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Browsing All Posts filed under »Cinema: Marathi«
In Vinod Kamble’s ‘Kastoori’, a Dalit boy yearns to free himself of the smells that cling to him
Read the full article on Film Companion, here: https://www.filmcompanion.in/vinod-kamble-kastoori-marathi-dharamsala-international-film-fest-baradwaj-rangan At the Dharamsala International Film Festival, a powerful drama about a boy who cleans toilets and performs post-mortems in order to pay for school. Vinod Kamble’s Kastoori (Marathi) opens with an Indian-style toilet filled with shit. The screening at the Dharamsala International Film Festival (DIFF) was […]
Remembering Girish Karnad the director, the actor
June 17, 2019
Read the full article on Film Companion, here: https://www.filmcompanion.in/remembering-girish-karnad-the-director-the-actor/ From ‘Kaadu’ and ‘Ondanondu Kaladalli’ to ‘Nishant’ and ‘Swami’, one of India’s greatest playwrights made a huge contribution to Indian cinema. If Girish Karnad’s passing weren’t sad enough, the headlines about the “Tiger Zinda Hai actor passing away” were sadder. I suppose the logic was that […]
Baradwaj Rangan, let’s talk about bias!
June 14, 2018
Read the full article on Film Companion, here: https://www.filmcompanion.in/baradwaj-rangan-kaala-review-critics-mani-ratnam-twitter-conversations-southern-cinema-bias/ Because it’s impossible to have a proper conversation on Twitter, I imagine a chat with critics of my ‘Kaala’ review and argue why form is important and why ‘Mani Ratnam’ isn’t a bad word. There may be spoilers ahead if you haven’t seen ‘Kaala’. So you’re […]
Tamil cinema, English thoughts
January 25, 2018
Read the full article on Film Companion, here: http://www.filmcompanion.in/southern-lights-tamil-cinema-english-thoughts/ In which I make a case that there needs to be more writing about non-Hindi cinema in English, if this cinema is to break through ghettos. I interviewed two authors at this year’s edition of the The Hindu’s Lit for Life. One of them was a […]
“The Silence”… A quieter addition to this year’s roster of dramas around rape
October 9, 2017
Spoilers ahead… Manda (Kadambari Kadam) is one of the many extras on the fringes of filmdom, as replaceable as the next one, but one thing sets her apart: she won’t sleep with the agent to get ahead. He insists. She protests. She says she’s here to be an actress, not a whore. Given how the […]
The Amateur’s Art #12 – “Ti… Majhyatli” (Marathi)
January 28, 2017
2See here for what this series is about. This short is by Aditya Sanjay Joshi. Story & Dialogue – Pranao Lepse Screenplay – Aditya Washimkar & Aditya Sanjay Joshi Editor – Aditya Sanjay Joshi Director of Photography – Soham Navghare Planning and Co-ordination – Prachin Bhoyar Starring – Pranao Lepse and Priya Thavare
If rushes were horses
June 18, 2016
The ‘Udta Punjab’ verdict fills me with enough hope to draw up a laundry list of wishes for our cinema. The next time a demand for a ban comes up, I wish we’d remember the Udta Punjab verdict. I wish we’d stop being blackmailed by cultural policemen about the content in cinema. Most of us […]
Village people
May 28, 2016
Thoughts on ‘Thithi’, a small film with big buzz and bigger ambitions. The burden of expectation can sometimes be too much for a small film. Raam Reddy’s Kannada directorial debut Thithi won last year’s National Award for Best Feature Film in Kannada, which seems just about right. When we think “National Award-winning film,” we think […]
“Sairat”… An epic reimagining of the typical love story touches (and crushes) the heart
April 28, 2016
The following is based on the cut of the film screened at the Berlinale this year. And yes, spoilers ahead… In Nagraj Popatrao Manjule’s first film, Fandry, a dark-skinned, poverty-stricken Dalit boy tried to get the attention of a fair-skinned upper-caste (and upper-class) girl. What if he got her attention? What if she started liking […]
Common men, uncommon stories
August 15, 2015
On the eve of the release of ‘Manjhi – The Mountain Man’, Baradwaj Rangan traces the journey of our biopics, which are no longer just about larger-than-life achievers. It all began in 1959, when a landless Bihari from the Musahar community, a scheduled caste that traditionally made a living as rat catchers, decided to make […]
“Court”… An impressive achievement
April 30, 2015
Spoilers ahead… Note the way Chaitanya Tamhane’s Court begins. An old man. A bunch of kids. The setting: an unremarkable room. The old man is trying to teach the kids something. He’s teaching them about butterflies. He’s teaching them about the country’s geography. Now, note the way Court ends. Another old man. Another bunch of […]
Lights, Camera, Conversation… “All the world’s a screen…”
September 12, 2014
In light of the upcoming ‘Haider’, a look at a 60-year-old Hindi version of ‘Hamlet’. Plus, ‘Sivaji’ Ganesan and Uttam Kumar as Othello. When we think of non-Western (and non-Vishal Bhardwaj) adaptations of Shakespeare, the mind settles, instantly, on Kursosawa. Throne of Blood. Ran. But a quick Google search reveals some fascinating Indian productions. A […]
Lights, Camera, Conversation… “And the Oscar doesn’t go to…”
September 27, 2013
Some thoughts on cricket and baseball and the movies we send out for Best Foreign Film consideration. So the powers that be chose The Good Road over The Lunchbox, and Twitter exploded. I thought, first, that this was an overreaction. (Then again, what’s Twitter for if not overreacting?) After all, isn’t this the same system […]
Films & Feni: Elephants and Eternal Life
December 3, 2009
ELEPHANTS AND ETERNAL LIFE DEC 3, 2009 – FILMMAKERS HAVE LONG ENDEAVORED to dispense bitter medicine in the form of sugar-coated pills, but in doing so, they seldom manage the trick of getting past the audience’s gag reflex. Sumitra Bhave and Sunil Sukhtankar, with their Ek Cup Chya (the title is a euphemism for greasing […]
Films & Feni: Oscar Ahoy!
November 30, 2009
OSCAR AHOY NOV 30, 2009 – CAN A FILM BE COMMERCIAL, incorporating songs (wonderfully tuned by Shantanu Moitra) and ingratiating product plugs, and yet not too commercial, wanting to embrace a wide audience but not at the cost of losing its soul along the way? Aniruddha Roy Chowdhury’s beautifully bittersweet Antaheen somehow finds that magical […]
Films & Feni: Early Edition
November 24, 2009
EARLY EDITION NOV 24, 2009 – AS THE DEBATE RAGES ABOUT WHETHER or not the winsome display of Kareena Kapoor’s bare back was absolutely germane to the narration of Kurbaan, I slink into a press-only screening of Gabhricha Paus (The Damned Rain), Satish Manwar’s Marathi film where the only backs are broken ones. Can a […]
November 13, 2019
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