The film is inspired by Luis Buñuel’s Belle de jour. A young woman’s sexuality becomes a metaphor for a country’s desire to break free from oppressive constraints.
It begins with a young woman in a cab, one of those van- or minibus-like vehicles used by many passengers at the same time. The vehicle stops at one point. The young woman gazes up at a man by a window. He switches off the lights. He draws a curtain, with no evidence that he is aware he’s being stared at. Inside the vehicle, a middle-aged mother with a child asks the young woman to close the window by her side, because the baby is cold. The young woman says no. Is she always sullen, or has the sight of the man upset her? The mother asks again. The girl turns and snaps. “Why don’t you cover her up? It’s only March.”
The month may not mean much, but when you add the year to it, you know what’s happening. It’s 2011: the start of the civil war in Syria. The young woman is Nahla (Manal Issa). She has two sisters. After the scene in the vehicle, we shift to Nahla’s home, where the family has decided to marry her off to a US-based Syrian named Samir. “Why can’t he find a girl in the US?” Nahla’s youngest sister asks. Their mother replies, “Because he wants a girl from home.” Syrian expats, apparently, are a lot like Indians. Nayla’s second sister says now they can all go and live in the US. That’s when we see things are not normal here. They wish to flee, and Nahla’s arranged marriage is the ticket.
Read the rest of this article at the link above.
Copyright ©2020 Firstpost.
hakimokimo
October 26, 2020
Thanks for recommending this. ( that’s the thing with Mubi. I hardly watch anything beyond the obvious films ). Totally loved it, And it was a good change from the typical liberal Europe-produced Arabic women stories.
” How does a female filmmaker look at war? ”
Actually Nahla being a metaphor for Syria could make it for a good analysis. The neighbours being the revolutionaries and Samir being the US backed forces, something on these lines….
” And she dreams: passionate dreams, starring the same man ”
Casting a Turkish actor was a masterstroke. The Turkish TV series are very popular in the Middle East and North Africa especially back then. They are mostly romantic where the man is the perfect romantic hero and they were dubbed in that Syrian dialect spoken in the film. So it makes sense that she dreamt about him.
” He wants to be told a story, something about a man who had 11 brothers who all wanted to kill him. ”
That was the story of Joseph according to Quran though the why is still unclear and I felt that the whole character of the soldier was a bit… stereotype.
I was also curious about Nahla’s religion and it seems to be Christianity. The Christians in Syria are a little open though still conservative.
LikeLike