldnt afford that money.
(This was just a kisu kisu – but gives an idea of Gounder’s popularity back then.)
And Yes – Ullathai Allitha deserves a place in the top 10 Tamil comedy films, though I havent watched ut recently to see if it has aged well. (Kamal-Crazy comedies have aged well – can say that for MMKR, Aboorva Sago, Pancha Thantram, PKS – as my daughter enjoys it as much as I did)
And Yes – fabulous movies whose rights are with Raj TV or Jaya TV, fail to garner a good reach which even sumaar movies get, when played on Sun TV.
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brangan
August 7, 2020
“But the South has something more to its credit. It is the only cinema industry in the world that has mastered the art of having something called ‘separate comedy tracks’ in its films.”
Actually, it was a huge part in Hindi films, too — with several “comedy superstars”. But yes, the trend slowly disappeared over time…
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Deepa
August 7, 2020
Many of his dialogues are used regularly in our lives. Yedhayavadhu naan vangannume! That lottery ticket comedy was remarkable. Adhu ellam oru azhgiya nila Kaalam.
BR how do I send my piece to readers write ?
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Enigma
August 7, 2020
Thanks for the article, I am a huge Gounder fan. I would love to add ‘Gentleman’ and ‘Indian’ to that list. Cannot forget Gounder grovelling, ‘Good Morning Officer’ and ‘Sorringa Officer’ in front of Senthil in ‘Indian’. And ‘Gentleman’ is filled with unforgettable one liners.
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H. Prasanna
August 7, 2020
Well put, “acidic wit” is exactly what it is, although the writers of the comedy track deserve the credit for the humor. Goundermani does too for saying the lines with such brutal severity and creating a genre out of insult comedy. Senthil, for me, deserves credit as he played a variety of roles from beggar to collector, and instantly fit into every one of them. The legendary innocence that Senthil brings to the roles make the lines work. How did you miss Karakattakkaran, Bramma? I am sure you left out movies that have already been talked about widely. I was a big fan of the lines/track in my college days, repeating them endlessly in many situations. It definitely became part of the culture for boys/young adults in the era RajTV, KTV, Jaya Plus. In the recent spate of twitter/instagram posts about hypocrisy of condemning discrimination based on skin color in other nations, I remembered this scene:
EXTERIOR; DAY, BY THE SIDE OF A PUBLIC POND
Senthil, who is an employee of Goundermani, is talking to Vadivelu. Goundermani walks in, wearing a bright red shirt:
Goundermani: Ennada, karuppargal maanada? (What is this, a convention of blacks[people of dark complexion])?)
Senthil (to Vadivelu): Annan sevappu da, sattaya paathela? (Brother is of a fair complexion; did you look at the color of his shirt?)
This commentary is absolutely fascinating in today’s context. The shock of these one-liners work well when they are generic. But, insults and stereotyping based on a character’s gender/color/caste/class/physical disability/language for humor also need to be mentioned. I agree that much of it was commentary. Still, it may have been a great era for comedy, but it was also greatly insensitive to a lot of people in those groups to achieve that greatness.
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yamzvick
August 7, 2020
Some Gounder gems that springs to the mind – Walter Vetrivel, MeettuKudi, Coolie, Vietnam Veedu, Gentleman. A Superb Actor…
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gsriram72
August 7, 2020
Infact, if I remember correctly Ullathai Allitha (1996) was a blatant rip-off of Sabash Meena (1958) with Sivaji Ganesan and Chandrababu where Chandrababu played a double role (One with a Normal Tamil and another with Madras Baashai).
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Siva
August 7, 2020
” My purpose of this list is to remind the reader of Gounder’s glory which shall remain insufficiently appreciated ”
It is like you read my mind. Oh, how I wish Mr.Counter had the Internet’s (social media’s?) advantage of repetitiveness that Vadivelu had during his prime.
P. S: Excellent piece. Also, I would have gone to war with you if you hadn’t included ‘Ullathai Alli Thaa’ to the list 😀
Tidbit for the uninitiated:
Instant & on the spot Counter Dialogues (puns) = nick name Mr.Counter = Counter + Subramani(his given name) = Counta + Mani = CountaMani = Kountamani = Goundamani
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Heisenberg
August 7, 2020
Wow.. I am seeing a proper Goundamani celebration article after a long time. I can list many more favorite comedy tracks of Goundamani (senthil) that are still riot. From the top of my mind ‘Uthamarasa’ is one of the best (famous for vadakupatti ramasami).
Prabhu who jumps into the water to save kushboo and ends up being saved by goundamani and senthil.. A worried kushboo rants about the botched up plan, goundamani replies
“Avan kondaiyum mandaiyum vechitu thirinjadha partha arabic kadal laiye neendhuvaan nu nenaichen.. ambarapalayaa aathu thannike indha amukku amukka vittan”
Senthil who’s on the side worries about 10 paise that he dropped somewhere on the way. Cracks me up everytime.
I think he was the only(?) comedian in tamil who could troll the big stars with choicest of words.
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Heisenberg
August 7, 2020
Ullathai Allitha is undoubtedly very entertaining and has great comedy track. But that movie doesn’t turn up in all time comedies list probably because Sundar C did what Atlee has been doing recently. Many of the sequences were directly lifted from Sivaji’s “Sabash Meena”
Ullathai Allitha also has another dubious distinction. It is the only movie in Tamil Cinema (perhaps Indian) in which all the songs were completely plagiarized (not heavily inspired, but whole songs totally lifted).
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damilan
August 7, 2020
“Gounder-Senthil Kidnap conversation which for the first time trolled the usually serious kidnap sequences”
This is not true – I can think of the climax of Indru poi naalai vaa which had an equally hilarious kidnap & chase sequences.
But a good article on gounder!
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Madan
August 7, 2020
While I ultimately settled on Vadivelu as the numero uno favourite, it’s not a contest. Janakaraj, Goundamani, Senthil, V K Ramaswamy, Venniradai Moorthy, Vivek, Vadivelu, Santhanam, it’s a long, long list though the latest ones after Santhanam don’t quite do it for me anymore. At least not like before. Talking about Soori and all.
The Crazy Mohan plus Kamal Haasan gang was also terrific, needless to say.
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Jeeva Pitchaimani
August 7, 2020
I am the writer of the essay. I don’t think people ignore Ullathai Allitha because it has been plagiarized or heavily derivative. If they do, I would call them snobs. You can say the same about Panchatantiram which was heavily inspired from a Hollywood movie. But in my opinion, I won’t rate Panchatantiram any lesser. All we need is rip-roaring fun and Ullathai Allitha and Panchatantiram give that in great volumes. Most importantly they have aged pretty well.
People usually ignore Gounder because of the quality of his humor. They don’t want to include his films in their list and not want to be accused of encouraging body-shaming comedy. Kamal- Crazy films even if they work on and off most of the time (I felt Kadhala Kadhala was terribly unfunny in the second half, and I didn’t like Pammal K Sambandham one bit) are known to be clean humor. So you are pretty much safe. But I will bet a million dollars in a contest between Gounder and Kamal-Crazy Mohan films in favour of the former. His work is too huge and his consistency is unbeattable. And the quality of his satire is unmatched. Also Gounder’s brand of humor belongs to the 90s kids generation actually and not his own. His legend is unparalleled and I don’t want to desecrate him by comparing him with other supposedly ‘well-regarded’ guys.
Thanks for all of your kind words. I know I can give a lot more examples you have mentioned above. Vietnam Colony, Suryan, Rajakumaran are something that come to my mind immediately. In Vietnam colony, he will be forced to draw water out of a well.
“Kenara idhu? Oruthan 20 vayasula tharkolai pannika kudhichaanna 60 vayasula Half-kenaru thaan povaan. Adhule seththruvaan!!”
I don’t see this kind of hyperbole in any of other comedians. And to top it all, when it comes to spontaneity none can match him. Expressions, body language and his ability to jell with other actors was out of the world. If Senthil wasnt there, he will take on Omakuchi or Manivannan or sometimes even heroes. Gounder- Omakuchi comedy in Coimbatore Mappilai should be part of a National Comedy Registry.
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Heisenberg
August 7, 2020
Goundamani introduces senthil to manorama.
GM: Aatha ivar dhan manasthan
Mano: Moonjiya partha apdi theriyalaye
GM: Per veikkumbodhu kuppura paduthurndhar. Veichadhuku apram dhan moonjiya parthanga 😀
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Honest Raj
August 7, 2020
Naatamai was an unforgettable experience. I first saw the film (a late 90s weekend) on TV along with my cousins. His portions in Maaman Magal were equally enjoyable!
I’m a big fan of his political comedies – Suriyan, Varavu Ettana Selavu Pathana, Villathi Villain, Ragasiya Police, etc.
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Honest Raj
August 7, 2020
“Kenara idhu? Oruthan 20 vayasula tharkolai pannika kudhichaanna 60 vayasula Half-kenaru thaan povaan. Adhule seththruvaan!!”
Meanwhile, a lady comes in and walks away with his bucket.
He: Adhu yen kudam ma.
She: Adhanala enna pa?
He: Adhula thanni irukku ma.
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brangan
August 7, 2020
I think the reason comedians and comedy tracks — especially Vadivelu, Gounds-Senthil — are so memorable is because they work as separate “bits”. I love the Kamal-Oorvasi “bits” in MMKR — they are like a separate comedy track. I love the Thangavelu-M Saroja “bits” in KALYANA PARISU. I doubt that the films themselves last in memory as long as these “bits”.
I haven’t seen a single Indian film that is an all-out, sag-free comedy classic — the way the Monty Python films are. And the reason is simply that there are songs and romance and other distractions that bloat the films to 2.5 hours (and no comedy is sustainable at a consistent level for that long).
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TambiDude
August 7, 2020
“Actually, it was a huge part in Hindi films, too — with several “comedy superstars”. But yes, the trend slowly disappeared over time”
Thank god.
Tamil comedy, except for Cho or Nagesh ones, is actually 3rd rate or downright silly (like Lollu Sabha spoofs). they are not like Yes Prime Minister, Faulty Towers or Monty Python.
years ago in a pot luck party (where all were tamils), after lunch we played a video of Senthil Goundamani humor. Yuck. Full of humor against dark skin. One was particularly disgusting.
Goundamani’s sister needs blood and hey voila Senthil has the same blood group. Next scene in hospital.
Blood taken out of Senthil and is being infused into G’s sister via intravenous. Slowly her fair skin starts turning dark. This passes off as humor.
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Jeeva Pitchaimani
August 7, 2020
@brangan Great Point. But Sundar C’s films eg. Ullathai Allitha and Unakkaga Elaam Unakkaga are according to me are pretty pucca fun outings. The best thing about these two films is even if he brings romance or sentiment, not for a moment he dwells on them to the point of exertion. Every serious emotion is on the surface and only the comedy is serious in these films. The way Gounder runs for five minutes from the hotel to escape from Karthik in Ullathai Allitha only to see Karthik sitting calmly at his house and offering him water to drink, I still don’t know why nobody does serious comedy such as this. Even if they are totally implausible situations, Sundar C sells them somehow.
Same applies to allowing Gounder to dance alongside Nagma in Mettukudi in a fast paced duet, the villagers calling Gounder as the saviour of the village. Gounder blushing when a villager tells him ‘ Vaanam poliyaradhum Bhoomi velairadhum ungalaala thaanganga!!’
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rsylviana
August 7, 2020
Wait, I thought Ullathai Allitha was remade from Andaaz Apna Apna. Was AAA in turn remade from Sabash Meena ? Anyway I didn’t know either of these 2 movies while watching Ullathai Allitha for the first time and so loved the movie to bits. I know the movie and the songs especially were a big hit with the kids back then and ,if I remember correctly, is what catapulted Rambha to stardom but was it looked down upon by the adults ? Its a pretty ‘clean’ film and my folks ,for one, were thrilled that there was one Tamil film that we could all enjoy as a family together in the theatres.
@Honest Raj – Cheers about Vietnam Colony ! That movie is one virtual goldmine of Goundamanisms.. I love his modulation when he says “Adhula thanni irukku ma.” 😀 And his whole “Kaekaatha kaaadhuku alangaarama oru valayam vera!” line :D:D
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Madan
August 7, 2020
“I haven’t seen a single Indian film that is an all-out, sag-free comedy classic — the way the Monty Python films are.” – JBDY might be closest though, really, it’s a dark satire once you understand the context.
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Jeeva Pitchaimani
August 7, 2020
@Honest Raj Neenga namma Inam pola.
@H Prasanna To add to what you said – Gounder to Senthil and Vadivel “Dei Kanda nerathula kanda edathula nikkadhinga..Kaathu karuppu laam thirium.. Adichudaadhinga!!!””
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H. Prasanna
August 7, 2020
Jeeva is GWaugh, Wah Ustad! Goundermani would have had a field time making fun of that.
Body shaming has some real consequences for groups who are consistently discriminated against based on that. It excludes these people from enjoying the humor and that may result in them leaving it out of their lists, or others calling it out. However, with regards to quality of comedy (or movies), the comedic “shock” value is largely derived from the context and set up, which is very good in many Kamal Hassan/Crazy Mohan movies also. In fact, Crazy Mohan and Goundermani have teamed up for some hit comedic outcome, which shames characters with hearing impairment.
Like you said, the absurdism and hyperbole is also fantastic when writers write for Goundermani. My favorite in Bramma was,
Goundermani: Yaar ivanga, kelvi kekka kekka bathil solla maatraanga (Who is this? Why is she not responding to my questions?)
Manorama: Avanga inga vela seiravanga, pesa varathu (She works here. She cannot talk.)
Goundermani: Pesa varaatha, paaduma? (Well then, can she sing?)
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abishekspeare
August 7, 2020
This sounds ridiculous but let me just say it’s so heartening to see BR respond to more comments of late
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brangan
August 7, 2020
The last Sundar C film I totally hearted was KALAKALAPPU. Just thinking of Ilavarasu as “Amitabh Mama” makes me crack up.
But even that film had some blade romantic stuff…
Oh, and that SUPERB Robo Shankar bit in VELAINNU VANTHUTTA VELLAIKARAN 😀 Even Soori’s bit was very funny.
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Jeeva Pitchaimani
August 7, 2020
Prabhu wil go n ask for address to Ravuthar. He will powdering some tobacco on his palm. Gounder will say to prabhu- Avarkita yen kekra.. avar thaan regaya alichutu irukaare.. meanwhile crazy mohan wrote the dialogs for Vietnam colony
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Jeeva Pitchaimani
August 7, 2020
Oru Kidayin Karunai manu was a full comedy film. Though it was a darker film. Hugely underrated film that was. It became a tragedy that way.
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Jeeva Pitchaimani
August 7, 2020
To give a finishing touch, there is a film called Yes Madam starring Prabhu. There will be two scenes where Gounder will attack Vijay and Ajith. Senthil will be called Thala in one scene and in another he will be bringing forbidden lovers together like Vijay in Shahjahan film. Gounder will smash both of them to pieces.
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Jeeva Pitchaimani
August 7, 2020
Parambarai is another masterpiece. How did I miss that out ??
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H. Prasanna
August 7, 2020
What about Tamizh Padam and Tamizh Padam 2? Although the scripts were overly repetitive and stopped working, they were out and out comedy films like Monty Python with any love/villain angles only existing to serve the long comedy track that was the movie.
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Honest Raj
August 8, 2020
@Jeeva: Also, he was extremely good in comedic-villainous roles (Salem Vishnu, Aavarampoo, Ragasiya Police, to name a few). Perhaps, Nagesh was the only other comedian who was good at playing such roles.
@rsylviana: I love his modulation ….
“Inga vela seiyya theriyadha alavukku padichirukken”, “Engala velaya vittu mattum thookida… dheenga…” (both from Mannan), “Ayyo naan Thamizhan… ayyayoo naan Thamizhan…” (Chinna Thambi), among others 😀
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stratpolitik
August 8, 2020
Vietnam Colony dialogues were written by Crazy Mohan. Of course, the brutal delivery of Gounder elevated the dialogues on paper.
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Madan
August 8, 2020
I loved Tamizh Padam as well as Chennai 600028. Come to think, yes, the RJ Shiva is the only one in modern Tamil comedy that works for me.
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Ex Voldemort
August 8, 2020
BR : The last Sundar C film I totally hearted was KALAKALAPPU. Just thinking of Ilavarasu as “Amitabh Mama” makes me crack up.
Second it totally. Apart from the awful romantic track, the film was so good. And I think RJ Shiva elevates bland lines with his delivery.
“Mama-ku kovam vanduruchu”
“Shiva – Avanga eduthu vakura ovvoru adi kum naa oru vairatha urutturen.
Villain – Chinna vayasula neraya Tamil cinema paathiya
Shiva – Aama (with a very funny seemingly tough expression.)
Can’t think of anyone other than Shiva in this role and in Tamizh padam.
The Sivaji parody in Tamizh padam where he says “6 ruba ah avlo periya amount ku na enga porathu” and gives the guy a chocolate for 1 rupee, 3 coins, and for the balance, his cycle. The mere thought of this scene makes me laugh out loud.
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Enigma
August 8, 2020
Other memorabale Gounder one-liners:
Arasiyalla idhalaan sagajamappa
In Gentleman, responding to Arjun’s “Raama…”, Goundamani goes “Aaama…”
Dikkiloana, Jalabulajangs
Ivar Aravind saami illinga, Adupula vaendha saami
Responding to Murthy’s “In my medical experience”, Gounder’s rejoinder “Narayaa murder pannirikiya?”
There are hundreds of others, what a legend.
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Heisenberg
August 9, 2020
Speaking of gentleman,
Goundamani chases around senthil while a postman comes
Senthil: Enna ne unga appa puttu kitara
Goundamani: illa Nattukittar
😀
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Siva
August 9, 2020
Dei Kidna Naayae
#How_To_Properly_Insult_A_Low_Budget_Kidnapper_Via_Phone
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