SIVAJI
AR Rahman strikes an impressive balance between creativity and the commercial necessities of a Super Star album.
APR 8, 2007 – A CURSORY glance at the credits for Sivaji â AR Rahmanâs newest collaboration with the director Shankar â reveals the two words capable of sending quavers up the spine of the most stout-hearted Tamilian: Udit Narayan. The singer, in his previous work for Rahman, treated the Tamil language as no more than a staff of sugarcane. He bit into it and spat out the stuff that wouldnât sit in his mouth and by the time he was through, all that was left was a mangled mass of chaff, with barely a trace of the sweetness once in it. And yet, itâs Narayan who lands the loveliest song of the album, Sahana. The loveliness must have been the charm, for he leaves this lush melody unscathed for the most part â though the way he rounds off his vowels still makes you wince. And thankfully, his slack is picked up by the marvellous Chinmayee, who, clearly, can will her voice to traverse any octave, reach any pitch, approximate any timbre (just contrast the brassiness of Tere bina to the little-girlishness of her longing here). Rahmanâs clever, little flourishes â a mridangam roll here, whispery backup vocals there â more than compensate for the overfamiliarity of mood, built as the song is on a haunting piece of background music from Dil Se, the one that felt like an icy gust of wind coursing through the Leh landscape.
This is a sad, wistful motif, and itâs no surprise that it segues even more organically into Sahara â a sad, wistful variation on Sahana. Vijay Yesudas navigates pretty much the same terrain as Udit Narayan, while Gomathi Sree launches unexpectedly â and rather beautifully â into Male Manivanna, from the Thiruppavai. (This inclusion from classical Tamil literature, interestingly, isnât a first for either Rahman or Rajinikanth; the former slipped in Kanrum unnaadhu into the opening of Theendai from En Swasa Kaatre, and the latter, of course, first laid eyes on Shobhana in Thalapathy as she muted the boisterousness of the Raakamma revellers with her chanting of Kunitha puruvamum.) The prelude to the far more dance-ready Vaaji vaaji has Oriental trills leading to an exquisite four-line melody that makes you imagine the contours of an MS Viswanathan stanza as outlined by a cello â but this burst of beauty is short-lived. The focus shifts almost immediately to a relentless rhythm, which functions as foot-tapping anchor to a pleasant â if unexceptional â tune sung by Hariharan and Madhushree.
What would an AR Rahman album be without Blaaze launching his latest assault on our eardrums! And so weâre asked to endure The Boss â an unholy mix of rap and distorted guitars and a staccato set of beats, the only audience for which may be alienated teens with a predilection for purple hair, nipple rings and Deathâs head tattoos. A song named after the attribute we most associate with Rajini â Style, an instance of Rahmanâs experimentation at its eccentric best â comes off much better. As performed by Rags, Tanvi, Suresh Peters and Blaaze, itâs the sound of an eighties electro-pop band like Kraftwerk slowed down to a crawl and layered with raucous bursts of hip-hop before the whole thing were rendered in Japanese. (Thatâs no joke. They may just as well have combined the music release with a game-show contest, assuring anyone who can decipher these lyrics a couple of free opening-day tickets. But I did enjoy the conceit of the imagery, Oru koodai sunlight, as if solar energy were something that could be doled out in basketfuls.) A third sop to the yo! generation arrives in the form of the terrific Athiradee, which is full of the kind of pop-culture mishmash that no Shankar soundtrack is complete without â references to Rajiniâs earlier roles (Thalapathy, Billa, Ranga, Baasha), Hollywood (Roger Moore, Eddie Murphy), even Cuban socialist icons (I was most impressed by Vaaliâs cheerful shamelessness in rhyming âCastroâ? with âmaestroâ?). The song itself â stylishly sung by Rahman and Sayanora â is equally eclectic, achieving its effects through everything from the brilliant backup vocals to the innovative rhythm patterns to the beefy twang from a guitar that appears to have wandered in from the recording rooms of a spaghetti western.
At some point, though, the most avowed rule-buster has to bow down to hoary tradition, this being a Rajinikanth film after all â and Rahman does that with Balleilakka, where Na. Muthukumar writes what are surely the most ironic lyrics ever for that sub-genre of the Tamil cinema song situation known as the Rajinikanth Introduction Number. (Would that acronym to RIN?) Koovum cell phone-in nacharippai anaithu / konjam silvandin ucharippai ketpom, he advocates, asking us to switch off the nagging cell phones and tune in to the idyllic sounds of nature instead. But even if you overlook the massive percussion that drives this thundering piece â Rahman smoothly layers in a variety of drums â just what idyll can one expect in the cinema halls as the Super Star strides across the screen in slow motion? The only hope for silence in this situation is that the audience pauses to recognise the other star of the item, the magnificent SP Balasubramaniam â who, undoubtedly, is the poster boy, at least in South India, for men of a certain size. With the indefatigable energy he still brings to his singing, he convinces you that the way to immeasurable greatness is to begin your day with a plateful of bondas.
Copyright ©2007 The New Sunday Express
Balaji
April 3, 2007
great review… nicely written as always and matches my initial impression of the album… arr has made both the rajni fan and the arr fan in me happy 🙂
“Vaaliâs cheerful shamelessness in rhyming âCastroâ? with âmaestroâ? ” – yeah, rhyming is definitely being taken to new heights(of what, i’m not sure) with each new song. i can’t be completely sure but i think that vaali rhymes ‘jet li’ with idly in the same song! And a song in ‘chennai 600028’ rhymes ‘thannanthaniyaa’ with ‘chicken duniya’!!
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brangan
April 3, 2007
Balaji – think it is “chickengunya”, i.e. the disease 🙂 But in this song, I think Vaali’s brief was just this, to come up with creative gibberish, and that I think he did. I was more disappointed with Vairamuthu’s two songs, which I found too blah, coming from him.
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Sachita
April 4, 2007
“What would an AR Rahman album be without Blaaze launching his latest assault on our eardrums!”
– That was a good one.
I just chanced upon your blog, couple of weeks ago and I really love your reviews, even more your interviews with Bombay Jayashree and Rajeev menon. I am waiting for the day when you will get to interview Maniratnam.
Meanwhile, is there a review of mozhi in the line?
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Ravi K
April 4, 2007
This is probably my favorite ARR-Rajini album so far, because of the Shankar influence in the songs These are the hippest and most eclectic songs Rajini ever received, even if he will look silly dancing to them with someone young enough to be his daughter.
Balelikka, Athiradee, and Style are rocking, and I actually like The Boss. The only song that was disappointing to me was the rather ordinary Va Ji Va Ji Sivaji.
The Roger Moore and Eddie Murphy references in Athiradee stuck out like a sore thumb. Roger Moore? Why not Connery? And how long has it been since Eddie Murphy has been cool? Did Vaali just get around to watching Beverly Hills Cop? 🙂
I was disappointed in Udit’s singing in Sahana. He’s only sung one song decently in Tamil, and that is Kadhalikkum Pennin from Kaadhalan. That was his first song and it required him to sound weird, which is why it sounded okay. Rahman has almost ruined some good songs by using singers with poor Tamil. Its maddening, since he’s an otherwise painstaking composer.
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george
April 4, 2007
With those priceless opening lines about the aural menance that is Udit Narayan — what a lovely rural metaphor to describe what he does to songs — you’ve scored another ace. I hope I will be pardoned in preferring the review to the album 😉
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Badri
April 4, 2007
Good review ……loved “Athiradee” and “Konjum Moonlight”. I am eager to see how Shankar known for his visualization, does magic with “thalaivar” on screen.
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Ron
April 4, 2007
good one, baradwaj. liked sahana, athiradee and style best. with the kind of pressure, that comes as excess baggage thanks to the big-rajni-movie expectations, rahman has delivered a terrific album. about vaali, “NRI undhan eye than, james bond pol seyyum spy thaan (sic)”? jeez! 🙂
felt that vaaji vaaji was a bit of a downer. but let’s wait for the movie to see how shankar sexes all these up.
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brangan
April 4, 2007
Sachita – thank you. And no, I’m not reviewing Mozhi. Just couldn’t see what the fuss was about. And the way people have been going on about the director, you’d think the dialogue-writer Viji had no part in the film’s watchability – while I felt s/he was solely responsible for whatever entertainment value there is here. I did enjoy Prakash Raj’s performance though. Otherwise, this felt to me something like Pudhu Vasantham – one of those films people claim is going to change the face of Tamil cinema, one of those films that’s hailed more because of what it doesn’t have (Sex, violence) than what it does – until it’s time for the masala movies again. Phew! That venting sure felt good. 🙂
Ravi K – “This is probably my favorite ARR-Rajini album so far” But the other Rajini-ARR albums were quite bad, IMO. Baba, Padayappa, Muthu… can’t listen to any of these no more. And you make a good point about the pronunciations. Madhushree mangles the ‘zha’ in her bit in Vaaji. I mean, wasn’t *any* other singer available? But those are things you don’t comment about anymore in TFM albums. You just sigh and move on, because otherwise you’ll spend the entire review pointing out these mistakes.
george – thank thee kindly, sire.
Badri – thanks. and er, it’s *konjam* moonlight 🙂
Ron – thanks. I just went to the press screening of ‘300’ today, and no one there seems to have liked the music. I tried giving some gyaan about how some music is interesting even if it isn’t the easiest thing on the ears, but I was rudely shushed 🙂
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Sriram
April 4, 2007
Baddy,
A bang on review… Def as an album Sivaji was interesting!
However, I would defnitely not agree with your comment on Mozhi… Now you make it sound like a movie should have sex and violence. Probably the warmness subject like Mozhi didn’t require violence or sex. Even if it did I would presume that you would put it to the category of formulaic movies which has a dose of all the ingredients… I personally felt Mozhi was a sweet natural movie with decent performances and very good humour. Anyways, wavenlengths differ.
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Zero
April 4, 2007
Fabulous review, sir; so full of choicest words. (I am yet to lay my hands on the album, shame or otherwise.) *Bows and leaves*
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Zero
April 4, 2007
And, Baradwaj, it’s a he. 🙂
Viji is currently one of the best dialogue-writers around and a personal favourite. He had a wonderful outing in Azhagiya Theeye, was the face-saver of Majaa, was actually good but stuck out like a sore thumb in Ponniyin Selvan, and now Mozhi.
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brangan
April 4, 2007
ayyo, sriram, i didn’t mean to say a movie HAD to have sex and violence (though that may not be such a bad idea… hmmm…) What I meant to say was that most of the praise Mozhi is getting seems to be for the fact that it is a *clean* entertainer, as if cleanness of entertainment were reason enough for the greatness of a movie.
zero – thank you sir. ah, so that’s why I had souch fun in Majaa. Do you know what his punai-peyar stands for?
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Zero
April 4, 2007
Majaa had some really funny (“Avan avan prachanai avan avanukku!” cracks me up every time 🙂 ). The dialogue was the only high point for me, though, in the film which otherwise meandered like a typical “Malayalam family entertainer.”
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bart
April 4, 2007
Yes, Rahman seems to have found a balance between his and Rajni fans thru this album. I can see ballelakka coming atleast 5 times a day in sun music.
Deciphering lyrics in style n boss is pretty tough. Overall a good album.
sidenote: Mozhi leaves you feeling good about having watched the movie at the end of it. I think that itself is a standalone feature / tribute to the movie 🙂
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brangan
April 4, 2007
Zero, thank you for reminding me of that line. Pasupathy was a total crackup in Majaa. And I *cannot* believe you haven’t yet laid hands on the album. I think you stand officially disqualified as a tree-Tamilian.
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Sriram
April 4, 2007
Thats absolutely true… watever it is, its very typical esplly in TN to brand movies to “clean entertainers” category. But I am not sure if Mozhi falling into that classification is the sole responsibility of its success and popularity. Baddy, I also fully agree your point on Viji and feel that even the smaller characters were very well written. Could have been less melodramatic nevertheless MOSTLY the performances were quite natural.
Coming to the topic, I felt that apart from the snazzy Rahman contribution in his compositions, the recording is just world standards. I am not sure if my Pioneer system has been as tweaked till I listened to Athiradi… Some mindblowing sounds!
Rahman is really one of our gems in a true sense!
-Sriram
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Zero
April 5, 2007
Guilty as charged, your highness. I’ve laid my hands on it already though. ARR has had some crazy fun despite this being a Rajini album. And, though the unreasonable fan in me wishes he had left Vinmeengal Thaandi untouched, Sahara is just lovely.
Sidenote: Viji is directing the next Prakash Raj venture. And, yeah, Pasupathi surely stole the show and made the most out of a derivatively conceived role. (“Enna porappu da idhu?!” is another line — simple and funny — that I am reminded of, I love the way Vikram says that. 🙂 )
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Ravi K
April 5, 2007
“But the other Rajini-ARR albums were quite bad, IMO. Baba, Padayappa, Muthu… can’t listen to any of these no more. ”
I agree, I never liked those albums, save for one or two songs. Might be because KSR and Suresh Krishna don’t leave their stamp on their films or music or push ARR for interesting songs like Shankar does.
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Padawan
April 5, 2007
Awesome review. Thanks. But, i quite did not get what you meant when you said
“With the indefatigable energy he still brings to his singing, he convinces you that the way to immeasurable greatness is to begin your day with a plateful of bondas.”
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brangan
April 5, 2007
Zero – what is Vinmeengal Thaandi? I don’t remember hearing that lyric. And yes, Sahara *is* lovely. The sangatis that Chanimayee does are simply exquisite.
Padawan – oh, that was just me trying to be very clever, linking SPB’s girth with greatness. Clearly, the line wasn’t clever enough 🙂
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Padawan
April 5, 2007
for that sub-genre of the Tamil cinema song situation known as the Rajinikanth Introduction Number. (Would that acronym to RIN?) – NO. It would be GIN – God (of Tamizh Cinema) Introduction Number for the sheer intoxicating effect which SPB has mastered. Now, that you have ARR, how better can you describe it other than GIN?
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Vallabh
April 6, 2007
brangan – Vinmeengal Thandi is the starting words of the BGM bit in DilSe/Uyire that you had mentioned in your review.
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raj
April 6, 2007
Br, i can see where the vent on “feel-good” movies comes from – overdoe of Vikraman-SAR I guess. This feel-good masala is just another type of masala that tamil movie fans have. Veyil is the third type of masala – tear-jerker masala , a type which Cheran is a master in as demonstrated in TT.
It is irritating because this means we’ll have to go back to 1978 and 1979 to showcase real good cinema from Tamil – udhiri Pookkal and Aval Appadithan which used the medium to full effect.
Kamal has made several great attempts but compromise din each of them for success which is understandable but then, when will we have a RGV genre, where the films may be bad but atleast experiment unfettered?
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brangan
April 6, 2007
vallabh – thanks. I’ve never listened to the songs of “Uyire” – only Dil se, so the words didn’t ring a bell. In general I have an allergy to listening to dubbed songs…
raj – thank you for getting exactly what i wanted to say. it’s not that Mozhi is a *bad* movie as such, but it’s depressing that this is what passes for a changing-the-face-ofTamil-cinema movie these days.
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Sachita
April 6, 2007
Err… I did not realize that mozhi has been hailed as the next big thing of tamil cinema. i watched without any expectations and liked it to certain extent. (inspite of Jo’s acting).
It is a decent flick.
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raj
April 7, 2007
br, on dubbed songs, try and make an exception for Rahman songs. Uyire sounds just as good as Dil se(though personally, i dont rate either high) and Swades is just bliss in Tamil – a shade better I’d say. TL Maharajan and SPB rock in the tamil version of Yun hi Chala Chal – and Sadhana takes over to better effect from Alka for Dekho Na. For that alone, it is worth paying the price.
Also, tamil version of Shiva 2006 is fabulous.
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KayKay
April 9, 2007
Dear Mr.B, read, re-read and relished your ravishing Rahman review. Apart from Sahana no other tune seems to have burrowed into my head the way an ARR soundtrack does after umpteen listens. But to be fair, Shivaji has only had 3 spins on my player so perhaps it’s early days yet.
But to comment on your statement : “But the other Rajini-ARR albums were quite bad, IMO. Baba, Padayappa, Muthu… can’t listen to any of these no more”
Allow me to rise to the defense of these much maligned albums, not in their entirety, but for the odd gem each has thrown up among the detritus of disposable tunes:
Baba: Sift through the rubble of it’s disastrous RIN and Jeyachandran warbling a funeral dirge, and you will find the exhilarating “Maaya Maaya”, sung with sensuous gusto by Karthik and Sujatha.
Padayappa: Cast the songs aside by all means, but tell me that ARR’s brief but gorgeous harmonica-laced instrumental doesn’t hook you!
Muthu: I may be pelted for this, but of the 4 ARR Rajini soundtracks, NONE has the goose-bump inducing effect of the full throated trumpet roar that opens “Oruvan Oruvan”.It’s the Gold Standard of RINs in my humble opinion!
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munimma
April 10, 2007
BR,
As usual, my first listen was not a big deal. ARR usually needs to simmer in my mind before I can start enjoying them. Has been so since Roja, (except may be Lagaan). So I will wait before I pronounce that it is too common.
Has RIN/GIN always been by SPB?
Ditto on dubbed songs/movies. (Remember the horror called Junoon?)
Didn’t these tv talent shows dig up enough tamil (well-dicted) singers?
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brangan
April 11, 2007
Dear Mr. KayKay – Oh, yes, the opening fanfare of Oruvan oruvan. I forgot about that. And thank you for what is surely the most alliterative compliment I’ve gotten so far: “read, re-read and relished your ravishing Rahman review.”
munimma – RINs, GINs, or even TINs (Thalaivar Intro Number?) have mosytly been by SPB. Remember Vandendaa paalkaaran (Annamalai), Autokaran autokaran (Baasha), Athanda Ithanda (Arunachalam)… But Baba’s Tipu Tipu was by Shankar Mahadevan. Junoon was a TV serial no?
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tk
April 13, 2007
If we were to talk about Rajini Intro Songs, I think Pothuvaaga En Manasu Thanggam from Murattukaalai still is the standout. If that song were rerecorded with today’s recording technology, it would simple sound awesome – the beats, the lyrics and the wonderful mixture of voices.
You get a bit of that feel when Rajini bursts into the song again in Muthu. Truly a RIN/TIN classic.
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Sudhir
April 21, 2007
Sivaji album is famous not just for ARR, but for Rajini. Arunachalam, Annamalai, ..etc were bit hits just for Rajini. So same applies here. Except for couple of songs all the other songs remind of MJ and other westerner’s music.
Padaiyappa is far better than Sivaji just for a reason that Rajini’s movies are not musical. So Sivaji may not be a disaster but definately not up to the mark.
Anyway when the movie gets released all the songs will be hits for Rajini’s presence.
Finally ARR gave a super hit album just like mighty australians crushed Ireland. So ARR fans need not be so proud for Sivaji’s success.
Vitta Rajini padame ARR music aala thaan hit aagum nu solluveengale? Ayyo ayyo;
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Anand
April 25, 2007
Hi Brangan,
Good to locate you again! Hope you dont move frequently;)
I agree with Mr.Kay Kay’s remark on “oruvan oruvan”. I think it is right at the top of the SINs (Superstar Intro nos.) in Tamil Cinema
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raj
May 5, 2007
tk, I am with you on Podhuvaaga but I dont think it is the intro song.
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showkath khan
May 7, 2007
shivaji album is rocking…..yeh its easy to make comments,common guys be proud of ar….he has created a name by hardwork and good music…..name a single tamil music director who has scored hit music in bollywood or in the international market,you tamilans never give credit to good people.
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rajinida
May 17, 2007
For this magnum opus of a movie A R Rahman has really elevated his music to great heights. I especially liked the elegant way in which he tunes the verse from Thiruppavai in the “Sahaara Pookkal” song sung by Gomathi Sree and Vijay Yesudas..Truly a gem..
“maale manivanna ! maargazhi neeraaduvaan !
meelaiyaar seyvanakaL venduvathu kettiel
njaalathai ellaam nadunga muralvana
paal anna vannathul paanchajanniyame…
polvana sangangal poyppaadudaiyanave
saala perum paraiye pallaandu isaippaare
kola vilakke kodiye vidaaname
aalin ilaiyaay arulelor empaavaay…”
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Qalandar
May 18, 2007
Hee hee, a fun review Baradwaj…but I must say that Padaiyappa had two songs tyhat are without equal in Sivaji (although I love Baleilakka): the addictive,bouncy title track, so alliterative it was almost like maternal cooing (had my mother been on crack, that is). And the far more musically substantial Minsara Poovea, a dark, lush, admittedly overwrought composition that is not the easiest on the years, buthas so much going on it feels less like a whole trove of songs….
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Qalandar
May 18, 2007
The last line above should have read “…less like A SONG THAN a whole trove of songs”.
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Uma
May 30, 2007
Ah! finally found someone who wonders about the fuss around “Mozhi”. It was strongly recommended by quite a few, next time will use my own judgement.
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vishal
May 30, 2007
brilliant review.
my fav song however is sahara pookal by vj yesudas and gomathi sree.
why didnt rahman make vijay yesudas sing udits version.i am sure some politics involved there.Udit narayan should be banned from south indian music industry. overall all the other songs are good.
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anil
June 14, 2007
well article about sivaji
http://www.eyekerala.com
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Dilip
June 24, 2007
I think Udit Narayan is unfairly criticized in this particular album. Sure his Tamil diction isn’t quite where it should be but what else do you expect from a guy who speaks Tamil by probably transliterating the text in English first?
Like it or not, he is the most successful singer in Bollywood and thats not by accident. There is a certain amount of rusticness in his voice that is immediately appealing (listen to ‘Jaanam Dekh Lo’ from Veer Zaara to understand what I am talking about).
If ARR in his all his infinite wisdom thinks Udit can render Sahana better than, say, SPB, how can we, arm-chair critics, disagree with him?
I’d like so sign off by pointing out what SPB once said about his singing proficiency in Hindi:
“He feels that vocal gimmickry cannot mask incorrect accents, and while he concedes that his accent and diction in Hindi are not perfect, insists that accent is secondary to singing within the context of the proper emotions required of the lyrics and moods.”
Replace Hindi with Tamil in the above and you zero back on Udit.
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S.Mohamed Ibrahim
July 3, 2007
Sivaji album is famous not just for ARR, but for Rajini. Arunachalam, Annamalai, ..etc were bit hits just for Rajini. So same applies here. Except for couple of songs all the other songs remind of MJ and other westerner’s music.
Padaiyappa is far better than Sivaji just for a reason that Rajini’s movies are not musical. So Sivaji may not be a disaster but definately not up to the mark.
I Love A.R.Rahman…………
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surekga
November 10, 2007
I liked the movie, and I like how all the actors and actresses acted. They were all great
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Prakash
September 16, 2008
I know this comment is damn late, but Ballelaika song is so deceptive. It sounded crap initially but now its almost my favourite song in this soundtrack. SPB at his best! Kudos to ARR too as he has composed such a pure rustic number.
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Saju
February 7, 2009
U are a retarted asshole!!! Sivaji’s soundtrack is the BEST!!!
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Anand CV Mallaya
October 9, 2009
the meaning of the stanzas from Thiruppavai:
“maale manivanna ! maargazhi neeraaduvaan !
meelaiyaar seyvanakaL venduvathu kettiel
njaalathai ellaam nadunga muralvana
paal anna vannathul paanchajanniyame…
Oh lord Vishnu , Oh lord who is like the blue sapphire, If you ask us what we need , In your great grace and great deeds, For our holy bath of Marghazhi, We will ask for very many conches Like the milk white conch of yours called Pancha Janya, Very many big drums whose sound can be heard everywhere, Several musicians of fame to sing “Pallandu ” Several beautiful pretty lamps, Several flags and cloths to make tents, Oh , He who sleeps on a banyan leaf at time of deluge, Please give us them all, So that we worship our Goddess Pavai.
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