Browsing All Posts filed under »Cinema: Hindi«

Guest Post: How Manikandan has revived an ancient art

December 4, 2016

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Continuing the series of posts written by others (see here), here’s one by Shyam Rahul, on the link between the religious epics and message movies. Reading Baradwaj Rangan’s take on Aandavan Kattalai, I was struck by this line …. “Entertainment that is about something, that says something – it’s the elusive grail Tamil filmmakers keep chasing. […]

“Kahaani 2.”… Despite a few slips, a first-rate piece of genre cinema

December 4, 2016

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Spoilers ahead… Who is Durga Rani Singh? The name forms the subtitle of Sujoy Ghosh’s Kahaani 2, and it belongs to the character played by Vidya Balan – but who is she? Is she a construct from the last scenes of the earlier film, where the Balan character literally turned into an avenging Durga? Is she […]

“Moh Maya Money”… A pretty decent slice of ‘domestic noir’

November 29, 2016

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Spoilers ahead… In Munish Bhardwaj’s Moh Maya Money, Ranvir Shorey plays a real-estate broker named Aman, one of the millions of middle-class men trying to escape middle-classness. But he doesn’t want to claw his way out. He wants a first-class flight ticket over the fence – hence the revelation that he’s been pocketing money from […]

“Dear Zindagi”… Overlong, a tad simplistic, but buoyed by great performances

November 26, 2016

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Spoilers ahead… In a sense, Gauri Shinde’s Dear Zindagi is a greatest-hits compilation of Alia Bhatt’s career. Bhatt’s character, Kaira, suffers from insomnia (we saw that in Shandaar). She has abandonment issues (Shandaar, Kapoor & Sons). She gets long scenes in which she dredges out a painful past from a repressed corner of her psyche […]

“Force 2.”… A generic but decent-enough action entry

November 19, 2016

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Spoilers ahead… It must not be easy being John Abraham. It’s the Arnold Schwarzenegger problem, the Sylvester Stallone problem. When people approach you to carry a movie on your shoulders, they mean it literally. In Abhinay Deo’s Force 2, Abraham has to carry a car as well. At least, lift it from behind, in an imitation […]

“Rock On II”… As needless sequels go, not entirely a waste of time

November 14, 2016

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Spoilers ahead… It took me a few listens to get into Shankar-Ehsaan-Loy’s score for Rock On II. The music is somewhere between fantastic and forgettable – but that’s just another way of saying it’s the perfect background for chores. Like dicing carrots. Or doing the laundry. Or watching this movie. The songs are better on […]

A conversation with Karan Johar

November 12, 2016

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A new film. A new season of his guilty-pleasure TV show. And a new sense of liberation. Karan Johar talks. Baradwaj Rangan listens. It wouldn’t be a stretch to say that we’ve never seen a filmmaker like Karan Johar. It isn’t just the films, those unabashed celebrations of very pretty people in very pretty locations […]

West side stories

November 5, 2016

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At the Jio MAMI film festival with vampiric mermaids, touchingly liberal Indians, a donkey laden with symbolism, an unusual gay pairing, a rape fantasy, and a sparklingly restored version of ‘Teesri Manzil’. This year’s Mumbai Film Festival played out differently. Usually, I flip through the catalogue and say, “I have to see this film. And […]

“Shivaay”… Some terrific action, but punishingly long

October 30, 2016

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Spoilers ahead… Within its first few minutes, Shivaay makes a strong case for its existence. We see the eponymous hero (Ajay Devgn, who also directed), a mountaineer who escorts tourists on treks, driving a jeep. Beside him is Olga (Erika Kaar), a Bulgarian client. Not knowing that she understands Hindi, Shivaay decides to pay her […]

“Ae Dil Hai Mushkil”… A satisfying bridge between Hindi cinema and Bollywood

October 29, 2016

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Spoilers ahead… The way we speak in real life, that’s conversation. The way people in a certain kind of movie speak, that’s dialogue. Both kinds of exchange are present in Karan Johar’s Ae Dil Hai Mushil. The film opens with a gun-to-the-head dedication to the army that doesn’t feel all that misplaced. Romance, after all, […]

Pretty pictures

October 22, 2016

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On the great shallow pleasures of gawking at beautiful people on screen, and the problems when they pretend they’re otherwise. When the minute-and-a-half teaser for Karan Johar’s upcoming Ae Dil Hai Mushkil was released in August, I froze at the thirty-second mark, the point where Aishwarya Rai Bachchan, in a salmon-pink coat, turns to the […]

“Mirzya”… A major misfire… But for a while, a fascinating formal experiment

October 9, 2016

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Spoilers ahead… Something about star-crossed lovers nudges our filmmakers towards formal experiments. Chetan Anand’s Heer Ranjha is entirely in exquisite verse. Sanjay Leela Bhansali’s Saawariya, itself containing a lot of spoken verse, seals itself from natural light and the outside world – it’s shot entirely on doomed-fairy-tale sets painted in colours of the night. Rakeysh […]

Fact? Or rah-rah fiction?

October 6, 2016

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The problem with the recently released biopic of Mahendra Singh Dhoni is the problem with many biopics of the famous: the flaws make way for fawning. MS Dhoni – The Untold Story is a terrifically entertaining sports saga, but is it a biopic, a “biographical picture”? On the evidence of dictionary definitions, it probably qualifies. […]

From Love Marriage to Dhoni

October 3, 2016

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A short history of cricket in Hindi cinema. Take the topic of cricket in Hindi cinema and the temptation to concoct a quiz is irresistible. For instance, name the actors who played father and daughter in two films featuring the game. That would be Naseeruddin Shah and Urmila Matondkar, inMasoom and Chamatkar. Which is the […]

“M.S. Dhoni – The Untold Story”… Not a good biopic, but a perfectly entertaining yarn

October 2, 2016

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Spoilers ahead… At one time, the minimal requirement for a biopic to be made about a man (or woman) wasn’t just a life that lent itself to drama but the subject’s death. Mahatma Gandhi died in 1948. Richard Attenborough’s film came nearly 35 years later. You could point to the films about Mary Kom and […]

More than a few good women

October 1, 2016

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‘Dil Chahta Hai’ is the ultimate male-bonding movie, but today, the females seem more fascinating. So Dil Chahta Hai turned 15 this year. It hasn’t aged all that well. That’s the thing about being such an embodiment of your era that mere English words cannot do justice to what you captured. You need something heftier, […]

“Parched”… A very well-acted film that hits hard, hits home

September 29, 2016

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Spoilers ahead… Is Radhika Apte the best weeper on screen today? With other actresses, you hunt for a handkerchief to lend, a ladies’ room to usher them into. You worry about their makeup. With Apte, the emotion goes deeper, down to her core, and then it bursts out. You hunt for something to hold on […]

“Banjo”… Some nice touches cannot salvage a trite story

September 28, 2016

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Spoilers ahead… In Banjo, Marathi director Ravi Jadhav proves, once again, that only regional filmmakers know their way around a “mass” movie. It isn’t just that the underprivileged banjo-playing hero (Taraat, portrayed by Riteish Deshmukh) is shown rising from a manhole, blackened with sewage, after rescuing a child that’s fallen in. It’s that his bathing […]

“Pink”… A solid courtroom drama that makes solid points about the way we treat women

September 19, 2016

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Spoilers ahead… Had Pink been made in Hollywood, it would have been labelled “Oscar bait.” It makes all the right noises. The story is one that will launch a thousand op-ed pieces. In an echo of Shah Rukh Khan’s gesture, the leading man’s name appears after the names of the female actors. The cast makes […]

“Freaky Ali”… A silly, uneven comedy with a terrific Siddiqui

September 12, 2016

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Spoilers ahead… The attraction of Freaky Ali is the prospect of seeing Nawazuddin Siddiqui in a movie that, in just its first half-hour, insults a lisping child, a wizened old man and an albino (“nakli angrez!”) – all set to a background score made up of cartoon noises, the sonic equivalent of the BIFF, POW, […]