Browsing All Posts filed under »Cinema: Kannada«

FC Recco – Ondu Motteya Kathe

May 9, 2019


A weekly series where I recommend a film-based book, a foreign film or an Indian movie. For more, subscribe to FILM COMPANION SOUTH: Copyright ©2019 Film Companion.

On Hemanth Rao’s ‘Kavaludaari’, and the triumph of treatment over plot

April 26, 2019


Read the full article on Film Companion, here: The Kannada investigative thriller (with slight noir overtones) is brought to vibrant life by the direction. A traffic cop named Shyam (Rishi) – the protagonist of Kavaludaari (Crossroads) – wants to do more. He wants to be a detective. Imagine his happiness when, on his watch, […]

Interview: Hemanth Rao

April 3, 2019


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And we hit 100K subscribers!

April 2, 2019


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Film Companion (South) turns two!

March 1, 2019


Copyright ©2019 Film Companion.

Interview: The heroines of the ‘Queen’ remakes

January 20, 2019


#Tamannaah Bhatia, #KajalAggarwal & #ParulYadav who star in the South remakes of Kangana Ranaut’s #Queen, Paris Paris in Tamil, That is Mahalakshmi in Telugu & Butterfly in Kannada speak to Anupama Chopra about the process and challenges involved with simultaneously shooting four films in different languages, the cultural nuisances they had to factor in while […]

Interview: Sruthi Hariharan

December 28, 2018


Sruthi Hariharan talks to Baradwaj Rangan about how she started her career as a background dancer before falling in love with the process of filmmaking. She talks about how rare it is for an actress in the Kannada film industry to speak her mind and about using art to drive change. The acclaimed actress also […]

Interview: Yash

December 7, 2018


Sneha Menon Desai’s conversation with Yash, star of KGF. For more, subscribe to FILM COMPANION SOUTH: Copyright ©2018 Film Companion.

50k subscribers

September 15, 2018


Almost exactly a year ago, we made the decision to branch off into a separate South channel. Today, we’ve crossed the 50,000 subscribers mark. A small milestone. A big thank-you.

“Katheyondu Shuruvagide”… A warm drama whose generic beats are elevated by the cast and filmmaking

August 16, 2018


Spoilers ahead… Read the full review on Film Companion, here: Tarun (Diganth Manchale) is one of those US-returned types. You know the type. Great job. Great salary. But he felt like a robot. Before you can say “First World problems,” he flew back home and opened a resort. Now, he faces Third World problems. […]

Interview: Ravi Varman – Part 1 / 2

June 21, 2018


@fcompanionsouth inaugurates a new series, #Journeys, with #Sanju cinematographer Ravi Varman. Ravi Varman is one of India’s top cinematographers. In this two-part video, he talks about his struggling days, moving on to early films like Jalamarmaram, Shantham and Armaan. He describes how he developed a cinematographic eye and how he acquired his learnings from big […]

Baradwaj Rangan, let’s talk about bias!

June 14, 2018


Read the full article on Film Companion, here: Because it’s impossible to have a proper conversation on Twitter, I imagine a chat with critics of my ‘Kaala’ review and argue why form is important and why ‘Mani Ratnam’ isn’t a bad word. There may be spoilers ahead if you haven’t seen ‘Kaala’. So you’re […]

The contentious nature of the National Awards

April 14, 2018


Read the full article on Film Companion, here: Musings on the country’s most prestigious film awards – and this is not about whether X deserved to win over Y. Another year. Another set of arguments over the National Awards. For instance: Did Sridevi deserve Best Actress? Indeed, under normal circumstances, would her performance in […]

Readers Write In #35: Ageing With Films

March 5, 2018


My father, who is the chief reason behind my ardent love for films, has stopped going to the theatres. My problem doesn’t end there. Once a passionate collector of movie DVDs, it is clearly evident that he has lost the interest in spending an evening at home watching his favourite film. It pains me when […]

Tamil cinema, English thoughts

January 25, 2018


Read the full article on Film Companion, here: In which I make a case that there needs to be more writing about non-Hindi cinema in English, if this cinema is to break through ghettos. I interviewed two authors at this year’s edition of the The Hindu’s Lit for Life. One of them was a […]

Happy new year

January 4, 2018


Read the full article on Film Companion, here: These are our pick of songs for the occasion from across south India. What are yours?? For the first column of 2018, I decided to do something simple: pick one song from Tamil, Telugu, Kannada and Malayalam that celebrates the new year (or at least, contains […]

Interview: Anant Nag

December 26, 2017


This is Anant Nag’s fiftieth year as an actor including five initially onstage in Mumbai. He talks about being abruptly removed from an ashram and later a Mutt in Karnataka and sent to Mumbai where he detested the curriculum. Anant recalls straying into Marathi theatre from where Satyadev Dubey introduced him to Shyam Benegal. He […]

“Dayavittu Gamanisi”… An intermittently affecting anthology about the journey that is life

October 21, 2017


Spoilers ahead… Read the full review on Film Companion, here: Rohit Padaki’s Dayavittu Gamanisi (Your Attention Please) opens with a train pulling into a station, and the last scene shows a train leaving the station. The film is an anthology of four shorts, whose chapter titles (Whirlpool, Existence, Illusion, Decision) hint at something bigger, […]

Film Companion – South

September 8, 2017


So this is a plug for Film Companion South. Earlier, all videos from this part of the country were uploaded on the Film Companion YouTube page. Now, we’ve decided to have a separate page for the interviews in Tamil, Telugu, Kannada and Malayalam (have you seen the Prithviraj interview yet?). Do subscribe and spread the […]

“Ondu Motteya Kathe”… A gentle, winning comedy whose strains of sadness are smoothed over by the hilarity

July 6, 2017


Spoilers ahead… Read the full review on Film Companion, here: One reason for my interest in Ondu Motteya Kathe (The Story of a Bald Man) was autobiographical. Finally, a protagonist I can see in the mirror. The second was archaeological, for I spent quite a bit of time trying to excavate examples of films […]