The Madras Music Academy conferred TM Krishna with the Sangita Kalanidhi, the highest award in the Carnatic music scene. While some musicians have come in his support, others have registered their protest by returning awards and boycotting the Music Academy Conference 2024. https://www.google.com/amp/s/www.indiatoday.in/amp/music/story/explained-controversy-around-musician-tm-krishnas-sangita-kalanidhi-award-carnatic-vocalists-ranjani-gayatri-and-harikatha-exponent-dushyanth-sridhar-withdraw-from-the-academy-2517733-2024-03-21 For those who want to talk about this issue…
July 6, 2023
By Jayram Sataluri To celebrate Dr. M Balamuralikrishna’s 93rd birthday today, I provide a brief analysis of a Dikshitar Kamalamba Navavarna Krithi he rendered at the Music Academy during December 1968. He is accompanied on the violin by T Kesavulu and mridangam by the southpaw Tanjore Upendran. I thank my friend Raju Asokan for uploading […]
May 28, 2023
This is a translation by V Vijaysee (who comments here as Vijee) of a Tamil short story by Lalitharam, based on a real-life incident from the life of the nagaswara vidwan Karukurichi Arunachalam. Author’s Note: Recently, I translated a Tamil short story by Lalitharam based on a real-life incident from the life of the nagaswaram vidwan, […]
July 6, 2021
(by Jayram Sataluri) To celebrate the 91st birthday of Balamuralikrishna aka BMK, I’m sharing a “review” of a concert recording at the Krishna Gana Sabha in the year 1977 which I was fortunate to obtain from a friend. Alongside BMK in the concert are two living legends: M Chandrasekaran aka MC on violin and Umayalpuram K […]
July 6, 2021
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March 31, 2021
Kaa vaa vaa: The pleading in this song kills me every single time, especially after reading Kala Krishnan Ramesh’s extraordinary volumes of Murugan poems. Sujana jeevana: ‘Ramar-ukku alangaram pannra paattu‘ is how someone described this beauty to me. Later, I realised it was not just physical ornaments , like a bangle or a crown. It […]
February 2, 2021
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January 11, 2021
(by Jayram Sataluri) It was Sunday, April 17th 2011. I was at JP Stevens High School in Edison, New Jersey waiting outside the school.I did not have the exact money to pay for the ticket. But a family friend who I hadn’t seen in a decade understood my predicament and paid for it. I paid […]
July 6, 2020
(by Jayram Satluri) “What a wonderful time I’ve having tonight!” I whisper to myself as I am watching greatness on the dais. The main vocalist has just mesmerized the audience with a terrific sub-main for 50 mins.His youthful enthusiasm and his beautiful voice have completely touched my heart and soul.He has just started the next […]
December 13, 2019
Music Season’s Greetings! I don’t write as much about Carnatic music anymore, so when @MadRasana asked me to be in conversation with Dr S Sowmya, I jumped at it. It’s not hardcore classical. More like a dive into a musician’s mind. Do share/ comment. For more, subscribe to MadRasana Official: https://www.youtube.com/channel/UC7NdODNgLYVKKs6a6VCKHQQ Copyright ©2019 MadRasana.
December 5, 2019
A plug for my friend Sathya Saran’s book: HARIPRASAD CHAURASIA: BREATH OF GOLD, in her words (from the book). I thought it would be of interest to many readers of this blog. .1957. He watches the terrain swiftly sweep past, as the train rattles along. He is leaving behind everything familiar. Home, family, friends, and […]
July 6, 2019
(by Jayram Sataluri) To remember and celebrate the life of Dr. Mangalampalli Balamuralikrishna whose birthday falls today (July 6th), I would like to share my reminiscences of the first time I ever saw him live in the US. Let’s hop into a time machine and travel back to June 4th 2006. This was held in […]
October 14, 2018
2018 marks 25th anniversary of Ilaiyaraaja composing and recording a Symphony with Royal Philharmonic Orchestra, London. At that time he was the first Asian composer to do so. The Symphony was never released to the public and Ilaiyaraaja has largely remained silent about this work since then. This is a write up leading to celebrate […]
August 24, 2018
As the nation celebrates its 72nd Independence Day, we need to have a dialogue between those who read India right and left. Before I venture further, I must admit this. I have never been too fond of labels which are, more often, borrowed constructs placed out of context. So, I am going to use the […]
August 3, 2017
My video interview with TM Krishna, on Tamil film music. (The promos appear first — these are bits that did not make it to the final cut of the interview.) Copyright ©2017 Film Companion.
July 16, 2017
You are returning home at the end of another mundane day at work. Your idle mind is starting to play games with you. You suddenly catch yourself questioning the choices you have made in your life (“maybe I really should have done MS instead of MBA, maybe I should have avoided all the show boating […]
January 28, 2017
Meandering thoughts on music based on a few recent happenings. When the Carnatic musician TM Krishna unveiled Chennai Poromboke Paadal a couple of weeks ago, it felt like the musical world’s answer to the fall of the Berlin Wall, facilitating a crossover between two hitherto separate realms. “Poramboke” refers to land set aside for communal […]
December 16, 2016
Our annual feature, where ‘Metro Plus’ staffers (names changed), all newbies to Carnatic music, raise questions about the Season. Baradwaj Rangan attempts to keep a straight face and provide answers. An earlier installment can be found here. Dear BR: Why are most popular ragam-s named after women? Bhairavi, Arabhi, Kalyani, to name a few… – […]
March 19, 2016
If Chitravina N Ravikiran has his way, couplets from the ‘Tirukkural’ may soon be part of the Carnatic repertoire. Last December, while preparing for his session at The Hindu Lit for Life 2016, Gopalkrishna Gandhi selected 34 couplets from the Tirukkural and asked Chitravina N Ravikiran to set them to tune. Gandhi had just translated […]
December 10, 2015
You could drive yourself crazy debating whether the Music Season should be held this year. Baradwaj Rangan draws up a pro-con list. Con: Isn’t it awfully insensitive to go on stage wearing a silk sari in a carefully chosen shade, with carefully coordinated accessories – when so many people don’t have clothes to wear? Pro: […]
March 22, 2024
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