The film is so wretchedly written, tonally so all over the place that it set my teeth on edge – especially the relentless cutesiness.
Spoilers ahead…
Tony is a shady man who specialises in smuggling people into countries, and at one point, in front of two potential illegal immigrants, he refers to the map of the United Kingdom: “Yeh English Channel hai. TV channel nahin jo remote se paar kar sakoge.” It’s a bad joke. Actually, it’s a terrible joke. But when it came up in Angrezi Medium, I half-smiled. It’s because of the actor playing Tony: Pankaj Tripathi. He softens his speaking voice – it’s as though his larynx has been upholstered with velvet. He affects campy mannerisms. In other words, he tries. Even if he’s selling shit, a good actor knows he’s got to make it smell sweet.
That’s what Irrfan Khan does, too. And Deepak Dobriyal. And Radhika Madan, whose character gives the film its title. She plays Tarika, the descendent of an ultra-conservative mithai-making family in Udaipur. (Her father is the Irrfan character, who’s named Champak.) Tarika wants to do her higher studies in the UK, and there’s a core of genuine emotion here. Her father did not take her mother’s wish seriously, when she said – during the wedding – that she wanted to pursue her post-graduation. He laughed it off, and the woman died a little after giving birth to Tarika. Champak, who now realises his mistake, tells his daughter that that’s what happens when your dreams are snatched from you: you lose your reason for living. He does not want the same thing to happen with Tarika.
This could make for solid drama. But the director, Homi Adajania, is unable to settle on a mood. Angrezi Medium is so wretchedly written, tonally so all over the place that it set my teeth on edge – especially the relentless cutesiness. We get “cute” father-daughter scenes like the one where Tarika comes home drunk and “cutely” tries to avoid Champak, followed by a “cute” courtroom scene where Champak’s “cutely” eccentric extended family awaits a verdict on who inherits the brand name of their business, followed by a “cute” airport scene (in London) where Champak “cutely” tells a suspicious officer that he deals in drugs (he means medicines, of course)…
The result is near-unwatchable. I found myself yearning for the deliberate inanity of Baaghi 3, which was at least single-minded about its purpose. (Sell Tiger Shroff! Sell Tiger Shroff! Sell Tiger Shroff!) In Angrezi Medium – which is about Champak’s efforts to get Tarika into a top UK college, by hook or by crook – we don’t know what’s being sold. A melodrama, replete with dad-humiliation scenes and ungrateful-daughter scenes? A sentimental tale that wants us to wipe away tears and say “Look at the things a father will do for his child”? A condescending comedy about bumbling hicks, with slapstick car chases? A drama about a young girl breaking free from her orthodox upbringing? By the time we get to the truly bizarre subplot with an estranged mother/daughter (Dimple Kapadia, Kareena Kapoor Khan), all bets are off. The constantly screaming child two seats away from me quickly became the second most annoying thing in the theatre.
Copyright ©2020 Baradwaj Rangan. This article may not be reproduced in its entirety without permission. A link to this URL, instead, would be appreciated.
Sri Prabhuram
March 16, 2020
Whoa! Haven’t seen you write about a sequel/spinoff that really pushed your buttons. (And I thought Baaghi 3 was the one to do it!)
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nikkie1602
March 16, 2020
That was an abrupt end to the review! I always look forward to the bad reviews. Your review of Teraa Surroor is one of my favourite reviews of all time 🙂
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Arpita
March 16, 2020
Hindi Medium was one of the worst movies I have seen in the theater. Dont know what made Irfan choose it and choose a sequel as well!
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Anu Warrier
March 16, 2020
Hindi Medium was ripped off from the deliciously wicked Salt Mango Tree though the makers claimed not. I found it hard to sit through that one, and what I saw of the trailer here was enough to make me want to poke my eyes out. It should be made a crime to take fantastic actors like Irffan, Deepak Dobriyal (who, damnit, never seems to get roles that make use of his talent), Pankaj Tripathi, Radhika Madan – and even Kareena and Dimple, who are competent actresses – and make this bilge.
And I actually liked Homi Adajania’s previous films. 😦 This film was credited to four (or was it five?) writers, and I really do think too many cooks spoilt the broth.
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KayKay
April 29, 2020
RIP Irffan. A great actor, regardless of what his final film turned out to be.
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