Read the full review on Film Companion, here: https://www.filmcompanion.in/caught-2018-sir-review-rohena-gera-tillotama-shome-baradwaj-rangan/
Whatever the opposite of “hard-hitting” is, that’s the flavour of Rohena Gera’s miniature-size drama, Sir. I mean this as a compliment. A lot of Indian filmmakers get into festivals by pushing the right buttons — and Sir (which played at the Cannes Critics’ Week) does tell a story that touches on cities and villages, the contradictions in Shining India, the plight of widows, class structure, and so forth. But the director’s success is in making a film first. She is no doubt invested in these issues, but she isn’t beating her breast and wailing — whatever she wants us to think about is folded into the story and the characters, like spinach in an omelette. It is Good For You™, no doubt, and it will provoke healthy discussions, but you don’t taste the spinach.
Ratna (Tillotama Shome) is a maid. That’s the word some of the characters use, though her employer, Ashwin (Vivek Gomber), would probably call her his domestic help. Despite his obvious wealth (courtesy the family’s construction business), he doesn’t treat Ratna like a slave. He says “Thank you” whenever Ratna brings him a cup of tea, or fixes a meal — the way we’d thank the waiter in a restaurant, even though he or she is just doing the job they are being paid for. It’s the reflexive kind of niceness you find in people who don’t look down on others. In the hands of another actor, Ashwin may have come across as bland, lacking colour and character, but Vivek Gomber makes us see a man who knows that he is privileged but doesn’t see why that makes him very different. It isn’t self-effacement, either. Ashwin just is.
Continued at the link above.
Copyright ©2018 Film Companion.
Srinivas R
May 16, 2018
this sounds like a must watch… hopefully will catch it in Amozon Prime or Netflix sometime soon…
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Rahini David
May 16, 2018
Very nicely written.
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Anu Warrier
May 16, 2018
It will have to appear on Netflix or Prime for me to be able to watch this. I hope it does. It sounded very different.
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sanjana
May 16, 2018
I don’t know why but I am thinking about one Ahuja.
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KM
May 16, 2018
Nice write up, will never show up in our local theatre but may be on Netflix or one of Indian movie channels.
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Enna koduka sir pera
May 17, 2018
Nicely written.
“Even if we do not discriminate, are we really equals?”
A great question to ponder about. Some thoughts on this question. The social barrier between different classes need not arise out of discrimination per se, but also because of marked differences in thinking, behavior as well as social setting. As long as one class does not think itself better than the other and acknowledges and respects the differences, there will be mutual respect. Two decades ago, as children, it might have been easier to make friendships across classes since most of the play happened outside with other children and not necessarily with expensive playthings/tours. So,as children, they would have observed minimal differences in the economic/social status of their peers. But, as adults, it becomes more and more difficult. So much of our activities/conversations with friends have become closely linked with the money we possess (eating out, watching a movie, making trips to name a few.. of course there might be a few friends we hang out with to just talk about things/life/books) that maintaining friendships across classes requires understanding and sacrifices from the wealthier ones so that the other person doesn’t feel left out. Relationships/marriages across get more difficult as each partner has to adapt to the social setting of the other partner so as to not feel left out. I largely see the bygone era movies with marriages across class divides as fantasies. I hardly see any examples in real life. “Manasu othu pochuna adhuve podhum” is not that straight forward a route for these to happen. Neethane En Ponvasantham sort of touched on this subject.
On a tangential note, I have opposing thoughts on the RTE act and the compulsory allocation of some number of seats for under privileged children in all private schools. While this is a policy that enables children from under privileged background to get similar opportunities as the privileged ones, psychologically, I am not sure how much the under privileged children feel integrated/left out in the midst of peers who are from a different societal class. Again, back in the day, this might have been very effective. But, these days with expensive toys and leisure-time activities for children, am not sure how this will help.
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sanjana
May 18, 2018
I think many dont discriminate. Only few do so. In educational institutions, there is a healthy mix of students belonging to poor as well as rich backgrounds and also from different stratas. No one gives a thought about these things. And no surprises if love blooms and culminates into marriages. Nothing is static. The ugliness happens only when one takes undue advantage of a situation. Education is the only way to minimise these distinctions. Education gives a person equality in perception. If that maid had a post graduate or atleast a graduate degree and could not find work due to lack of opportunities, she is on equal footing with the man even if he is very rich. We have seen how in real life, girls refusing someone from a different background and getting killed. When boys do so, they escape this fate and the girls move on or are simply heart broken.
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Kasthuri
May 23, 2018
This is so beautifully written. I picturised the moments you described. Seems like a must watch.
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Mehak
July 21, 2018
Hi. Where can we watch this.
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brangan
February 14, 2020
“Rohena Gera finds an ingenious way to end her narrative. I’ve seen some Western reviews from Cannes that don’t really ‘get’ the story but this one from an Indian critic makes sense to me. Baradwaj Rangan points out that Gera covers several important social issues in Modi’s ‘Shining India’ but that she first makes a film rather than an argument. I think he’s right. ”
https://itpworld.wordpress.com/2019/10/01/not-just-bollywood-sir-india-france-english-hindi-marathi-2018/
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Ramit
March 7, 2020
Finally, this movie is getting a release.
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kasthuri
December 28, 2020
I just saw this movie. Man, i wish the movie the continued. I wanted to know more about what happens to Ashwin to Ratna. Does he take her to the US ? Does she love her new job and find someone she likes in Mumbai ? Such beautiful characters and played so beautifully !! I was so immersed in it and didn’t want to come out of their world. What a poetic end too.
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Kay
January 24, 2021
Finally got the chance to watch this movie. Somehow I didn’t find it convincing that Ashwin would fall in love with Ratna. There weren’t enough ground breaking moments where Ashwin feels that Ratna can be trusted. Sure she’s around from the time he wakes up to goes to sleep, but for most of the movie he doesn’t really see her. The one scene which could justify this shift in feelings is maybe when he sits in the kitchen while she’s making lemonade and talks to her about her dreams. Even the scenes that follow – buying a fashion magazine for her or the sewing machine – seem very platonic. But for this point, I loved the movie and I smiled in the end. Would have loved to know what happened to the characters.
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