Spoilers ahead…
Eight years. That’s how long John Biswas (Amitabh Bachchan) has been chasing a ghost. His granddaughter was kidnapped and she turned up dead – he wants justice. He wants to find the kidnapper who vanished into thin air. He keeps haunting the local police station, where the top cop (Sarita, played by Vidya Balan, strangely billed as a guest star despite a decent-sized role) eyes him with a mix of pity and compassion, as though Bachchan’s character from Black had wandered off from the hospital and shuffled his way here.
Bachchan is as spry a septuagenarian as you’ve seen, but in Ribhu Dasgupta’s Te3n, he lets his shoulders slouch, his jaw drop – he wears ill-fitting shirts that suggest he’s lost a lot of weight in these eight years. He’s become something of a ghost himself. He’s also become something of a detective, tracking a series of clues that appear like magic. In crowded Kolkata (exquisitely shot by Tushar Kanti Ray), John just happens to find a little girl wearing his granddaughter’s cap. Later, when his scooter won’t start, he requests a small tool to clean the spark plug – he gets a pen that just happens to contain another clue. I began to wonder, especially with the ghostly green tint in the lighting, if the dead granddaughter’s spirit was nudging John towards the solution to the mystery.
But Te3n is very much a real-world mystery, a completely underwhelming one (adapted from South Korea’s Montage). Dasgupta is certainly talented. His vision of Kolkata isn’t one of malls and multiplexes but of paint-peeled houses and dimly lit godowns. The city seems to be as old and washed-up as John. But the prime requirement of a thriller isn’t production design. It’s… thrills. Until the preposterous final stretch (I didn’t buy a minute of it!), there isn’t much by way of thriller dynamics. We get what’s meant to be a twist at the interval point, and it’s a big “Really?”
I kept wondering why none of this was working, and I think at least part of it is because we aren’t invested in anyone’s plight. The characters are defined only through what they bring towards solving the mystery, and we keep hungering for scraps of their personal life, especially given there’s so much shared history. How did John’s wife end up in a wheelchair? Why does John’s son-in-law play such a small part in the story? Surely he’s grieving too. What is Prakash Belawadi doing here? Why not give us a few scenes detailing Martin’s (Nawazuddin Siddiqui) transformation from cop to priest? And what does Sarita do when not chasing kidnappers? You may feel these detours may have slowed down the story, but this story, in any case, moves very, very slowly. The background score desperately tries to shake things up, and it feels like a Diwali celebration in a Vipassana centre.
It’s a result of Dasgupta trying to class up the material, with themes and suchlike. Guilt is a running theme. John feels guilty that he wasn’t able to take care of his granddaughter after promising his daughter he’d do so. Martin, too, feels guilty about the girl’s death. Sabyasachi Chakrabarty plays a character who should have felt guilty about the things he’s done. I hope Dasgupta is feeling some amount of guilt too, for managing to pull together such a first-rate cast and crew and still getting trounced by Jazbaa in the battle of the South Korean thriller remakes.
KEY:
- Jazbaa = see here
Copyright ©2016 Baradwaj Rangan. This article may not be reproduced in its entirety without permission. A link to this URL, instead, would be appreciated.
abzee
June 10, 2016
That last line… ouch!
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Srikanth Govindan
June 10, 2016
Saw a movie first day first show after quite a few years and hugely disappointed by the only person I felt I never will. I felt Amitabh was so artificial! In the first ten minutes and I was bored by his expressions and never really felt any empathy for him throughout the film. You were bang on when you told you were never invested in anyone’s plight, the same that I felt. Amitabh’s wife was much more natural.
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Vasist Das
June 10, 2016
dr.rangan,
“guilt is a running theme”?
‘te3n’ is guilty of scoring a ‘z3ro’ even before they started remaking it.
the producers are guilty of choosing an already dragging, convoluted and implausible korean movie ‘montage’ .
and the writers/director are guilty of staying unfortunately too true to the original.
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Anuj
June 12, 2016
Te3n is a slow paced suspense drama that interestingly sucks you into its sequence of events. Its amusing how people who praised the genuinely boring pile of garbage like byomkesh Bakshi are going about criticizing Te3n for being boring :
http://thesimplemoviereviewer.blogspot.in/2016/06/te3n-movie-review-slow-steady-wins-race.html
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An Jo
June 12, 2016
TEEN is an extremely watchable movie. It is only for the first 20 minutes or so that one subjectively feels the lack of ‘pace.’ Later, and especially post-interval, it is a fine movie and engrossing to say the least. There are many, many fine touches and genuine moments in the film.
It’s a great addition to Bachchan filmography and he is in top-notch form here. Don’t miss this one. Reviews are being unduly harsh on TEEN.
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brangan
June 12, 2016
Vasist Das I was wondering if they made any changes to Montage. Because the climactic reveal here is SO LAME. And the characters were such stick figures, it wasn’t funny. The Nawazuddin character could have been played by anyone — what a waste of an actor. I’m not saying that actors shouldn’t take up ordinary roles. But when you cast a big name in a stupid part like this, it topples the film in ways a less-famous actor would not have.
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rohitsathishnair
June 13, 2016
Why was every other character stressing on the ‘8’ years thing (till kidnapping 2), when it could have been 2 or ‘3’(the title would have made a little more sense) easily without differences at all?
Found the film to be too talky in the first half, and the staging super slow, it felt like watching paint peel off a wall
It did pick up towards the interval, albeit in a somewhat preposterous fashion.
Still don’t know what happened with that climax…
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rohitsathishnair
June 13, 2016
There are underwritten parts…and then we have Father Martin Das…Name him Cop-turned-Priest, would it matter?
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An Jo
June 13, 2016
Out of the many moment-to-moment captivating scenes in TEEN, a couple of them stand out in my memory: a) The opening scene that is a direct throw-back to that time-less comedy, GOLMAAL…
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Arjun Mayilvaganan
June 19, 2016
This is very accurate, in my opinion. You’ve expressed a lot of what I too had in my mind. I was very disappointed that they’ve wasted such a great cast for this. I’ve been waiting for the movie to end.
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