OSCAR AHOY
NOV 30, 2009 – CAN A FILM BE COMMERCIAL, incorporating songs (wonderfully tuned by Shantanu Moitra) and ingratiating product plugs, and yet not too commercial, wanting to embrace a wide audience but not at the cost of losing its soul along the way? Aniruddha Roy Chowdhury’s beautifully bittersweet Antaheen somehow finds that magical mean – not alienatingly arty, yet not panderingly market-minded. Rahul Bose, the lead, introduced the film as having been a big success, and you have to wonder how. The language meanders easily (i.e. naturally) between Bengali, Hindi and English. The relationships are extremely sophisticated and resist facile happy endings. The performances are alive, yet extraordinarily muted. (Aparna Sen, who play Bose’s sister-in-law, makes you wish she’d stop directing and get out more in front of the camera.) However did a mainstream audience respond so positively to this? I’m still rubbing my eyes.
BEWARE, ALWAYS, A FILM THAT, in its early stages, subjects its audience to the sight of a mountainside trapper-hunter skinning the hare he’s just killed – even as the fur comes off in one smooth (and revolting) motion, we can be sure that the director, Florian Eichinger, is out to do more of the same. In Without You I’m Nothing, he peels the layers off an estranged father and son, whose relationship is so benumbed as to be nonexistent. But underneath, there’s raw flesh – simmering resentments built up over years and stashed away in cold storage, seeking desperate release. It all comes to a head in the presence of their respective partners, who are both involved in the attempt (as we are) to figure out what exactly went wrong. But the answers, when they arrive, are hardly worth the wait, and nothing you haven’t already witnessed in a hundred other dysfunctional family dramas.
THE CLAMOROUS PREMIERE OF The Rite of Spring! The story behind the unveiling of Chanel No. 5! The stormy affair between the creators of these twentieth-century cultural signposts! How could anyone not want to be in the theatre screening Jan Kounen’s Coco Chanel & Igor Stravinsky? And yet, the hype formulated in the mind far exceeded the reality. After a stunning opening sequence, the film – while always respectable, and who can complain about the music or the fashions? – never quite latched on to how the melding of two great creative minds (and bodies) informed their lives and their art. At least the former is followed to some extent, thanks to the composer’s long-suffering wife. But was the headiness of Chanel’s perfume the result of romantic uplift? By the end, we never really know.
DESPITE THE OSCAR-NOMINATION HOOPLA (or perhaps because of it), I confess I somewhat dreaded walking into Harishchandrachi Factory. Would this be, I wondered, one of those drearily life-affirming tales of survival and victory against all odds, the noble – which usually translates, in film-language, to insufferable – struggles of Dadasaheb Phalke in making our first feature film? But first-timer director Paresh Mokashi, in an inspired stroke of mad genius, treats his story as grand burlesque, which not only transforms the serious into the comic, but also mimics the earliest of cinematic conventions. Phalke, blessed with the world’s most sympathetic family, comes off as an endearing amalgam of nutcase and nationalist, and it’s only fitting that his efforts have been recorded in Marathi. The first time his finished film was screened for an enraptured audience, I had gooseflesh.
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Arijit
November 30, 2009
i somehow think that this film has a better chance than the previous ones that have been sent to oscars from india…other than perhaps lagaan and rang de basanti to some extent none of the selected entries told a tale that was unique to the land and yet universal in its appeal…and in some cases the choices were appalling…
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G@|\|E$#
November 30, 2009
Rangan, Was Road, Movie screened in IFFI?? Heard rave reviews from whatever blog I could lay my hands on
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brangan
November 30, 2009
G@|\|E$#: No Road Movie. You’re talking about the Abhay Deol starrer right?
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Avik
November 30, 2009
Welcome to the quintessential oh-so-intellectual urban Bong viewership. 😀
I am not sure how BIG the success Antaheen is, but having seen the film I know it’s bound to do well in Kolkata and other urban centers. I have heard gushing praise from teenage-cousins, my friends and middle age aunties. Of course having Aparna Sen and Sharmila Tagore in the caste, really good music and overall good quality production level (Kolkata never looked so good on camera) helps. But most of all it’s this kind of films we, ‘plain-living-high-thinking’ people wait year around.
There’s nothing like deep monologues about broken relationship and romanticism to get the Bengali heart racing. 🙂
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Bala
November 30, 2009
Any chances of seeing” harishchandra… ” on the big screen in other states ?(Bangalore for instance ? )I do hope so …
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Anu
December 1, 2009
Thanks for the heads- up on Bombay Summer as well as on Antaheen. Thanks for the balanced reviews – I read all of them, even if I comment but rarely. Had heard good things about the former movie, and am wondering how to get my hands on either or both of these – as well as on Harischandrachi Factory. Here in the good old US of A, the only ones that make it to the theatres are the Hindi potboilers, and if you happen to live in NJ, Tamil potboilers (and not necessarily the good ones!. For a film buff like me, not being able to watch the movies I most want to, is killing!
And yes, I was wondering about Road, Movie too – I like Abhay Deol’s choice of movies, and like Aamir Khan’s choices in commercial cinema, his films are usually watchable (and mostly sensible).
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prasun
December 1, 2009
The ending of Antaheen was so unnecessary – is the need to not have ‘facile happy endings” so big that the it doesn’t have to make any sense?
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brangan
December 1, 2009
Avik: Is Antaheen a one-off, an aberration? Or do films like this appear fairly frequently? Because even if they’re only metro-hits, it’s fantastic that such classy mainstream films are being made. Maybe because it’s my first such film, I was blown away by the overall quality of the achievement.
prasun: Hmmm… But there was a sense of foreboding throughout the film, no? And there was also the sense of unfulfilled destinities (as through the incident narrated by Sharmila’s character). I thought it fit in well… and (SPOILER ALERT) I also liked the fact that they made it a random accident, as opposed to a villain’s doing. I mean, shit happens 🙂
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Avik...
December 1, 2009
Hello Rangan-san 🙂
No, I won’t call Antaheen as abberation. I think in last 3-4 years similar films are being made in Kolkata, at least one a year (maybe more). Top of my head I can remember “Chalo, Let’s Go” by Anjan Dutta last year, which was a success too. I am sure more are there but not able to recollect right now (staying in Bangalore for last 7-8 years, my knowledge is limited to word-of-mouth from friends and occasional review in Bengali newspaper’s online edition).
Not all of them becomes a ‘hit’ like Antaheen, but a few works. And yes, as I have mentioned the overall quality of Antaheen is exceptional but that’s from production point of view. Other films are equally good if not better in terms of acting, treatment, maturuty of the subjects etc.
To think of it, Bengal long had a tradition of making good, metro-centric films, but the recent multiplex boom and infuse of coporate money are having a positive effect on financing and as a result on quality.
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Aravindan
January 31, 2010
Antaheen was lovely BR. Thanks for pointing it out to me(us).
SPOILERS
Did you think it would have been better if Abhit never got to know that Brinda is that online buddy? (You know, that Kite thingy, the painting etc.,). Or it was deliberately done to cut a parallel to both the other stories, endlessly waiting for a stranger (sharmila) as well endlessly waiting for a partner? (aparna).
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