Spoilers ahead…
Fahadh Faasil has been on such a quality run of late — the thought running through his mind as he evaluated scripts appears to have been “Will this movie take Malayalam cinema to the next level?” — that it’s a bit of a relief to see him in a pure genre film like Athiran. Good actors need to do this, occasionally — they need to cut loose, have fun. He plays Dr. MK Nair, who’s been sent to a mental institution. You’re imagining a hospital, right? Wrong! This is a Gothic mansion situated in the middle of nowhere. Early on, when someone says you have to cross two hills to get to it, it doesn’t look like he’s joking. It’s probably easier to get to the moon. Only, the moon doesn’t have labyrinthine passageways, flooded with ghostly green light and populated by the odd black cat. As a lifelong fan of pulp-shlock, I was practically purring with anticipation.
And what characters we meet inside, beginning with the silver-haired chief doctor (Atul Kulkarni)! His name is Benjamin Diaz and he keeps chomping on enormous cigars — a Freudian would say he’s trying to overcompensate for something. Then, we have Renuka (Lena), who manages the property. One look at these two, and you know the lunatics have taken over the asylum — and the patients are even better. There’s a spooky nun-like figure, given to quoting scripture. There’s a woman who’s always smiling — and when she’s not smiling, she’s flashing the audience “I know something you don’t” looks. There’s a man who keeps saying “schadenfreude,” as though auditioning to be in the next Prithviraj thriller set outside the country. There’s a painter who divines the future. On his canvas, you see images of things that are about to happen — like the fact that MK Nair is soon going to be surrounded by snarling dogs.
But the screenplay (by PF Mathews, and set in the 1970s) doesn’t know what to do with these characters. They are all some kind of red herring, and when you think back on the film, directed by Vivek, you realise how little they add to it. It’s the same with the strange, theatrical-sounding lines (“Sheep don’t hunt. They are to be hunted.”) — they seem to mean something, and later, you see they really don’t. Ghibran’s huge score is another red herring, making us anticipate jump scares where there are none. The narrative has no rhythm, and (except for the reveal at the end) the scenes don’t lock into one another to provide a continuous emotional through-line. (At times, we seem to be watching a stuffy costume drama.) Athiran wants to be slick, and that’s not necessarily a bad goal — but it cannot come at the expense of sense.
Take the hypnotherapy scene. MK Nair scoffs at the technique, but Benjamin Diaz soon has him under. Why does he not use these powers to probe into Nair’s intentions, or to prevent Nair from doing things he doesn’t want done – like meeting Nitya (Sai Pallavi), the key to the mystery? She’s another patient here, and at least for me, the film’s sole point of interest. I can’t say if Sai Pallavi portrays her condition accurately, but it’s one of the most interesting, disorienting portrayals of mental illness I have seen. The first time we see her, her face is covered by a curtain of hair — and when it parts, there’s not a trace of makeup. Her fingers and toes stick out at odd angles. She carries herself with exquisite poise, the gracefulness accentuated by her long limbs, her long hair. Instead of “acting” the hell out of the showy part, she allows herself to just inhabit the character. It’s very affecting. She does so much for the film that I wished it had returned the favour.
Copyright ©2019 Baradwaj Rangan. This article may not be reproduced in its entirety without permission. A link to this URL, instead, would be appreciated.
Lakshmi
April 21, 2019
Happy Birthday, BR! 🙂
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brangan
April 21, 2019
Thanks Lakshmi.
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Vikram s
April 21, 2019
Hi BR, happy birthday…any plans of writing about Kalank and Kavaludari.. .
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krishna prasad
April 21, 2019
MAY YOUR INK NEVER RUN DRY. Happy Birthday BR. Thanks for making life more bearable just by your wonderful usage of words.
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Sutheesh Kumar
April 21, 2019
Happy Birthday BR☺️
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Mank fan
April 21, 2019
Happy birthday BR Sir. I am going to reinterpret a quote from a great film luminary – “Not to have read the film reviews of Baradwaj Rangan means existing in the world without seeing the sun or the moon” 😂😂…Hope you have a good one.
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Ratish Ravindran
April 22, 2019
Belated Birthday Wishes BR!
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Pranav Venuprasad
April 22, 2019
” There’s a man who keeps saying “schadenfreude,” as though auditioning to be in the next Prithviraj thriller set outside the country.” – That is typical BR!😂😂
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brangan
April 22, 2019
Thanks for the wishes, guys.
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Sutheesh Kumar
April 23, 2019
Fahad is so good in the action sequences in all his movies. There’s a certain effortless grace to his moves, stylish and crisp. Plus he is a good runner on screen.
BR, if you ever interview Fahad, kindly ask him if he’s trained in any of the martial arts.
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AramPesu
April 23, 2019
Happy Birthday Baradwaj ! Nice review thanks.
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KayKay
April 24, 2019
So….that would mean a Happy BELATED birthday from me, B Man!
Wishing you many many many more, with health as vibrant as your prose.
I simply haven’t been able to think about any other film these last 2 weeks, my nerve synapses sparking at the anticipation of watching just ONE.
Your list of assignments are probably as long as my arm, so I don’t suppose there’s a chance of you penning a few words about the movie that’s:
The culmination of a 10 year, 21 film cycle?
Tipped to out gross Avatar in ticket sales
Crashed servers in the US within hours of tickets going on sale online
Fully sold out in every major cinema here in KL as of a week ago (IMAX shows sold out 2 weeks ago)
Fully sold out in every major cinema in New Delhi (Source: My cousin who lives there)
Until then, have a beer on me…………..and a babe on you
…..and you thought you’d be free of KayKay’s annual Double Entendre laced greetings didn’t you? 🙂
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Kay
April 24, 2019
Adding my voice to KayKay’s request too.
I had set an alarm for 12 am to book tickets and all I could manage was 1 ticket for the 7.20pm show on Monday! 🤷🏻♀️
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Dracarys
April 25, 2019
Howlarious review! 🤣👌
” a Freudian would say he’s trying to overcompensate for something.” – you are completely screwed over by the ‘world cinema’ 😂
Loved every bit of the review!
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