MAIN HOON NA
MAY 6, 2004 – ONE INDO-PAK BHAI-BHAI HOMILY, one anti-Pak diatribe, two dramatic entrances (the villain’s, the hero’s), one full-fledged action sequence (shattering glass, slo-mo flying bullets, the works), one deathbed speech, one funeral, one flashback, one family secret, one Ramu kaka figure, many tears from Shah Rukh Khan – and it isn’t even ten minutes into Main Hoon Na.
Farah Khan, it appears, was really serious when she said her directorial debut was a throwback to seventies’ potboilers, and, with the Manmohan Desai logic that the audience will accept a-n-y-t-h-i-n-g as long as it’s not given time to think, the breathlessness continues… Major Ram Sharma (Shah Rukh Khan) goes back to school to do the following: protect student Sanjana (Amrita Rao) from terrorists, reunite his family (Kirron Kher as mom, Zayed Khan as younger brother Lucky), reunite Sanjana with her estranged father (Kabir Bedi), foil the plans of anti-nationals headed by Suniel Shetty (who, of all times, chooses this film to underplay his role), foster the Lucky-Sanjana romance, and, finally, woo the hottest chemistry teacher on the planet (Sushmita Sen + Chiffons –> Spontaneous Combustion).
Most of the film is set in a college campus, a very Kuch Kuch Hota Hai type of college campus, but where Karan Johar used the fun ‘n’ frolic as a springboard for relationship drama – in other words, pull out the handkerchieves – Farah Khan uses it as comic relief in her big, slick, well-mounted, well-shot (by V Manikandan) action movie. In other words, pass around the popcorn.
So Main Hoon Na is fun, action, fun, sentiment, fun, action, fun… nicely packaged by the director and Abbas Tyrewala (who, after the high comedy of Munnabhai MBBS, the high drama of Maqbool, and the high masala here, can apparently breathe fresh life into just about any genre). With a fierce commitment to illogic, they give everyone in the audience everything.
You want no-sense action? Here’s a chase where a cycle-rickshaw (named Dhanno, no less) outpaces a sleek mini-van. Looking for unadulterated corn, the 100% desi ghee variety? Watch a long-lost son entering maa’s house during a power cut (andhera, you know); as she approaches him, the lights come back on, the ujala is back in their lives. Over-the-over-the-top comedy is more your thing? No problem, there’s an absent-minded principal (a priceless Boman Irani), a saliva-spewing Physics teacher (Satish Shah, executing the best Matrix spoof ever) and an English-challenged Hindi teacher (Bindu, who, after witnessing Ram’s heroics, calls him ‘mack-oh man’). Simply seeking eye candy? That’s why the gorgeously staged song sequences – especially the title number – are there, making Anu Malik’s tunes appear much better than they really are.
Farah Khan seems genuinely fond of the movies and the music she’s digging into. She has Shah Rukh serenading Sushmita with RD Burman’s chand mera dil, but she doesn’t stop with just the stanzas. She makes desi mariachis appear out of nowhere just to strum the opening guitar riff, which everyone knows the song is incomplete without. She also gets a most relaxed, least mannered Shah Rukh performance by cutting down the s-s-sentiment in favour of action-comedy. Despite the title, this is no one-man show, and the actor generates terrific, almost-paternal vibes with both Zayed Khan (who looks something of an unruly clown, and is therefore perfect as the school’s unruly clown) and the perky, petite Amrita Rao.
As futile as it is to point out flaws – would you bother to analyse Amar Akbar Anthony or Naseeb? – the extended fight scenes do get tiresome, and things do slow down once the initial excitement of watching an old-style masala fades. Besides, the Indo-Pak angle lends an unnecessary air of pomposity to a film that otherwise has none. The rest of the time, if the term paisa vasool didn’t exist, it’d have to be coined for Main Hoon Na.
Copyright ©2004 The Economic Times: Madras Plus
APALA
October 25, 2007
It was a brainless fun movie and a “paisa vasool” for sure!! BTW, do you know that for the character of Raghavan (played by Suniel Shetty) Sharukh wanted Kamal!!(a return of favor for Hey!Ram?!)
LikeLike
raj
October 25, 2007
A crappy film, dont know whats the big fuss about.
Is it mandatory to play along with the director’s rather obvious and not-so-clever conceits?
That bit on a sort of school antics setting with a sudden excursion into terrorism reminds me of the rather more crappy Sundara Kaandam by Bhagyaraj.
Very ordinary movie – even iff you consider it as a take-off on a 70’s treatment – I dont know but everyone goes gaga over it – bollywood has surely blunted people’s taste.
Think Apoorva Sagodharargal – now, THAT is what you call an intelligent take, and a delightful re-make of an ordinary, much-maligned theme and screenplay.
LikeLike
oops
October 26, 2007
That movie was simply coooooooooollllll nothing more, nothing less.
Main hooooooooooon naaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
LikeLike
d-day
October 26, 2007
Raj…is AS a tribute to many tamil (MGR) films of brothers reunion,with a revenge of their father’s killer?Nagesh is a brilliant choice,charismatic,sarcastic and scaring baddies i hav seen in tamil films..
LikeLike
S
October 26, 2007
No smoking, please for this friday?
LikeLike
raj
October 26, 2007
Kamal in that role would have been cool – a pre-cursor to the Mottai Boss in Sivaji – he could have oozed style and could have showed that he can match Rajni in the style-stakes.
It would have actually elevated the movie to a uber-cool status.
But then, the role has no jodi and Kamal would hardly want to side-step and watch Sharukh havivng all the fun with Sushmita !
LikeLike
G
October 26, 2007
>She makes desi mariachis appear out of nowhere just to strum the opening guitar riff
That’s of course the literization of Kader Khan’s immortal line in AAA, “Jab bhi apun tumhe dekta hain na, aapna mann ka violin automatically bajne lagta hain” 🙂
LikeLike
d-day
October 26, 2007
Raj..nt really..he sidestepped in “Sathileelavathy” and “rama shama bama”…
LikeLike
Gaipajama
October 26, 2007
But SL did have “Marugo marugo maaru gayi” :-). Saralavaiyum vittu vekkalaiye nammalu 🙂
Dont know about RBS, though. Who was Sarala in that?
LikeLike
Raj
October 26, 2007
that was me, dont know how I was automatically assigned the nick gajpajama or whateveer. Blogical conclusion is performing tricks on me!
LikeLike
raj
October 26, 2007
d-day, specifically, we could think of Kudiyirunda Kovil where the father is murdered for bravely testifying on the villain. Brothers actually get separated in the railway station – a trick pefromed multiple times later in Indian cinema, most notably by Manmohan Desai, whom everyone quotes today, including Rangan(this is the third time I am usign this phrase today!), as the patent-holder for the lost-and-found formula. Surprise, then, that the formula was invented way back in 1960’s – and I suspect Kudiyirundha Kovil wasnt a original either so Desai, being from Bollywood, is another person to hold credit for ‘inventing’ something he didnt invent – however crazy that sentence may sound as.
Interestingly, the ‘good’ brother is mistaken for the ‘bad’ brother’s actions in KK, too. However, AS twisted it to the ‘bad’ brother actually performing the ‘good’ bad action of revenge on villains. Whereas, in KK, the ‘bad’ brother performs ‘bad’ bad actions until the climax.
LikeLike
raj
October 26, 2007
ok, my comment, which was assigned the nick ‘gajpajama’ by Blgoical C, hasnt appeared. This was it:
” d-day, but in SL, there was ‘Maarugo Maarugo’ – nammalu saralavaiyum vittu vekkalai. Don’t know about RBS – who was Sarala in that?”
LikeLike
raj
October 26, 2007
Incidentally, Double Impact by Van Damme was nothing but Kudiyirunda Kovil re-invented.
LikeLike
brangan
October 26, 2007
raj: Even before Kudiyirundha Kovil (what a soundtrack, BTW), I’m sure the lost-and-found formula existed, and I doubt that anyone claims Desai “invented” it. Just that he used it so often — and to such huge box-office results — that he’s identified the most with it. And about AS, if you wanted to find a Tamil parallel to MHN, It would be the wretched Singaravelan, which tried to be a spoof of cliches and conventions of masala movies. AS used all those tropes to brilliant effect, but it wasn’t a spoof/satire. It was straight-on storytelling. Sometimes, I wonder if you suffer from the reverse of what you accuse me of: an “anti-Bollywood” bias. 🙂
S: No Smoking and Jab We Met will be up tomorrow.
Gaipajama: Zodiac came and went before i could write a review for the paper.
raj and d-day: that was a great discussion about Rajini and the others. Allow me to add two of my favourite Sivaji performances to the list – Uyarndha Manidhan and Motor Sundaram Pillai
LikeLike
padawan
October 26, 2007
rangan, right. (before that, WHAT is your given name, I am confused whether to call you Rangan or Baradwaj).
I might be suffering from some anti-bolyywood bias, true. But I do appreciate good stuff from Bolly – Vishal’s stuff for instance. It is when non-entities are hyped(like I said, AKshay Kumar, GREAT actor or even GREAT star?That applies to the infinitely limited Ajay Devagan too), it’s irritating.
I am not claiming KK was original either – I had put in a line to that effect in the earlier post itself.
But I guess the ‘touch-point’ for you and me is equal-and-opposite – hence the diametrically opposite biases – ofcourse, you dont claim that desai invented it but most bollywood types 9the subash jha, khalid types0 assume it for granted. I cant quote but if you read standard stuff by them, you would feel it.
You are right, AS wasn’t a spoof but sorry, I didnt feel MHN was a spoof – my feeling from start to finish was that it was a serious remake of formula films. At no point did I feel a light-hearted nod or a casual spoofy dig on 70’s cinema. I mean,two words – Sunil Shetty. That disproves any intentions of a spoof angle.
I think, the ‘spoof’ angle was, luckily for Farah and S’rukh, later invented by ultra-competent, over-imaginative critics like you 🙂
There is some spoofy angle in AS, if I think of it – specifically to do with some fo the Appu scenes- cant remember offhand though.
And KK, what a soundtrack – infact, I just was thinking of posting about it.
Aadaludan is the best bhangra song I have ever heard, including agmark original punjabi bhangra songs :-). MSV, what a man! ( I dont mind sounding like Padaiyappa Abbas, figuratively ofcours, to this man!). So to say, he out-bhngra-ed bhangra itself in this song!
LikeLike
raj
October 26, 2007
what, and now I’m padawan? Ok, I wont ask your given name again. Spare me these multiple avatars, BR!
LikeLike
raj
October 26, 2007
I am beginning to get obsessive disorder of responding to comments in this blog – should control but hopefully, my last comment for the day – actually, first time I saw AS, my reaction was, “Kamal has gone and copied – and gimmiecked out – Rajni’s Moondru Mugam” 🙂
That AS was the first step towards Kamal differentiating himself from Rajni is a fact that I can deduct now from this reaction – because I didnt have too many reasons to rate him higher than Rajni those days – only from Guna onwards did my attitude to Kamal change. Guna was a grudging acceptance that this man can do stuff Rajni cant even imagine – and Thevar Magan, Mhanadhi were death knells to my “Rajni is superior” philosophy!
LikeLike
raj
October 26, 2007
Singaravelan was as ‘uvek’ as the smell of the crucial object in the one tolerable sequence of the movie – Koundamani auto-driver-ing Kamal and his meen basket.
It failed as a comedy; as a spoof;as a straight masala movie;basically, an utter failure excpet for the introduction of MTV-style song picturisation.
LikeLike
brangan
October 26, 2007
raj: I don’t know what’s casuing the change in the nicks. Maybe this happens only to those who post a tad much? 😉 Rangan’s the surname, by the way.
LikeLike
S
October 27, 2007
Raj, aren’t you from T.N?
So, how come the question of the name?
Assuming Rangan is your father’s name as is the norm in T.N, I always find it amusing when people address you as Mr. Rangan. If that is the case,What will your father really have to say about the questions of national importance over here?
LikeLike
tamimm
December 5, 2007
i love this film very much because it got alot of action in it and i love action films of shah rukh khan
LikeLike
ramitbajaj01
July 9, 2014
What a chemistry rxn! But chiffon or not, Sushmita always gives a combustion!
LikeLike