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Browsing All Posts filed under »Cinema: Kannada«
50k subscribers
Almost exactly a year ago, we made the decision to branch off into a separate South channel. Today, we’ve crossed the 50,000 subscribers mark. A small milestone. A big thank-you.
“Katheyondu Shuruvagide”… A warm drama whose generic beats are elevated by the cast and filmmaking
August 16, 2018
Spoilers ahead… Read the full review on Film Companion, here: https://www.filmcompanion.in/katheyondu-shuruvagide-review-kannada-movie-baradwaj-rangan Tarun (Diganth Manchale) is one of those US-returned types. You know the type. Great job. Great salary. But he felt like a robot. Before you can say “First World problems,” he flew back home and opened a resort. Now, he faces Third World problems. […]
Interview: Ravi Varman – Part 1 / 2
June 21, 2018
@fcompanionsouth inaugurates a new series, #Journeys, with #Sanju cinematographer Ravi Varman. Ravi Varman is one of India’s top cinematographers. In this two-part video, he talks about his struggling days, moving on to early films like Jalamarmaram, Shantham and Armaan. He describes how he developed a cinematographic eye and how he acquired his learnings from big […]
Baradwaj Rangan, let’s talk about bias!
June 14, 2018
Read the full article on Film Companion, here: https://www.filmcompanion.in/baradwaj-rangan-kaala-review-critics-mani-ratnam-twitter-conversations-southern-cinema-bias/ Because it’s impossible to have a proper conversation on Twitter, I imagine a chat with critics of my ‘Kaala’ review and argue why form is important and why ‘Mani Ratnam’ isn’t a bad word. There may be spoilers ahead if you haven’t seen ‘Kaala’. So you’re […]
The contentious nature of the National Awards
April 14, 2018
Read the full article on Film Companion, here: http://www.filmcompanion.in/the-contentious-nature-of-the-national-awards-baahubali-village-rockstars-sridevi/ Musings on the country’s most prestigious film awards – and this is not about whether X deserved to win over Y. Another year. Another set of arguments over the National Awards. For instance: Did Sridevi deserve Best Actress? Indeed, under normal circumstances, would her performance in […]
Readers Write In #35: Ageing With Films
March 5, 2018
My father, who is the chief reason behind my ardent love for films, has stopped going to the theatres. My problem doesn’t end there. Once a passionate collector of movie DVDs, it is clearly evident that he has lost the interest in spending an evening at home watching his favourite film. It pains me when […]
Tamil cinema, English thoughts
January 25, 2018
Read the full article on Film Companion, here: http://www.filmcompanion.in/southern-lights-tamil-cinema-english-thoughts/ In which I make a case that there needs to be more writing about non-Hindi cinema in English, if this cinema is to break through ghettos. I interviewed two authors at this year’s edition of the The Hindu’s Lit for Life. One of them was a […]
Happy new year
January 4, 2018
Read the full article on Film Companion, here: http://www.filmcompanion.in/article/southern-lights-happy-new-year These are our pick of songs for the occasion from across south India. What are yours?? For the first column of 2018, I decided to do something simple: pick one song from Tamil, Telugu, Kannada and Malayalam that celebrates the new year (or at least, contains […]
Interview: Anant Nag
December 26, 2017
This is Anant Nag’s fiftieth year as an actor including five initially onstage in Mumbai. He talks about being abruptly removed from an ashram and later a Mutt in Karnataka and sent to Mumbai where he detested the curriculum. Anant recalls straying into Marathi theatre from where Satyadev Dubey introduced him to Shyam Benegal. He […]
“Dayavittu Gamanisi”… An intermittently affecting anthology about the journey that is life
October 21, 2017
Spoilers ahead… Read the full review on Film Companion, here: http://www.filmcompanion.in/article/dayavittu-gamanisi-movie-review Rohit Padaki’s Dayavittu Gamanisi (Your Attention Please) opens with a train pulling into a station, and the last scene shows a train leaving the station. The film is an anthology of four shorts, whose chapter titles (Whirlpool, Existence, Illusion, Decision) hint at something bigger, […]
Film Companion – South
September 8, 2017
So this is a plug for Film Companion South. Earlier, all videos from this part of the country were uploaded on the Film Companion YouTube page. Now, we’ve decided to have a separate page for the interviews in Tamil, Telugu, Kannada and Malayalam (have you seen the Prithviraj interview yet?). Do subscribe and spread the […]
“Ondu Motteya Kathe”… A gentle, winning comedy whose strains of sadness are smoothed over by the hilarity
July 6, 2017
Spoilers ahead… Read the full review on Film Companion, here: http://www.filmcompanion.in/article/ondu-motteya-kathe-movie-review One reason for my interest in Ondu Motteya Kathe (The Story of a Bald Man) was autobiographical. Finally, a protagonist I can see in the mirror. The second was archaeological, for I spent quite a bit of time trying to excavate examples of films […]
Love on the run
July 6, 2017
A flashback to moments from Duniya Soori’s 2015 Kannada thriller ‘Kendasampige’, about a rich-girl-poor-boy couple chased by corrupt cops. Read the full article on Film Companion, here: http://www.filmcompanion.in/article/southern-lights-kendasampige The first time we see Ravi and Gowri, they’re in a theatre, half watching the movie, half making out. This poor boy and rich girl are just […]
The Amateur’s Art #21- “Kivi Maathu” (Kannada, with English subs)
June 17, 2017
See here for what this series is about. This short has been written and directed by Sandeep Kumar. Short Synopsis: Dayanand, a regular waiter at a bar is thrown into turmoil when he gets a call from his wife informing him that their daughter has eloped. The words of wisdom coming from a un-precedented corner […]
A very big man
June 15, 2017
A flashback to moments from the 1972 Kannada drama ‘Vamsha Vruksha’, the story of a widow who remakes her life. Read the full article on Film Companion, here: https://www.filmcompanion.in/article/southern-lights-vamsha-vriksha Can a man be both traditional and modern? Can a Brahmin believe in rites and rituals and the Hindu way of life (which, sometimes, can be […]
The old man and the hill
April 27, 2017
A flashback to moments from the 2002 Kannada drama ‘Dweepa’, where the construction of a dam threatens an ancient way of life. Read the full article on Film Companion, here: https://www.filmcompanion.in/article/southern-lights-the-old-man-and-the-hill Only the lower gates of the dam have been closed, and already the water levels have climbed to half the height of the hill […]
The seller of fish
March 30, 2017
A deep dive into moments from the 2014 Kannada neo-noir drama ‘Ulidavaru Kandante’, which details the search for a man through the people who knew him. A journalist is in search of a story, a story about a man named Ritchie. One of the people she interviews, a cashew nut seller named Shailesha, tells her, […]
Wheatish complexion, average build
March 16, 2017
A deep dive into moments from the 2016 Kannada drama ‘Godhi Banna Sadharna Mykattu’, which is about finding a father. And finding out about a father Shiva is one of those harried urban professionals who’s always on a call, but when his Alzheimer’s-afflicted father, Venkob Rao, goes missing, Shiva finds he has to let go […]
“Kirik Party”… A joyous, irresistible coming-of-age tale
January 8, 2017
Spoilers ahead… The Kannada hit, Kirik Party, is the latest entry in the genre we could call South India’s answer to the South Bombay movie. The vibe is similarly cool, the sensibility similarly young, the air similarly irreverent, but there’s one crucial difference. The feel is grounded, recognisably rooted. The kids in the South Bombay […]
“U Turn”… No ‘Lucia,’ but still a smart, engaging mystery
May 28, 2016
Spoilers ahead… Pawan Kumar is the rare writer-director who does justice to the job descriptions on either side of the hyphen. U Turn, his follow-up to the buzzy and justly acclaimed Lucia, begins with a lovely scene, in an auto, between Rachana (Shraddha Srinath) and her mother. The scene is essentially to establish that the […]
September 15, 2018
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