FOR HER EYES ONLY
Shahid Kapoor’s female fans have the actor’s physical charms to tide them through this wan showbiz-struggler drama. What about the rest of us?
JAN 17, 2010 – FOR THE SECOND TIME IN AS MANY WEEKS, the critic is faced with a conundrum. How does one rate a film that’s not interesting enough to earn outright approval, yet not incompetent enough to warrant outpourings of spite? How, in other words, does one go about the task of reviewing a piece of mass-manufactured plastic, crafted without a shred of individuality or originality, and yet shiny enough to proffer a minimal amount of distraction? At least Pyaar Impossible, last week, was saved (to some extent) by the genre it sprang from – the romantic comedy. The falling in and out of love is rarely without its rewards, and even if there were no heartfelt epiphanies to take home, the moonstruck among us could make do with the sight of Priyanka Chopra pretending to be a public relations executive when her real occupation was to parade around in micro-pants as the hottest mom on the planet.
Genelia, unfortunately, is incapable of providing those distractions. Hers is a more wholesome appeal, that of the pigtailed girl a couple of doors away who’s had a surprise makeover. But going by the sighs of adoration from the ladies in the audience (including a couple of explicit observations about what they’d like to do with that well-toned physique of his; you go girls!), Shahid Kapoor (playing actor-aspirant Sameer) is the real attraction of Ken Ghosh’s Chance Pe Dance. The last time I overheard such lusty catcalls was when Hrithik Roshan’s torso was clothed in nothing but a patina of sweat as he wielded a broadsword in Jodhaa Akbar. Fans of Shahid, therefore, should (and will) waste no time in heading to the nearest movie screen. He dances like a dream, and he gets twice as many close-ups as poor Genelia, who plays Tina, a smitten choreographer who gradually renounces her identity so she can devote her life to being Sameer’s arm-candy. (And with the biceps in question, who’d blame her?)
Those of us who’d rather watch Shahid perform, however, are stuck with a story that’s curiously free of conflict – or rather, the seeds of conflict are, at no point, allowed to sprout into significance. In his struggle to become a star, Sameer is betrayed by a friend, doubted by his father and dropped by a director (Mohnish Bahl, who inexplicably ends up cheering the hero later). And when Sameer settles temporarily into being a dance instructor at a school, he’s jeered at by the football coach who won’t even shake hands with a man who can… dance, and to make matters worse, Sameer doesn’t especially like children. But each one of these bumps on the road is smoothed over almost instantly – a metaphor that’s inadvertently reinforced by Tina’s character arc as she transforms, under the power of love, from a supremely overcautious driver to someone who nearly causes a pileup in her haste to deliver Sameer to his destination.
As for Sameer, he abandons his starlit dreams to care for a helpless father, a development that could have led to situations where he began to resent this burdensome parent – but two minutes later, the frenzy on television (when Sameer dances his way into the finals of a talent show) convinces the father to direct his son back to showbiz. The kids in Sameer’s dance class aren’t especially skilled, and this could have led to a dash of Chak De India-meets-Aaja Nachle-style underdog intrigue – but one song later, these children win the interschool competition and that plotline is left behind. Sameer borderline-insults Tina when they first meet, and this could have blossomed into some worthwhile romantic friction – but almost immediately, they resolve their tensions. Perhaps the intent was to sidestep every possible cliché – a noble thought, no doubt, but not one that does the movie (or the moviegoer) much good.
Copyright ©2010 The New Sunday Express. This article may not be reproduced in its entirety without permission. A link to this URL, instead, would be appreciated.
Srikanth
January 16, 2010
This review,albeit not in any way linked in content,reminds of that wonderful Kamal Hassan-Jayaprada starrer Sagara Sangamam.Directed by K Vishwanath it got a national award for Ilayraaja’s score.
Talking about scores,have you given a try to Vishal Bharadwaj’s Ishqiya?My thoughts here-http://hotgas.wordpress.com/2010/01/03/music-reviewishqiyavishal-bharadwaj/
Let me know if it is any good.
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R
January 16, 2010
Recently discovered your blog. Love your writings.
For your info your reviews are copied by a member of consumer review website http://www.mouthshut.com. The id is nonuest. Here are examples of Kaminey and Delhi6 reviews—–
http://www.mouthshut.com/review/Kaminey-173046-1.html
http://www.mouthshut.com/review/Delhi_6-162241-1.html
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Shanth
January 16, 2010
Orthogonal . . Just saw Aayirathil Oruvan. Thought twas one hell of a movie. Still trying to figure what hit me. The second half was simply ming boggling. And the first half was a let down.
Would love to read your review about it, especially considering your rather elevated past opinions on the director’s abilities.
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anon
January 17, 2010
Brangan – Have you seen Ayirathil Oruvan? Simply the most ambitious movie attempt yet in Tamil. Lost it’s way somewhere towards the end, but was extremely satisfying.
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Priti
January 17, 2010
what do you think of vtv’s music??
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R
January 17, 2010
Copied reviews are edited by nonuest now. I hope you took action.
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Mambazha Manidhan
January 17, 2010
Dude , I sympathize with you having to sit through such occupational hazards which by being plain mediocre are irritants not only to the reviewer but the readers too.
Due to the onslaught of so many ‘neither good nor bad’ movies in Hindi,even your reviews are becoming predictable. 😀
I really hope Malini Mannath and you switch places for a change. May I know if Indian Express has considered it before? Not that there arent any mediocre movies in Tamil. But,it will be refreshing and interesting to see how you would review and dissect the Tamil movies that come out every week.
PS- Dreading the review of Veer.
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brangan
January 18, 2010
R: Thanks for the information. I guess I’ll just have to take it as imitation being the best form of flattery.
Shanth/anon: Will see AO soon. What’s the buzz on “Tamil-dom’s first heist film” Naanayam? Sounds interesting, no? And Porkalam?
Priti: Liked most of the songs except Anbil avan. Just finished writing a tangential sorta piece on the album for next week, in the sense that it’s about the music but it’s not a review. What did you think about the music.
Mambazha Manidhan: IE hasn’t considered this. But Malini has been reviewing Tamil films far longer than I’ve been with the paper. She’s a senior, so to speak. Like I’ve said earlier, my ideal situation would be to review “the most interesting” film of the week, regardless of language. I’d have given anything to dig into AO instead of Chance Pe Dance. But as that’s not possible, you’ve got to live with the (hopefully) occasional mediocre review.
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Rahul
January 18, 2010
You might like this list
http://www.cbc.ca/arts/story/2009/11/23/tiff-list.html
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Kiruba
January 19, 2010
Not caught AO yet?! Won’t that amount to sacrilege? Hoping you’d do a BR on it soon.
Naanayam is inspired to a considerable extent by the Statham starrer Bank Job. but it is quite well adapted, and is pretty tight and engaging for most parts, if you don’t mind sitting through the songs and Sibi.
Heard Porkkalam is a slo-mo movie. So despite Kishore, I’m giving it a miss. Beware!
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Harish S Ram
January 19, 2010
Naanayam is full of want to be movie. if you had seen entrapment, Ocean’s series, any other good burgler movie you shouldnt watch this movie. but the main reason for which ppl should avoid is Sibi! he comes in bare body, does a Bluffmaster style dance and also does something n all … God why did i go to that movie thinking Prasanna can save any movie!!
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vijay
January 19, 2010
If the previous Between Reviews piece was posted a week later, we could have included Aayirathil Oruvan along with Avtar and 3 Idiots. Selvaraghavan is unbelievably overrated.
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KPV balaji
January 19, 2010
Guess you would be watching the cut version of AO. I watched it on the second day, and looked like they have chopped of 20 mins from the second half. So the scenes kinda jump from one to the other. Leaving out the tacky CGI and atrocious lip syncs, the movie is a brilliant attempt. Hope you write a between reviews on it. Naanayam is pretty neat, they have taken inspiration from bank job and oceans series but its a decent watch if you ignore the mandatory song sequences. Porkalam seems to be a disaster with close to 75% of the movie happening in slow motion.
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anon
January 19, 2010
Naanayam was disappointing. No narrative tension at all. Very bland…
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Venkatesh
January 19, 2010
KPV: “close to 75% of the movie happening in slow motion”
Oh dear god – i was looking forward to that one. Kishore seemed to be an inspired choice as a hero and the promos for the movie are quite good.
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mohan
January 20, 2010
Mr.rangan, you simply have to see AO soon.
Mind-blowing effort and better-than hollywood story. Returning from the theatre, I thought the only thing we guys lack is a better screen plays(since most directos have no other choice but to write it themselves) and lack of money to really strive for great-looking graphics. That said, the graphics in AO only occasionally lets you down, and is mostly effective. Please do watch it. If you reviewers don’t cover it soon. may people will just ignore the film, and that would be a terrible fate for a tamil film as good as this. Come on, you can afford to watch everyday stuff like chance pe dance on 1st day, why couldn’t you make it to AO sooner?
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Arun
January 20, 2010
Anbil Avan is very interesting the way it seemlessly blends a christian and hindu wedding.. i liked it.. maybe once the videos are out we’ll like it more.. (little like smiiye smyie from kandukonden)
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Kiruba
January 20, 2010
KPV balaji: I think all theaters in TN are screening the shortened version. When I saw it first on the third day, the film was over in 155 mins and left my head spinning.
Anyone interested in the uncut version can come to Bangalore [:)], PVR is still screening the 185 min film.
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brangan
January 20, 2010
Kiruba / KPV balaji / mohan: Just watched AO this afternoon. Didn’t care much for the first half at all. Was quite bewildered by the amateurishness (which may have been partly a result of the cuts). But then the Parthiban portions kicked in and I was hooked. I really enjoyed the second half, and it make me relook at a few things that didn’t work for me in the first half as well. Certainly not up to Pudhupettai (which is my favourite Selva film), but problems and all, certainly worth a watch.
Random rant though: For a film so steeped in Tamil culture, is it so difficult to ensure appropriate lip-sync. Bloody disgusting!
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Kiruba
January 20, 2010
BR: No cuts in first half at all. Only the second half was shortened by 30 mins, methinks.
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KPV balaji
January 21, 2010
So are you writing a BR about the movie. Btw Did you listen to Ishqiya. Dil to bacha hai is so addictive 🙂
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Priti
January 21, 2010
actually, i am so completely bowled over by aaromale, that I haven’t paid much attention to the other songs, apart from hosanna, which is playing just about everywhere.
people are saying that aaromale is actually very typically blues/bluegrass, but imo, that doesn’t make it any less phenomenal in the context of Tamil cinema music. the entire album sounds like he has composed it simply to suit his own whims, its ‘quirky’ by his own admission, and i loved what i listened to the first time, even if i don’t remember them all now. maybe i am just partial. and to my ears, almost all the songs had a sad undercurrent that was a little depressing 😀
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The Normal Guy
January 21, 2010
@brangan : Reg. “Didn’t care much for the first half at all.”
What didn’t work for you in the first half scriptwise ? It was just some men on a mission faced with some obstacles such as bees,snakes,tribals etc. which I think Selva managed ok.Even the characters were designed in an interesting atypical manner. What part of the story aspect of the first half didnt you like?
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brangan
January 21, 2010
The Normal Guy: Will write about in in next week’s BR. Too lazy to fill up comment space now. So you liked the film?
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Querious
January 21, 2010
Rangan anna,next week BR piece VTV music review. No ??
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Harish S Ram
January 21, 2010
who is interested in the wannabe Harrison Ford Reema … Karthi made us laugh but thts just it in the 1st half … 2nd half desperately wants to connect with us but somehow the connection is not made … Selva is the man who had till now concentrated on capturing the characters and their travel … here cant feel the emotions of the character
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brangan
January 22, 2010
Querious thambi: This week, actually. And no, not a review as such, but a slightly more “general” piece…
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Adithya
January 22, 2010
Hmmm, is there an explanation for showing those boobs? How did they manage the censor board?
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brangan
January 22, 2010
Adithya: “boobs”-aa? Naan paathappo boob (singular) dhaane irundhadhu? Cut panna 20 minutes-la innoru boob-um kaanaama pochaa? Orey kozhappams pa! Idhukkudhaan eppavume FDFS paakkanum:-)
Seriously though, the mother had a baby on her hip and instead of lactating, her breast was spilling blood. I thought that was just a reflection of how things were, what the once-proud Cholas are now reduced to. They had nothing to eat (remember the rioting frenzy when the camels being the meat in?) and therefore no milk, and so on. Hence, censors couldn’t say no, methinks. My two cents. Feel free to chip in and offer alternate theories 🙂
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Sharon
January 24, 2010
If ever a movie deserved ‘outpourings of spite’ it was this one, and I say that as a fully paid-up member of the Shahid Kapoor fan club. The music was crap and the plot incohesive.
What about this movie factored positively in writing this review?
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